Weirdness Intended

All our paths look so different that it’s impossible to compare yours to anyone else’s.

Superman: Man of Tomorrow #12 - “Superman’s Day Off” (2020)

Like, they’re running from some bandits and Merlin turns around to enchant a wall of fire between them, but when he catches up with the group Arthur just yells, “There you are, Merlin! What took you so long, tripped on a root like usual? Why didn’t you use your magic to help us if you’re oh-so-powerful?” And all the knights look at Merlin questioningly, as if Arthur has a point.

TiL (click to go to the thread, which probably has more interesting tidbits I missed).

Bonus:

In addition to the print terminology stuff: the visual shorthand icons and ad graphics for something about writing are still often pen-nibs, fountain pens and typewriters…

…while graphics of a monitor, keyboard and mouse remain visual shorthand for computing…

…even though most writers now use monitor /  keyboard / mouse or even laptop / touchpad.

In addition, headers for “this blog / website is about writing” are often in one of the many imitation typewriter fonts complete with smudges, or just Courier.

The start and end call icons on most / all smartphones is still the handset of a classic desk telephone, and sometimes the open-app icon is a complete phone.

The term “hang up” for “end the call” refers to something even older - one of these…

And of course the Save icon is indeed a 3½ inch floppy disc.

Why it wasn’t a 5¼ floppy is a mystery. The icon version is just as distinctive.

Also, why various OP updates never changed “Save” to the graphic of a CD / DVD or flash drive is another mystery, and nowadays a Save icon should probably be a cartoon cloud.

He is played obviously camp and dramatic, for a start, and there is the aforementioned "hate your hair/not likely/yikes yikes yikes/let me guess you have a great personality" summary dismissal of all his potential brides. Then he spends dinner asking Yzma about Kronk ("so he seems nice? He's what, in his late twenties?") and otherwise being slightly obsessed with him.

Then there is the whole Adventure of Doom with Pacha, him being ever huffy about the Kiss of Life, and then the restaurant gag where Kuzco takes to playing Pacha's fake wife and dressing up in ladies' clothing with great gusto (reinforced by the waitress' "bless you for coming out in public" remark when Pacha says they're on their honeymoon). Then when he is finally de-llamafied, we don't see him paired off with the obligatory girl from the lineup earlier, as might otherwise be expected in a Disney movie. Instead he is still single, but goes to found family it up with Pacha, Chica, Kronk, etc, which dare we remark is a very queer trope.

In short, I have no idea how a Disney movie with no white people (all the characters are Indigenous/people of color), a gay king, cross-dressing jokes, and the most offbeat plot of all time actually ever got made (can you imagine the Family Friendly Mouse doing that today? Let us also talk about Kronk because he is a brilliant deconstruction of both toxic masculinity and the musclebound henchman stereotype.) Other than that this was the Chaos Hour of animated movies in the late 90s/early 2000s, and yes.

I know this movie only came out yesterday, but Millie and Henry played off each other so well, and it was such a charming film in general, and I really really REALLY liked this take on Sherlock as opposed to, say, Brattydroop Crumblepant’s version.