the thing about phone in bed is that it's so awesome. almost makes you feel like betraying & destroying yourself for nothing isn't all so bad
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@isthisaurl
the thing about phone in bed is that it's so awesome. almost makes you feel like betraying & destroying yourself for nothing isn't all so bad

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Beachy OpĂŠra đ
you will describe tummy/waist fat as a "muffin top" (yummy treat?) and "love handles" (most romantic phrase ever?) and mean it in a derogatory way? when these things are obviously good?
lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick lick

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if you call a meme fascist people will defend it by saying we can't culturally defeat fascism by letting them have everything they claim for themselves and the meme in question is "reject modernity embrace tradition"
REMEMBER IF YOU HONK ALLYOU AT ME I WILL HONK HONK IF YOU GET ANY CLOSER U HAVE TO HONK IF IF YOU WILL IF I HONK MYSELF WANT HONK IF YOU HAVE EVER BEEN PERSONALLY VICTIMIZED BY HONK
crush totally wasn't impressed by my miraculous flying machine fml
oh my god i just saw her get onto an airship with a woman whose tophat has at least twice as many sprockets as mine. i will be killing myself with an elaborate pneumatic pistol tonight
i hear there are several types of ways to feel

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the thing about media literacy is that understanding why the author chose to specify that the curtains are blue is the same skill set as understanding that the way the author characterizes all black characters as angry or all chinese characters as meek and silent is racist. it is the same skill set as being able to identify when a news source is biased or when someone is feeding you propaganda. the ability to ask "why did this person choose to present this premise in this specific way?" is a critical skill in a world full of misinformation. why are the curtains blue? maybe it's a characterization detail. maybe it's extraneous worldbuilding. why is this character written as being right all the time? maybe you're intended to disagree with them. maybe it doesn't matter. maybe you should still ask why.
imagine coming home and your mom found your steampunk clothes and shes just there with her arms crossed
she's holding up a ziplock bag of gears and springs asking you what they're for
if you ever disagree with anything i say online just remember that i'm a pretentious faux intellectual and a pointless animal who should be shot every time i post
you will be entombed with me when i die until our bones are intermingled indistinguishably as dust
little fairy bugs!!

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Every day I handle more money than I will ever make. Every day.
At the start of my employment, my boss showed me videos of people stealing, and we both had a chuckle about it. How silly they were! There was a camera overhead, and itâs not to watch the shoppers. See, we canât actually stop shoplifters. They get away with it maybe nine out of ten times. But we, who are watched and tallied and witnessed? We are always caught.
At first it was hard to hold one hundred dollars bills. An amount I had never seen before. An amount that didnât exist in my household. Itâs normal now. Here is something that is not for me.
âWhat the hell, Iâll take another,â says the man, pondering our 200 dollar watches. What the hell. Total comes to 580 and not even a flinch in his face. I have been working for 11 hours today and made only 110 dollars. It will go to my rent. Today I work for free, it feels. When I get my check, I will have 35 dollars left for food and saving.
The six hundreds he hands me go into the cash register. For a moment, I imagine having money. Then I put it away, counting out his change.
I know for a fact we sell our products for double what they are worth. That I could be making commission. That they could hand me those 580 dollars and change my life and not even mark the difference in their checkbooks. Heâs not the only sale they make today, but I am the reason they made it. Heâs not the only one spending 600 dollars, but if I hadnât spent two hours with him telling me about his life, he wouldnât have spent any. I go home. I donât own a watch.
I have watched and rewatched a video on how to make salmon four ways. My shopping list is always the same. Pasta. Rice. Tuna. If I can afford butter it was a good week. I dream of the world I will never walk in, where I can throw the best fish fillet in the cart with a shrug. I hold hundreds in my hand and look up at the camera. I put them under the cash drawer.
I go to work. I scrap together my savings. I eat my bowl of rice slowly. My manager takes a paid week off from work just for his birthday. He owns a yacht.Â
Iâm not worth the cost of a watch.
i wrote this while i was working at orlandoâs walt disney world parks.
i was part of their college program. i moved to the state for it. they legally owned the building i was living in and still charged me rent. i ostensibly was being charged to work for them. it was a 2 bedroom apartment and they placed 6 adult women in it in forced triples.
as many as one in ten disney employees have experienced homelessness while working for the company. despite huge efforts to unionize, strike, or otherwise demand fair treatment; disney has refused to increase employee quality of life.
disney admits publicly that a good portion of their success is because the employees (âcast membersâ) are dedicated, passionate, and selfless. this is never reflected in pay. even âfaceâ characters (ie those that are princesses etc) make barely above a minimum wage.
at the time that i worked there, i made $8.50 an hour. at one point i was asked to create a human shield around a bag because a bomb dog had alerted to it. for eight fucking dollars an hour.
i now work a very cushy office job. i have bought the salmon and cooked it all four ways.
i go to the store. i am nice to the person behind the counter. she looks up at the camera while she counts out my change. there is nothing fundamentally different about her and i.
we are both worth more than the watch, anyway.
Once when I was in undergrad, someone described something as âproblematicâ in class and our professor was like, âThatâs cool, but âproblematicâ doesnât really mean anything. It means that the thing youâre describing has a problem, and in and of itself thatâs not bad. Art, especially, should always have problems, or else itâs not interesting and not art, either. It sounds like youâre trying to say that this is bad, but you donât want to say âbad.â Is that right?â
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the âbadâ thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, âIâm uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.â
Once we stopped calling things âproblematicâ and stopping at that, class got way more interesting and... we all had to say, like, âthatâs racistâ or âthatâs misogynisticâ or âew capitalism grossâ out loud, which a lot of us had never done in a classroom before. Or we had to be like, âUhhh... Iâm not sure whatâs so bad?â and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I canât help but think of this professor being like, âGood starting point, now letâs get specific.â I think when we have to commit to saying âthatâs ___â it requires a lot more careful thought about the truth and impact and complexities of whatever weâre claiming. Sometimes there really is some bullshit afoot, and also sometimes itâs art, and it should be full of problems, because thatâs what art is.