★ ★ ★ a lil traditional evie + some older doodles. haven't drawn w colored pencils in ages.... it was fun !! ★ ★ ★

oozey mess
noise dept.
he wasn't even looking at me and he found me
NASA
trying on a metaphor

if i look back, i am lost

Kiana Khansmith
Not today Justin
Alisa U Zemlji Chuda
KIROKAZE
Show & Tell
Misplaced Lens Cap
sheepfilms
Mike Driver
Lint Roller? I Barely Know Her

Andulka
🪼
wallacepolsom

seen from China

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@itllbejustlikebefore
★ ★ ★ a lil traditional evie + some older doodles. haven't drawn w colored pencils in ages.... it was fun !! ★ ★ ★

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this fetish stuff is getting out of hand what the fuck is word play
Happy birthday! Brother!
And hbd, Gravity Falls!
commissions are open!!! ^_^
ko-fi.com/chomplicated

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In Undertale, the difference in physical structure between humans and monsters represents their different... let's say "ontological" status; humans are more physical because they're more real that monsters, right, they're the ones with real agency and moral patienthood; the world is implicitly telling you that monsters don't matter, they aren't moral patients, they are to humans as NPCs are to a player. They aren't real people made of flesh and blood, they're made of magic! That's the joke, I think.
Now Deltarune, with Lightners and Darkners, takes that subtext of ontological superiority and brings it even closer to text; the Darkners are literally not real, Ralsei encourages you to disregard their lives; the Lightners stand above them in the great chain of being, and closer to the Sun.
It would then stand to thematic reason that Monsters, as Lightners in the world of Deltarune, where we already know they don't have Magic, all bleed. This is what I have been staunchly defending for years now. And yet the game has just danced around it the entire time— if it's just a simple fact of the world, why not be straightforward about it? Why treat Susie bleeding four chapters in like a big deal? Why let Darkners so consistently talk about blood?
—Deltarune does not borrow Undertale's symbolism here; blood does not anymore stand for "real", or, rather, if it does, it stands for "real" as in "visceral", as in the opposite of "sanitized".
I don't actually know if Lightners bleed or not, but it doesn't matter, because either way, this fact would not be brought up. This is not a place where things like violence or blood are talked about (just ignore the weird man in the weird costume). This is just a quaint little town! Nothing bad ever happens here. We especially wouldn't talk about it around the kids! We're protecting them from it! Kids shouldn't worry about things like blood or trauma— So even a giant bloodstain on the floor goes unacknowledged.
The Light World doesn't allow talking about anything uncomfortable. Horror movies and rock music that may contain references to scary things are banned! But in the Dark Worlds, where the kids are free from the eyes of the grown ups, and can talk about everything weird and uncomfortable they're going and have gone through, the things they know are there just under the surface but aren't allowed to speak of— they can talk about blood. The Darkness itself manifests gushing from a wound in the Earth!
And Susie— well she talks about blood all of the time. She bluntly acknowledges the truth that "everyone bleeds". And when she rejects the prophecy, when she calls out the lie of the religion which claims to be all about everyone being always nice to one another, she, herself, bleeds.
tl;dr :
And because of that, the kids noticeably and consistently lack the conceptual vocabulary to talk about what's happening in Hometown, and have to use the language they do have to approximate it, badly – first and foremost the language of games; toys; stories.
Noelle can't say "Kris did something," she can only say "it snowed," and "It was snowing so hard, I couldn't see anything." Kris goes to Art Therapy, trying to depict what they saw behind the tree, and draws the trees of Card Kingdom instead – and the Forgotten Man and Mancountry are games, too. The closest we've gotten to the "core" of what Kris is hiding was through MANTLE, game abstraction wrapped in game abstraction wrapped in game abstraction like the shielding of a nuclear waste disposal site, while some shrieking, giggling, unspeakable fear sits at its center and writhes hard enough to tear through that defensive layer and torment Kris in flesh.
They can't say it without a video game to do the talking for them – and that game, derived from Dragon Blazers / Lord of the Hammer / The Prophecy, carries its own conceptual load, doesn't it?
I hope you choke on a rock
I have a wet throat
Any time you say something about men being inherently predatory (man vs bear, a group of men is a threat, etc.) you are being racist. Treating men as inherently predatory is fundamentally inseparable from anti-blackness because Black men are hypermasculinized. That rhetoric affects Black men the most.
When you say you'd pick the bear over the man or a group of men is a threat, you are saying you'd pick the bear over a Black man and a group of Black men are a threat. It's not changing anything or flipping the genders. All Black men are men. If it sounds racist now, that's because it's always been racist and you didn't realize the implication.
Sure you could freely use your free speech to freely say, "A group of White men are a threat" or "I'd pick a Black man over a bear but a bear over a White man." But you and I and everyone else all know exactly how that sounds. And it's still racist because why do you always think only of White men when you're thinking about an abstract hypothetical man?
When you hear something about men being predatory, you should always think about how that affects Black men or you will inevitably say something racist.
framing black men in this way (as victims who could never hurt a woman) is an interesting choice when western black women are currently in the midst of a yearslong femicide crisis. said femicide (and rape, and abuse) is committed almost entirely by black men who, as men, are indeed dangerous. your rhetoric frames the modern issue of black femicide as inherently less important than the historical issue of black men being wrongfully accused of sex crimes. it suggests that black women should shut up about their negative experiences with men out of a kind of race fealty. it’s despicable because black women are indeed incredibly race loyal and suffer in silence from the physical, material harm inflicted on them by black men as well as the psychological warfare of being subjected to constant, intense misogynoir within the community and also outside of it. black cultures, like all cultures, are rooted in patriarchy. the logic of this post is a particularly ugly and blunt example of what afro-patriarchy looks like.
a black woman, along with any race of woman, has every right to say, “i hate all men” because men are dangerous. you should not seek to control the speech of women when they discuss misogyny, as women are a marginalized group based on sex and subject to sex-specific violence, a universal force that keeps women at the global level under the control of men. when men stop targeting women for sex-based violence, then we can speak on the issue of whether or not saying “all men are ___” leads to racialized thinking. until then, telling women to not disparage men is simply another manifestation of silencing victims and survivors. the fact that you felt this was at all appropriate to write is the perfect demonstration of how misogyny warps thinking to minimize harm to women as mere collateral damage in the rhetoric of political activism.
I know you had this locked and loaded and ready to go but it has nothing to do with my post. If you're not going to read the post, make your own post
this is the funniest fucking billboard possible. who the fuck paid for this

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i'm scared to show you
saw these tags days ago and I’m literally always thinking of it now. they have all the pollen and such on them
*turns my attention inwards* mmmmm. no *turns my attention back outwards* oh god
ok mood thank u emily dickinson relatable queen
I’ve done nothing but post bits today but one of my longest-running bits that I got from another director is that every time a student says “hey sorry I won’t be here tomorrow because [reasonable excuse]” I say in a neutral or cheerful voice “that’s okay I’ll just cry the whole time you’re gone.”
Sometimes I even say it when a friend says they’re going to the bathroom or something.

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Why did they phrase this in the funniest way possible. Al Pacino’s horrible emotional support moustache to help him cope with his character’s bisexuality.
day 40