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disabled people who do not directly "contribute" to society and need large amounts of care and resources to survive deserve not only to survive but to have comfort, stability, and fun within their lives while they do. no compromises.
the idea that restrooms, locker rooms, etc need to be single-sex spaces in order for women to be safe is patriarchy's way of signalling to men & boys that society doesn't expect them to behave themselves around women. it is directly antifeminist. it would be antifeminist even if trans people did not exist. a feminist society would demand that women should be safe in all spaces even when there are men there.
btw this is maybe the single most key distinguishing feature of the terfy strains of radical feminism, the seed all the rest of it springs out of: they have absolutely no faith in the ability of feminism to actually destroy patriarchy. they do not think feminism can truly build a better world. they cannot really even imagine that possibility. they think patriarchy is an inevitable natural consequence of unchangeable biological facts, and therefore the goal of feminism can only be to mitigate the worst effects of patriarchy, not to get rid of it.
they can imagine a society where women get some designated safe spaces without men around. they cannot imagine a society where the presence of men is not inherently a danger to women.
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I mean, in some very interesting Technically Correct ways, they didn't actually die? Now, they're very much no longer alive. But the forces involved are such that they didn't get any of the usual cellular processes of death, they simply went from biology to physics in less time than it takes a signal to travel down your optic nerve.
you look like the kinda girl who'd open up ms paint back in the day select the spray paint tool and click and hold to watch it slowly turn into a perfect circle
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One of my favorite little quirks of TVTropes is that the people covering the Godzilla franchise have a deep moral revulsion towards Gigan. Like, seriously, just search for Gigan and they have him in the same "Complete Monster" category as Anton Chigurh and Judge Holden.
Fucking Gigan.
"The freedom of giant cyborg chicken things is an insult to me. I'd have them all in zoos. That would be a hell of a zoo."
First of all, in Godzilla vs. Gigan, he was just a poor space dinosaur surgically mutilated and forced to be the mind-controlled slave of alien cockroaches. So no moral culpability there.
And in Godzilla vs. Megalon, the seatopians are pissed that people keep nuclear testing in their oceans, so they send out a giant beetle god (actually kind of feel like these last two movie's kaiju should have been switched, but that's beside the point). And once the beetle gets his ass kicked because he's stupid and drill hands aren't actually that productive, the Seatopians radio the alien cockroaches for help, drawing on some Ancient Atlantean-Blatta Accord that apparently exists in the same continuity as Gojira (1954). And so Gigan comes back to earth. To save the oceans' indigenous people from the ravages of nuclear weaponry. And he's automatically chummy with Megalon, who clearl needs assistance because something's not all there.
Gigan is an environmentalist hero, and has empathy towards people in need, no matter how aquatic or chitinous. He's like Captain Planet if he locked the fuck in.
"OH, GIGAN IS SADISTIC, HE TORTURES HIS FOES."
Uh, so does Godzilla, all the time. He just toys with motherfuckers.
"OH, GIGAN IS A COWARD, HE ALWAYS RUNS AWAY WHEN HE'S LOSING."
Yeah, it's called a strategic retreat. Gigan is smart enough to know that once you get your HP wrestled down to 10, Godzilla's going to atomic breath you in the face. You're not a dirty coward for not wanting your head to be the next Trinity testing site.
I am become breath, destroyer of latex.
"OH, GIGAN SLOWLY DRAGS PEOPLE INTO HIS BUZZSAW."
Uh, yeah? He had his viscera forcibly ripped out and replaced with a buzzsaw. You expect him not to use it in his kaiju death battles? Excuse me? He lost his duodenum for that. He has to use colostomy bags. He has hooks for hands, the boy cannot wipe, let his use his one goddamn thing without moralizing about it.
Godzilla has atomic fallout for breath. You know what that shit does? You think using that in Japanese cities isn't problematic? The boy is a metaphor.
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"Street scene: Summer. The present. Man on a sidewalk named Lew Bookman, age sixtyish. Occupation: Pitchman. Lew Bookman, a fixture of the summer, a rather minor component to a hot July; a nondescript, commonplace little man whose life is a treadmill built out of sidewalks. In just a moment, Lew Bookman will have to concern himself with survival, because as of three o'clock this hot July afternoon he'll be stalked by Mr. Death."
On first glance, I thought this was a simple End episode, an episode about a man who tricks death in an attempt to evade it and faces the consequences, but I think it goes deeper than that. Lew's argument that his life isn't complete yet shows his fear of being forgotten, dying before he can make a change, etc. He gets Death to give him more time by claiming he will use it to give his last pitch, one to beat all others, and it's just a struggle to accept death before one feels they did all they wanted to do. Also, looking at how a young girl is almost taken in place feels like it's targeting destruction before potential is realized/destroying with a senseless cause in Lew, and he gives his life instead of hers. Overall, though, I think as a whole this episode is about a man who was afraid of leaving this world before he could leave something he was proud of rather than a man who was simply scared of dying. He goes willingly at the end of the episode, and I think that really shows how it wasn't dying in itself that he was most scared of.
A sidewalk pitchman, Lew Bookman, makes a living selling toys, notions, and trinkets. It's seen that all the children in the neighborhood enjoy this gentle, kindly man. One summer day Mr. Bookman is accosted by Death and told that he is to die at midnight. Lew argues that his life's work as a pitchman is not quite complete, and convinces Mr. Death to give him enough time to give one last, great sales pitchโ"one for the angels" as Lew puts it. Once Mr. Death agrees, Bookman announces his intention to quit his profession and find another line of work.
Proud of having outsmarted Mr. Death and now virtually assured of immortality, Lew is informed by Mr. Death that other arrangements must now be made, that someone else will have to take his place. Because of this, Mr. Death chooses a little girl named Maggie, one of Lew's good friends who lives in the same building. When she is hit by a truck, Lew immediately offers to go with Mr. Death but is told it's too late.
Later that night, as Maggie lies comatose, Death comes to claim her. Bookman pleads with Mr. Death to take him instead, despite their agreement. Mr. Death is adamant; a deal is a deal. He must be in Maggie's room at midnight to take her. As the appointed time nears, Bookman distracts Death by beginning a sales pitch. So well does Bookman describe the wonders of his wares that Mr. Death is enticed into purchasing everything: "Gimme all you have.", distracting him from his job. With one minute remaining before midnight, he offers his final pitch, he pitches himself as a servant to Death. Swearing to work under him for eternity to convince Death to take him in Maggie's place. So enthralled is Mr. Death with Lew's eloquence he forgets to claim Maggie's life. The town clock tower tolls midnight before Death realizes that he's missed his appointment. Maggie will live.
In making this marvelous pitch, one so compelling that even Death himself was moved โ "a pitch for the angels" โ Bookman has willingly sacrificed his own life to save that of his friend, thus fulfilling his original agreement. Before leaving with Death, Bookman packs up his suitcase on legs containing his wares, hopefully remarking "You never know who might need something up there." He repeats, with a note of uncertainty, "Up there?" Mr. Death smiles, "Up there, Mr. Bookman. You made it."
"Lewis J. Bookman, age sixty-ish. Occupation: Pitchman. Formerly a fixture of the summer, formerly a rather minor component to a hot July. But throughout his life, a man beloved by the children, and therefore a most important man. Couldn't happen, you say? Probably not in most places, but it did happen in the Twilight Zone."
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