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It's this piece, titled The Banality of the Banality of Evil. Because on first glance, you're like. Yeah, okay, it's obvious what it's saying. Even nazis, even evil people can appreciate beauty, too. But then you learn its name, and suddenly the interpretation shifts a bit. The idea that evil is banal has in itself become banal. my first response to seeing a nazi on a bench is "oh it's about the banality of evil" and not "jesus christ there's a nazi on the bench."

what I find really interesting is how the way this is drawn (especially considering who drew it) the art style seems extremely deliberate. This type of nostalgic landscape painting is very reminiscent of nazi art and specifically, Hitler's art.

Nazis were extremely judgmental of "entartete Kunst" (degenerate art). Bansky's usual work very well fall into this category! So for him to go for this style of painting in particular is another choice I find very interesting, because I can see some people react to this painting with some variation of "oh, I didn't know he could actually draw! I thought he is a hack but he is a real artist!" - and that is where they would agree with the Nazis.

in my earlier drawing of dina i was very into the idea of giving her these little finger stick&poke tats that i had imagined he'd done on herself sometime after her second escape. and i've fallen out of the habit of it mostly from laziness but idk im so tempted to bring them back. especially the venus symbol bc its always been very endearing to me...

Yadriel has already brought Julian Diaz back from death, but when Julian is cursed by magic no brujo understands, saving him may mean breaking the sacred rules Yadriel was born to uphold.

It’s the final few days of the Bluminarmour Project! After some issues with Kickstarter let’s see how far we can get!

If you want to see fantasy tropes, historical movement and silly tricks tested in authentic full plate armour, please consider chucking a few quid over (or like and share this post):

Kickstarter removed my highest funding tier so I lost £11k of funding since earlier today.

BUT

recent pride month comms for @thunderingstorms and @uncreativeboxdraws & @se1lkie

Gustave Caillebotte - The Floor Scrapers (1875-6)

Original on top, later version below

“Despite the effort Caillebotte put into the painting, it was rejected by France’s most prestigious art exhibition, The Salon, in 1875. The depiction of working-class people in their trade, not fully clothed, shocked the jurors and was deemed a ‘vulgar subject matter.’