Nothing Burns Like The Cold

O: You’re quite a writer. You’ve a gift for language, you’re a deft hand at plotting, and your books seem to have an enormous amount of attention to detail put into them. You’re so good you could write anything. Why write fantasy?

Pratchett: I had a decent lunch, and I’m feeling quite amiable. That’s why you’re still alive. I think you’d have to explain to me why you’ve asked that question.

O: It’s a rather ghettoized genre.

P: This is true. I cannot speak for the US, where I merely sort of sell okay. But in the UK I think every book— I think I’ve done twenty in the series— since the fourth book, every one has been one the top ten national bestsellers, either as hardcover or paperback, and quite often as both. Twelve or thirteen have been number one. I’ve done six juveniles, all of those have nevertheless crossed over to the adult bestseller list. On one occasion I had the adult best seller, the paperback best-seller in a different title, and a third book on the juvenile bestseller list. Now tell me again that this is a ghettoized genre.

O: It’s certainly regarded as less than serious fiction.

P: (Sighs) Without a shadow of a doubt, the first fiction ever recounted was fantasy. Guys sitting around the campfire— Was it you who wrote the review? I thought I recognized it— Guys sitting around the campfire telling each other stories about the gods who made lightning, and stuff like that. They did not tell one another literary stories. They did not complain about difficulties of male menopause while being a junior lecturer on some midwestern college campus. Fantasy is without a shadow of a doubt the ur-literature, the spring from which all other literature has flown. Up to a few hundred years ago no one would have disagreed with this, because most stories were, in some sense, fantasy. Back in the middle ages, people wouldn’t have thought twice about bringing in Death as a character who would have a role to play in the story. Echoes of this can be seen in Pilgrim’s Progress, for example, which hark back to a much earlier type of storytelling. The epic of Gilgamesh is one of the earliest works of literature, and by the standard we would apply now— a big muscular guys with swords and certain godlike connections— That’s fantasy. The national literature of Finland, the Kalevala. Beowulf in England. I cannot pronounce Bahaghvad-Gita but the Indian one, you know what I mean. The national literature, the one that underpins everything else, is by the standards that we apply now, a work of fantasy.

Now I don’t know what you’d consider the national literature of America, but if the words Moby Dick are inching their way towards this conversation, whatever else it was, it was also a work of fantasy. Fantasy is kind of a plasma in which other things can be carried. I don’t think this is a ghetto. This is, fantasy is, almost a sea in which other genres swim. Now it may be that there has developed in the last couple of hundred years a subset of fantasy which merely uses a different icongraphy, and that is, if you like, the serious literature, the Booker Prize contender. Fantasy can be serious literature. Fantasy has often been serious literature. You have to fairly dense to think that Gulliver’s Travels is only a story about a guy having a real fun time among big people and little people and horses and stuff like that. What the book was about was something else. Fantasy can carry quite a serious burden, and so can humor. So what you’re saying is, strip away the trolls and the dwarves and things and put everyone into modern dress, get them to agonize a bit, mention Virginia Woolf a few times, and there! Hey! I’ve got a serious novel. But you don’t actually have to do that.

(Pauses) That was a bloody good answer, though I say it myself.

"let me help you baby"

“Mean girls all go into social work!”

“The mean girl to teacher pipeline!”

Y’all, these are just pink collar jobs. The reason you think there’s so many “mean girls” in these fields is because they’re all like 97% women. Of course some of them are gonna be assholes. There’s assholes everywhere.

While those are all “helper” professions and they very much are pink collar (and are underpaid, that’s not an incompatible idea), they’re also ones that involve power over vulnerable people’s lives. (And I’ve only encountered it as a comparison to, say, male bullies becoming cops, it’s not like men aren’t being mentioned here.)

Secretaries/administrative assistants aren’t on that list for a reason. Flight attendants aren’t on that list. Housecleaners aren’t on that list. Receptionists. Customer service representatives. Dental hygienists. The people who style hair or do nails. That’s not a list of pink collar jobs. It’s specifically (pink collar) positions where if you want to abuse people you’re relatively likely to get away with it.

