Do u no trope?

someone sitting at home alone, an active alcoholic, squandering your charity, drinking all day is better situation than a street homeless alcoholic. someone using drugs in your charity house is better than them doing the same w no shelter

most of you would not like most street homeless people, I definitely don’t and didn’t when I was street homeless. for every one person who uses unconditional shelter to turn themselves around, someone else will do jack shit and very slowly, if ever, work through the issues that made them homeless, will maybe never be able to live independently. still better than street homelessness, still worth doing. ultimately either you believe that shelter should be universal or you don’t

But here? This reveal? This is a Big Reveal for us, Peter B Parker, and Miles, all on different levels. We and Peter both know Doc Ock is a portly dude, not a woman. We know the name Octavius… Otto Octavius. But when she says her name is Olivia Octavius we’re clued in to the fact that Doctor Octopus is a woman in this universe. And she has Peter captive.

Miles, if he was paying attention in science class earlier in the movie, would have known her name was Olivia Octavius, but that doesn’t mean anything to him, why would it? Liv has apparently been very good about keeping her supervillainy a secret. She’s in educational videos shown in high-schools. So to Miles, the reveal here is this scientist lady, who he knew enough about to know was the head scientist at Alchemax, is a supervillain. He gets the reveal a second or two after Peter.

And the movie? It was dropping hints the entire time, confident in our expectations blinding is to the truth. Olivia’s name was partially visible when Miles got to science class. Her glasses are octagonal. The lights in her lab are octagonal. We know she’s working with the Kingpin. Why wouldn’t she be a supervillain? Because she’s hot? Hell, Peter even says he needs to reexamine his internal biases. Maybe he was telling us that we should too.

Katara: BOY???? HOT BOY?????? HOT TEENAGE BOY?????????

Zuko: *speaks*

And then it hit me.

Iroh: *sitting in a teahouse at a paisho table* Iroh, deadpan: I must capture the last airbender.  Iroh: It is the only way to make sure the powe rof the Avatar won’t be turned on the Fire Nation. Iroh: Only then will I be redeemed in the eyes of the Fire Lord for my failure at Ba Sing Se. Iroh: … Iroh: Anyway, it’s your turn.

he was the eldest son of fire lord sozin, who knew the avatar was the greatest threat to the fire nation, but also knew the new one would be a firebender and he couldn’t exactly merc his own people, now could he? but he always planned to order a convenient little assassination on whoever the new avatar turned out to be and in the meantime took out the air temples so that avatar couldn’t learn the next element in the cycle. of course, when it turns out to be his son, sozin, stellar dad that he is, thinks “if you want something done right” and shoots a fire blast at his firstborn.

zuko enters the avatar state, blows up half the palace, etc etc as one does, gets a nasty scar for his trouble, and escapes, hence why he was hanging out far enough south to necessitate katara and sokka cracking open a cold boy a century later.

all this is to say 1. i think it’s a good way to maintain zuko’s background and characterization in an au like this and 2. it leads to a secret second roleswap

Metro Man was not loved growing up in a way that mattered. His adopted father was clearly very absent, and while we don't know much about his family, their relationship seems superficial. Because of this, his sense of duty to the world is also superficial, hence his boredom.

Hal wasn't raised with power. He gained it and was shown how to use it by a 'space dad' who only taught him power and not love. Hence, he sees it only as a grasping means to an end.