The road goes ever on and on, down from the door where it began.

Legolas and Gimli, Lord of the Rings

All of the flashback scenes were shot in a very short period of time. And it was a bit of acting gymnastics, because we were going from happy moments to very dark, sad, difficult moments. Ben Stiller and Jessica Lee Gagné had this idea to film on a Bolex, which is like an old film camera. So, in between setups, Adam and I would go outside, and Ben would capture these happy moments. It felt very wild and free and loose, which is very different to how the whole show is essentially shot in this controlled, oppressive symmetry. And the lighting and everything is very stark and harsh. To be in that environment felt really freeing.

Academy Award for Best Actor in a Supporting Role:

You are, like, an awesome guy stuck inside the body of somebody who's always running late. And I gotta, like, fish that fuckin' guy outta ya every time I see ya.

“I don't wanna lose you, okay? You see how people love you? Do you see what happens when you walk into a room? I would give anything to know what that feels like, man. To know what it feels like to have charm. To light up a room when I walk in. But you light up a room and then you, like, shit on everything inside of it.”