i can't art but i try

a little thing for @alto-tenure for their birthday, inspired by their amazing fic killing me slowly !!  an absolutely brilliant fake dating!au i’m so so so hooked on :))!

These are the basic shapes I was taught, and I use. Standard lipsync shapes;; 

You have your closed mouth to open, to clenched teeth, to oohs, and your (often optional) F, L, and TH mouths.

Tips!

Your top teeth don’t move;  I mean, stylistically it happens sometimes (Gravity falls does it fairly well, as much as I haaaaate that), but your lipsync will prolly look better if they don’t.

My clenched teeth (SH) mouth is always a bit wider than my biggest AH mouth. It adds variation and helps your shapes blend more nicely. Conversely, my biggest AH mouth is narrower than my SH mouth and my closed (M) mouth.

My L mouth is a tiny bit more closed than my biggest AH, and not as closed as my second biggest AH. It fits between them nicely so that if you have to go from an L to an AH mouth, like you would for the word “Like” or “Love”, it doesn’t pop or look weird.

My R and oo mouths move forward on the face a bit, it adds dimension, and if you leave it all in the same place and have the mouth just shrink into a circle it miiiight look weird.

Aaaaand I think that’s it?  Never go from a SH mouth to a TH mouth, it’ll pop and look weird…uhhh;   Also! It’s alright to skip some shapes;; So below is a lipsync I made using the above shapes;

It’s clear what they’re saying, the mouth is moving nicely, but there’s only one problem. Veeeery rarely do they give you enough time to use all the mouths you want to make it move nice. Voice actors talk fast to fit everything in and holycrap do we hate  love them for it.

So here’s a fast one.

Bodies:

how to draw arms

*Hands*

How To Draw Hands

hands hands hands

more hands

another hand tutorial

How to draw butts&thighs

draw knees

draw feet

Kneeling + Sitting ref

Body anatomy help

The male torso

Muscular male with bow stock photos

Lots of Stuff

All about the human body

Pose studies

100+ anatomy references

Sitting poses

pose reference blo

realistic woman body ref

male body

Pose Maker

Poses

hundreds of pose references wowie

a guide to figure drawin

torso reference

How to draw penis

Penis ref

Kissing ref

Faces:

Drawing expressions    

Creating expression

Avoiding same face

How to draw faces

*Heads

Heads&Angles

contouring and highlightin

drawing eyes

*How To Draw Noses

drawing ears

how to draw profiles

*How To Draw Lip

lips ref

lip tutorial

Hair:

Hair tutorial

Hair+Fur

how to draw curls

*How To Draw Hair

Clothes:

Drawing clothe folding

How to draw folds

Folding ref

how to draw jeans

hat ref

*How To Draw Fabric Folds/Creases

how to draw shoes/feet

hecka lot of clothing refs

Other (Person Related):

Flower crown tutorial

Drawing horse/animal legs on humans

Anatomy of mutant humans

Mass art ref

Drawing human wings

draw wings

*How To Draw Cuts And Bruises

wings

Other (non-specific):

How to draw ice

Drawing clouds

Creature design

Tutorial masterpost (100+)

How to colour

Drawing ref masterpost (10+)

paint blood

shadow help

draw grass

Being older now and having an art job it’s…kind of essential. 

So: a quick primer for those of you who are like ‘ok but how do i actually go about doing this warmup thing.’ 

1) you may be tempted to do ‘a warmup drawing’ which is just a drawing that will take longer than it needed to and probably be frustrating and kind of bad because you didn’t warm up first. It’s tempting but always a trick your brain is playing on you! Do not trust! 

2) warmups will vary based on what feels good to you/what task you’re about to do/what motor skills you want to practice. That being said, some good standbys:

a) circles. Just a whole page of circles on whatever drawing surface you’re going to be using, whether that’s your tablet or your sketchbook or a drawing pad on an easel. For these circles you should make sure that you’re drawing from your shoulder and not your wrist. In fact, you want to be drawing from your shoulder rather than your wrist most of the time! forever! your wrist is delicate please preserve it! 

In order to ensure that you’re drawing from your shoulder, when you’re holding your pencil or whatever drawing tool you’re using, the only part of your hand that should be touching the drawing surface is part of the last two fingers–some people prefer the finger tips, but I tend to favor the first knuckles. Either way, the fingers should really be ghosting over the surface, providing guidance rather than support. 

I usually start with big circles and then go to smaller circles and lines of ellipses, and then try to fit circles and ellipses inside other shapes i’ve already drawn as a precision exercise, but i don’t do that unless i’m feeling loose

b) spirals! i don’t always do spirals, but if i’m stiff and the circles just aren’t cutting it, spirals are a good fall back. I start from the center and work outward, going both clockwise and counterclockwise until i feel comfortable with the whole range of motion. Some people really care about getting perfect spirals but for me it’s all about making sure i’m comfortable with how i’m moving so who really even cares about how the spirals look. Not me! 

c) lines! straight lines! in parallel! i do a mix of vertical, horizontal, and diagonal. These are often more from the elbow than the shoulder, especially if I’m working on a smaller surface. For this exercise, I recommend holding the drawing tool perpendicular with the surface

d) connect the dots. This is a precision and accuracy exercise and takes two forms. The first is to draw two dots and then draw a straight line between them. The second is to draw three dots and draw the curve that connects them. This sounds a lot simpler than it is in practice. Take time to ghost over the line you plan to draw before actually committing to your line. (I don’t always remember where I picked up my warm up exercises, but I’m pretty sure I got this one from Scott Robertson. His how to draw and how to render books are very technical but also accessible and worth checking out)

e) cubes, spheres, cones, and cylinders. These help get your brain into a more volumetric space. I draw multiples of each, rotating the forms around, and I’ll often take the time to do some rough shading on at least a few of them

f) spidermans! This one is really good if you’re going to be storyboarding or working on dynamic poses. Just fill a page full of spidermans doing all sorts of acrobatics. 

g) beans. I don’t do beans too much anymore, but I know a lot of people like it so I’m mentioning it here. Fill an area with different size bean shapes without lifting your pencil off the paper. 

h) short medium and long line repetition. draw a short, medium, and long line on your page, and then draw directly on top of them 8 to 12 times, doing your best to exactly trace what you’ve already drawing. Repeat with a wavy line. I’m bad at this one, which means I probably need to do it more. 

And there are lots more options too! Hit up youtube to see what other people recommend, put together your own go-to list, mix it up when you’re getting bored, etc. 

This is a long list, I know, but I usually don’t take more than 10 to 15 minutes to warm up, and I can warm up one handed while I’m drinking coffee, so, multitasking hurrah. 

Sometimes I’ll advance to a precision warmup and find that I haven’t loosened up enough yet; it’s totally ok to go back to an earlier exercise! Also, all of this has the added benefit of kind of ritualistically getting you into the drawing mode so even if I’m not feeling it before I start, by the time I’ve gotten to the end I’m usually Ready For Drawin’. Brain hacks.