It can both be true that “nurses who care for disabled people need better pay” and “nurses who care for disabled people have a lot of opportunities to abuse their power and that’s something worth talking about.”

Women aren’t immune from treating people badly because they’re women, or because women are underpaid. They’re sure not immune from specifically seeking out jobs that will allow them to be cruel without any consequences to them, if they get personal satisfaction out of being cruel.

me:

In my freshman year, my great grandma passed away. She never threw out or sold anything worth keeping if she could help it, having grown up in the Depression, so when she passed, my grandma suddenly inherited a lifetime’s worth of treasured items. She distributed most of them to her kids and grandkids, saved some sentimental items, and donated most of the clothing and trinkets to charity. I got back the stuffed leopard I’d given great-grandma in the hospital; the fur was still as soft as it’d been when I bought it. One of the biggest things she had to sort through was jewelry. For a year after my great-grandma died, my grandma was setting out organized rows of costume jewelry on basement tables and chivvying her granddaughters to take what they wanted.

And then, after all the choosing, she snuck me into her room while my cousins picked through wristwatches. On her bed were two small jewelry boxes: an old wooden one, and a cushioned one in white pleather.

“I brought you in here because if I gave these to your cousins, they’d sell it. I don’t want these sold. Do you understand?”

I understood.

This is the story of the biggest lie my grandma ever told her mom.

Great-grandma’s birthstone was garnet, and she loved the look of the stones, but could never justify paying for some. Her husband worked constantly, and so did she, and new clothes for the kids was more important than jewelry at the time. When my grandma was 16, she saved her first paychecks to buy her mom a garnet ring for Mother’s Day; that’s what was in the wooden box. The original receipt, handwritten, was crammed into the lid. Great-grandpa saw that ring and teared up; he’d always wanted to get his wife something nice like that, but hadn’t ever had enough money for it. Determined, he vowed to change that. He set aside money for years, slowly, hiding it away in a box in the attic, vowing to buy his wife something she could always wear with her ring.

Time passed, and inflation happened, and he slowly squirreled money away in the hopes that jewelry might get cheaper again sometime. Time passed again, and age had little mercy on him. He got older, typed up a note, and placed in in the box, describing what the money was for; he knew his time was near. Under no circumstances was the money to be spent on anything other than giving his wife a nice gift. The letter read, “One day, my dear Ruth, you’ll have garnet earrings to match that ring.” It’s what great-grandma had always mourned missing; she had such a nice ring, and no good earrings to go with it.

Well, men don’t live forever, and when great-grandpa passed away, my grandma cleaned out her mom’s attic as she prepared to move somewhere smaller. Going through boxes of polaroids and paper clips, she stumbled on the box of earrings money, note and all. She stashed it with her coat, and after that day of cleaning, went to the jeweler before her mom could try and spend the money on something too sensible. She came back with the white pleather box; sure enough, still nestled inside that box were two clip-on garnet earrings.

”Mom never got her ears pierced, you know. That’s why it took so long to find a good pair.”

Once she’d gotten the earrings, grandma presented them to her mom, along with the note. The paper was obviously old and warped by moisture, but it was legible. My great grandma cried happy tears and treasured those earrings more than any other jewelry; the last gift her husband could give her. Decades after the fact, I’d seen her wear them to Christmas parties and worry over them, checking that they stayed on her earlobes.

floppy floop

They also made sure to back up their data. They made four copies of it, then when three copies were lost in the Imrim Wars they decided to make five more copies just in case. One copy was destroyed in a rebellion, another was partially damaged in an invasion, and Japan stole one copy during their occupation and moved it to Tokyo University, where it was mostly destroyed in the Kanto Earthquake (47 books remained and were returned to South Korea in 2006). Now the whole thing is digitized, free on the internet, and translated into modern Korean for all to see.