btw, without lesbians the world would be in flames. so remember that
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Not today Justin
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Kiana Khansmith

if i look back, i am lost

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@isorottatime
btw, without lesbians the world would be in flames. so remember that

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Kitten hanging from curtain, 2004
Labyrinth (1986) dir. Jim Henson
I know it’s a joke but when you say “I’m sorry women” you know you have followers who aren’t women…I want to feel included
but i’m only sorry to women
sometimes to calm myself down about star wars discourse i go “they’re movies for eight year olds.” but then i remember how many of you are grown adults and can’t understand a movie for eight year olds

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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jedi discourse is so funny they’re trying to argue amputation is no big deal in the comments. to defend a fictional religions valor. im gonna start saying vader cutting off lukes arm was no big deal see how it lands
the people are waking up #dexternation #dextersweep
WARNING do NOT start reading books and comics or watching movies or looking at art!!! you will start wanting to create art yourself. or god forbid. writing.
“Domestic Scene, Los Angeles” (ca. 1963) ∿ David Hockney

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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BETTE DAVIS and ANNE BAXTER in ALL ABOUT EVE (1950) dir. Joseph L. Mankiewicz
hate being expected to pay more than £1 for a second hand dvd
I think the queercoded villainy of The Pink Opaque has been underdiscussed (<- surprising no one I'm sure, given My Deal). Marco and Polo have breasts and skirts and beards and receding hairlines. Isabel gets her heart ripped out when she tries to walk up to Tara (the queercoded hero. the object of crush and identification for Maddy, and a key fantasy object enabling the fragile proto-lesbian intimacy that Owen gets to experience in moments like the marker tattoo scene). But Tara turns around, revealed to be Marco or Polo in disguise (the monstrousness of the queer body. the monstrousness of Owen daring to even semi-consciously entertain that lesbian identification)
We can look at The Pink Opaque and ask things like, where does a liberatory escapism cross over into a substitute for having a real life, is the show Good or Cringe, etc. But also: to what extent are Owen and Maddy seeing themselves as the heroes, vs to what extent are they internalizing that they're the monsters?
this made me cry so now i need everyone to see it
Audrey Hepburn photographed by Dennis Stock (1954)

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screaming