Computer operators from Bell Labs in the 1960s.Â
Names not given in the source. (via)

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Computer operators from Bell Labs in the 1960s.Â
Names not given in the source. (via)

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Jesse Wroblewski of Chainsaw Estates recreated the iconic movie poster for John Carpenterâs The Thing as an awesome custom snow globe, right down to the blinding flare effect obscuring the face of the figure.Â
Watch this video to see the snow globe in action:
Follow Chainsaw Estates on Instagram to check out more of Jesse Wroblewskiâs fantastic custom toys and other creations.
[via Super Punch]
Octavia E. Butler was a world renowned African-American science fiction novelist and the first African-American woman to gain popularity and critical acclaim as a major science fiction writer. Her novels include Patternmaster, Kindred, Dawn and Parable of the Sower. Butler was born in 1947 in Pasadena, California. Her father died at an early age, and she was raised by her mother and maternal grandmother. Butlerâs mother worked as a maid, and would occasionally take her to work when she had no one to watch her. Butler experienced white supremacy first hand when seeing her mother being forced to go into the house through the back door, being talked about as if she didnât exist and generally being treated as less than a person. Butlerâs mother would occasionally bring home books that the white children no longer wanted for her to read. Butler was a shy child, and this, coupled with a mild dyslexia made school difficult for her. She found solace in books, spending a lot of her free time reading at the Pasadena Public Library or writing in a big, pink notebook. Butler began reading fairy tales and horse stories, but then diversified her interests and developed a passion for science fiction magazines and stories. At the age of 12, Butler watched Devil Girl From Mars and decided she could write a better story. She began writing a story which would later become the basis for her first published novel. A year later, her aunt Hazel said to her âHoneyâŚNegroes canât be writersâ bringing home the discrimination that a black female writer would have to overcome. Butler persevered, and after graduating from John Muir High School in 1965 she continued her education at Pasadena City College. She would study at night while working during the day. As a freshman, she won a college-wide short story contest and during her time at the college she began thinking about the plot of her best-selling novel, Kindred, when a young african-american classmate who was part of the Black Power Movement criticised previous generations for being subservient to whites. She graduated in 1968 with an associate of arts degree with a focus in History. Butler worked a variety of jobs to support herself while pursuing her dream of becoming a writer. She would set herself a strict writing schedule and attended first California State University, Los Angeles and then later switched to writing courses through UCLA Extension. Butler attended the Open Door Program at the Screen Writersâ Guild, where she met the esteemed science fiction writer Harlan Ellison who was teaching a class. Ellison encouraged her, and published one of her stories entitled âChild Finderâ in his anthology, The Last Dangerous Visions. He also suggested that she attend the six-week Clarion Science Fiction Writers Workshop, where she met Samuel R. Delany who would become a friend. Robin Scott Wilson, the director of Clarion published her story âCrossoverâ in the 1971 Clarion anthology. Butler continued to work a variety of jobs while working on a series of novels beginning with Patternmaster (1976) and followed by Mind of My Mind (1977), and Survivor (1978). The books had come against some resistance despite selling well, as her publisher felt that it was risky for her to write for both African-American and female audiences, groups that had notoriously stayed away from the genre. In 1978, Butler was finally able to focus on writing full time and used this opportunity to work on Kindred, a novel that sheâd been thinking of since she was at Pasadena City College. Kindred was published a year later, and features a young african-american women who travels back in time to save a white slave owner, who is her own ancestor. Butler wanted to explain why her ancestors had to seem subservient to white people as it was necessary for them to be silent so that they could survive. Butler drew on her experiences of watching her mother being forced to go through back doors, knowing that if she had tried to rebel she wouldnât have been able to support her family. She wanted to explain the historical context and to detail the pain and fear that black people have had to live through in order to endure. Kindred was Butlerâs breakthrough novel and is regularly chosen as a text for community-wide reading programs and book organizations, as well as being a common choice for high school and college courses. In 1980, Butler published Wild Seed, returning to what had become the Patternist series. She followed this with Clayâs Ark in 1984. That same year, she won the Best Short Story Hugo Award for âSpeech Soundsâ and a Nebula Award for her novelette âBloodchildâ, a year later it won the Hugo Award, the Locus Award, and the Science Fiction Chronicle Reader Award for Best Novelette. In the late 1980âs Butler published Dawn (1987), Adulthood Rites (1988) and Imago (1989) making up her Xenogenesis trilogy. The books explore genetics and race, and tells the story of humans reproducing with aliens to ensure that both survive. Butler continued to write during the 1990âs, publishing Parable of the Sower (1993) and Parable of the Talents (1998). In 1995, Butler became the first science-fiction writer to be awarded a John D. and Catherine T. MacArthur Foundation fellowship. The award came with a grant of $250,000 and Butler stating that she would continue to write new and genre breaking science fiction to appeal to a much wider range of readers than are typically targeted within the genre, especially those readers in the african-american community. Butlerâs early work was compiled into a book entitled âBloodchild: And Other Storiesâ published in 1995. The compilation included insights written by Butler, including an afterword for each short story and two personal essays that talk about her habit of writing and overcoming personal challenges, like racism and poverty to achieve success. The compilation was an excellent example of both what motivated her and her talent. In 1999, Butler moved to Seattle, Washington following the death of her mother. That same year, Parable of the Talents won the Science Fiction Writers of Americaâs Nebula Award for Best Science Novel. Butler intended to write four more Parable novels, but as a perfectionist she was finding it difficult to write anything she was satisfied with. Butler was also overwhelmed and depressed by the research she was undertaking to write the novels, and decided that a chance of pace was necessary to get back to writing. She wrote what would be her last book, Fledgling (2005) which dealt with vampires and family structures, a theme that featured in many of her works. A year later, Butler died at her home in Seattle. Butler was a self-proclaimed feminist and a writer of âstories that blurred the lines of distinction between reality and fantasy.â (as written by Gregory Hampton in Callaloo). She pioneered the use of science fiction to explore the human condition, especially when it came to race and gender issues. Following her death, the Carl Brandon Society established the Octavia E. Butler Memorial Scholarship in her name to provided support to students of colour to attend the Clarion West Writers Workshop and the Clarion Writersâ Workshop. Sources here, here, here and here.
MAKE YOUR OWN LIFE-SIZE BB-8 DROID FOR JUST $120
Brighton, UK-based artist and author Karla Courtney has undertaken an awesome project. Sheâs knitting a large 3D model of Pee-wee Hermanâs amazing playhouse. Courtney first got the idea during the summer of 2014 and has been working on it ever since.
âA lot of people have asked me âWhy are you doing this?â Honestly, I donât know. I just liked the show a lot when I was little and really enjoy the really unique styling/aesthetic of it even today. So, why not? Plus, I do like a good challenge and really enjoy knitting 3D models (see also the buildings I knit for a Worthing art project in the UK).â
Courtney has just about completed the front of the playhouse and will continue working on it throughout the year. Sheâll be knitting and knitting and knitting and knittingâŚ
You can follow her progress via Karla Courtneyâs blog, Facebook page, Twitter, or Instagram.
[via Pee-wee Herman]
MY HERO.

