btw, without lesbians the world would be in flames. so remember that
TVSTRANGERTHINGS
Sweet Seals For You, Always
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Mike Driver
Show & Tell
2025 on Tumblr: Trends That Defined the Year

JVL
styofa doing anything


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he wasn't even looking at me and he found me
Cosmic Funnies
Today's Document
wallacepolsom

Product Placement

izzy's playlists!
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Xuebing Du
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@isorottatime
btw, without lesbians the world would be in flames. so remember that

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Carrousel on fire in Bergamo, November 22, 2017 Photographer: Oli Freuler
foundations of decay is six minutes long and somehow still not long enough
duuuuuude you have GOT to come out tonight we're enacting cruelty upon those who have transgressed so badly that we can justify any act against them... and you KNOW we're interpreting our delight as moral righteousness... Yeah it's fucking crazyyyyyyy get an Uber
THE CHILDREN'S HOUR 1961 | dir. William Wyler

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On request of @thedesertedsystem , I managed to put the scenes side by side!
God I love movies, I'm about to redesign this whole page for my special interest 😅😅
Quick rant: it's insane to watch old queer media and see how we are still struggling with the same problems💔
🦷 bloglikeajedi Follow
tae-lor swiff's padawan era before she ditched the order & married that ugly ass separatist >>>>
🙋🏼♀️ theffateofspopheliass Follow
OMG there is NO PROOF Travi supports the separatist movement. Posing with Nute Gunray after winning the shockbowl doesn't mean ANYTHING about his actual politics it's basic **FUCKING** professionalism. And judging a woman for her choice to leave a misogynist cult is DISGUSTING. All you losers would rather have Tae still traumatized and writing albums about how devastating the attachment ban was than happy and thriving with a big dick hubby. Maybe give the lyrics of "Honey" a read: "If anyone called me 'honey' / It was training in the temple, droid white / They were saying that blade don't suit me / And I swung like a bantha" 🗣️ 🙄
🦷 bloglikeajedi Follow
whatever seppie
fyeahcharrispxcx Follow
anyway stream sympathy is a slugthrower
🌠 wookiee-kriffer-wookiee-lover Follow
So sorry to butt in really I am very sorry. I know about the cult allegations but since when do people call the Jedi misogynist?
👺 lothsickbabey Follow
i was going to give a genuine balanced answer to this but then i realized your account is just. exclusively reblogs of cartoon wookiee micropenis porn.
👺 lothsickbabey Follow
i scrolled for like 3 hours man i couldn't find anything but cartoon wookiee micropenis porn. endless variations on how the penis could be lost in the 1 polygon fur and shit. really took something out of me
🧟♀️ loveskenobi Follow
this spost is a fucking nightmare
🏞️ unofficialnabootourism-board Follow
anyone in this thread smoke death sticks
🪢 vladtheimposter Follow
Ah....ahem...I must go against the tide at hand. The Swiffie has a point: Tae-Lor suffered greatly in the order. The Jedi may wear the mask of nurture, but only as a blindfold, just as suitable for wrapping around a dissenter's mouth....to the brave few, the Jedi are the rag itself, old, flimsy, soon to be discarded into the depths of our great core...I cannot hate Swiff for seeking such freedom. Nor can I claim honest curiosity to her boyfriend's leanings, when at the heart of your oh so beloved Republic sits none other than the most fearsome, all powerful Sith...
🌸 nix-christo Follow
what. what. what.
👐 strawberryspothic Follow
dude just dropped that shit and dipped
🧑🏿🎤 xx_panicked-loverz_xx Follow
I understand we're well past that but the swiffie having no objections to the calling Travi ugly is killing me
nottielottieknotts Follow
omg gang i was going through my trainwreck spost tag & look at this 😭😭😭😭😭😭😭😭 1 cycle old 😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭 he knew lol
🧞♀️ jediloversanonymous Follow
yeah we're all in hiding now barbara can you keep it moving
👱🏻♀️ swiffie-heritage-sposts Follow
swiffie heritage spost
Carrie Fisher, Mark Hamill, and Harrison Ford reading the script for The Empire Strikes Back
The Children's Hour: shame, desire, possibility
'The Kiss of Judas' (or 'The Judas Kiss'), Jakob Smits, 1908 // 'A Streetcar Named Desire', Tennessee Williams, 1947 // 'Where it Begins', Erica Jong, 1971 // 'Waiting for Marianne', Leonard Cohen, 1964 // 'Portrait of a Lady on Fire' ('Portrait de la jeune fille en feu'), dir. Celine Sciamma, 2019 // 'Badlands', dir. Terrance Malik, 1973 // 'Gay Shame and Queer Failure in 'The Children's Hour' (1961)', Kira Deshler, 2023 // Interview with the Vampire, 'In Throes of Increasing Wonder', 2022 // 'The Buddha of Suburbia', Hanif Kureishi, 1990 // 'Brief Encounter', dir. David Lean, 1945 // 'Mädchen in Uniform' ('Girls in Uniform'), dir. Leontine Sagan and Carl Froelich, 1931 // 'Hamlet', William Shakespeare, ~1600