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For the purpose of maintaining order, the future classroom will come equipped with watchful robots that rap students on the head if they lose focus or act up. - Illustration by Shigeru Komatsuzaki, featured in the article, âThe Rise of the Computerized School.â One in a series of articles entitled âComputopiaâ which depicted life in a pleasant future pervaded by computers. The series ran in the Japanese ShĂśnen Sunday magazine, 1969. (via pink tentacle)
Wearing this awesome Giant Thermometer Scarf means never wondering just how cold it is outside ever again. Instructables contributor caitlinsdad (previously featured here) created this functional electronic thermometer scarf using an Adafruit Flora Arduino board, an Adafruit NeoPixel RGB LED strip, humidity and temperature sensor modules, and microfleece fabric.
Caitlinsdad also created a step-by-step tutorial so that other people can make their own âwearable high tech, low tech scarf with a built-in thermometer.â
[via Fashionably Geek]
Dude turns little bunny toy into a battle hardened warrior.
âŚclick through to the Twitter stream for more stuff like thisâŚ
Skull âN Bones Highball Stirrers (1960s)
Pick your Side Cowl
Just in time for The Force Awakens, hereâs a free double-knitting pattern for those of us who canât decide if they prefer the dark or the light side of the Force. Â By Tricothon.Â
Iâve been wanting to try double-knitting, because it looks cool and would get rid of all the problems Iâve been having with fair isle, and I figure a Return of the Jedi-era Death Star might just do it for me.

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I need these. I just do.Â
âSpace Age Santa Clausâ is the A-side of this single (from Delhi Records, 1961), and the B-side is âWhen Christmas Bells Are Ringing.â Both tunes were written by Ross Christman and performed by the Hal Bradley Orchestra with Patty Marie Jay on vocals.
Check out my collection of Weird Vintage creepy santas
Thereâs a lotta things about this tree you donât know anything about. Things you wouldnât understand. Things you couldnât understand. Things you shouldnât understand. This Pee-wee Herman Christmas tree is a loner, a rebel, and also completely awesome.
This amazing tree was created by Pee-wee Herman fan Angela Walsh:
âThought Iâd go a little untraditional this year..Behold, Oh Christmas Pee!! Pretty sure I will never be able to top this masterpieceâŚcomplete with homemade bowties and Mr. Herman himself sitting proudly at the top! And my Super Awesome Pee-wee Cut out my uncle made was the perfect finishing touch!â
Angela also made an incredible combination of Pee-wee and Bumble, itâs The Abominable Pee-wee!:
Visit Angela Walshâs Instagram feed for more photos of her delightful Pee-wee Herman-themed Christmas tree.
[via Pee-wee Herman]
Life decorating goal.
Beowulf Socks by kateknitsalot

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Knitting in wartime: something everyone can get into.Â
Much more info on the history of wartime knitting can be found here - itâs super fascinating! The Canadian Red Cross manual can be found right here.
Important bit of missing info. The needle sizes are the old British system where a bigger number means a smaller needle. With the stitch numbers given, Iâd try something around a 2 to 2.75mm needle. Maybe up to 3.5mm for mittens or sweaters. I didnât catch gauge measures, but 28st/10cm is a pretty usual gauge for âfingeringâ yarn.
And if your feet are biggish (I wear a womanâs 10 in US sizing) a 60 stitch sock may be too small. I need to use 20st/10cm sort of yarn to get away with that few stitches.
(Yes, knitting takes math. Lots of math. Pretty much all fiber arts take math. Anyone who says women canât do math never tried to sew.)
Yâall are the best.
I love this cover for a Commodore 64 BASIC programming language instruction guide so much.