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Attempting the William Tell shot!
Please note: this is a stunt performed by a professional with a lot of safety precautions! Do not attempt!
To see some of the behind the scenes, or support my videos in general, please check out Patreon
Maya C. Popa, “Duress”, Wound is the Origin of Wonder
But I'm a Cheerleader (1999) dir. Jamie Babbit
Pierre Knop (German, 1982) - Untitled (2025)

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watching sinners with an inflation calculator open in a second tab so i can understand just what kinda money the smokestack twins are throwing around. nerdiest possible movie experience i think.
Okay coming out of lurking for this because among the many great features of Sinners is you don't actually have to go outside of the movie to understand what kind of money they're throwing around. The movie tells you itself.
In the scene where Smoke teaches the young girl how to negotiate, they're standing in front of of a cafe. The shot of them negotiating is framed so that you see a sign in the cafe window advertising a Ham and Eggs breakfast - in other words, a full meal - for 25 cents. The editing makes sure to put that sign back into frame whenever the question of the value of money arises in their discussion.
Smoke offers her 10 cents a minute and asks if that works for her. She says yes. He says no, it does not and tells her to negotiate higher. The 25 cent sign is framed in the shot when he tells her no, reminding us *why* it's not a good value.
She comes back with 50 cents - which the sign has informed us is the cost of *two* meals. Smoke tells her that's too much and counters with 20, which is just under a full meal but we now know that's a fairly respectable price because we just got the high/low contrast of 10 being too little and 50 being too much.
The negotiation ends with her getting 20 cents per minute and we now know 1) 25 cents is the cost of a filling meal in this environment 2) This girl only needs to do five minutes of work to be able to feed herself for a over day (20 cents per minute times five is a dollar, which is four meals) 3) Smoke has the kind of money to throw around that over a day's worth of food for someone can be to him - as it is to our modern eyes - mere pocket change and 4) Smoke's the kind of person who can both be a violent gangster but also care about teaching this girl how to look out for herself so that one day maybe she too can throw over a day's worth of food around like pocket change.
Combined with 5) you can now use that 25 cents = a meal to do the math every other time money gets mentioned in the movie to understand just how much cash the Smoke Stack boys are dealing with.
And that's just ONE detail which, thanks to props (Hannah Beachler), editing (Michael P Shawver), and cinematography (Autumn Durald Arkapaw), told you almost everything you needed to know about how finances work in this environment. This movie is unfair to all other films in how fucking good it is.
What is so unbelievable in this entry, which ties with Jonathan's frustation over this whole theater of polite society, is how Dracula keeps pretending that everything is still normal despite literally guiding Jonathan to the wolves.
The intentional evil of Dracula's actions while forcing Jonathan to act like absolutely nothing out of place happens every day in the castle was at first a form of gaslighting, but since it has been subtextually confirmed that the Count already knows how Jonathan is aware of his true nature, the purpose of the actions turn around to simple mental torture.
There is no explanation for the whole charade of the business trip except Dracula's amusement, and still Jonathan has to play it if he wants to keep that last thin thread of safety he barely has.