'Bedtime'. Nicole Parker. 2021.
hello vonnie
Jules of Nature

gracie abrams

bliss lane
almost home
Monterey Bay Aquarium
will byers stan first human second
Cosmic Funnies
One Nice Bug Per Day
Aqua Utopia|海の底で記憶を紡ぐ
I'd rather be in outer space 🛸
$LAYYYTER
Lint Roller? I Barely Know Her
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Not today Justin
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'Bedtime'. Nicole Parker. 2021.

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love elizabeth s.

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“In Greek, whose color lexicon did not stabilize for many centuries, the words most commonly used for blue are glaukos and kyaneos. The latter probably referred originally to a mineral or a metal; it has a foreign root and its meaning often shifted. During the Homeric period it denoted both the bright blue of the iris and the black of funeral garments, but never the blue of the sky or sea. An analysis of Homer’s poetry shows that out of sixty adjectives describing elements and landscapes in the Iliad and Odyssey, only three are color terms, while those evoking light effects are quite numerous. During the classical era, kyaneos meant a dark color: deep blue, violet, brown, and black. In fact, it evokes more the “feeling” of the color than its actual hue. The term glaukos, which existed in the Archaic period and was much used by Homer, can refer to gray, blue, and sometimes even yellow or brown. Rather than denoting a particular color, it expresses the idea of a color’s feebleness or weak concentration. For this reason it is used to describe the color of water, eyes, leaves, or honey.”
— Michel Pastoureau, Blue: The History of a Color (via emmaylor)
Hyacinth Fields
walking down the streets of Yerevan, one might just come across a full-scale, realistic recreation of Van Gogh's "Bedroom in Arles" (July 2025)
I usually tell my students that “close reading” means looking at what is actually on the page, reading the text itself, rather than some idea “behind the text.” It means noticing things in the writing, things in the writing that stand out. To give you some idea of what this means, I’ve made up a list of five sorts of things that a close reading might typically notice: (1) unusual vocabulary, words that surprise either because they are unfamiliar or because they seem to belong to a different context; (2) words that seem unnecessarily repeated, as if the word keeps insisting on being written; (3) images or metaphors, especially ones that are used repeatedly and are somewhat surprising given the context; (4) what is in italics or parentheses; and (5) footnotes that seem too long. This list is far from complete—in fact, no complete list is possible—but the list is meant to begin to give you an idea of what sorts of things we notice when we’re doing close reading.
What all five of my examples have in common is that they are minor elements in the text; they are not main ideas. In fact, your usual practice of reading which focuses on main ideas would dismiss them all as marginal or trivial. Another thing they have in common is that, although they are minor, they are nonetheless conspicuous, eye-catching: they are either surprising or repeated, set off from the text or too long. Close reading pays attention to elements in the text which, although marginal, are nonetheless emphatic, prominent—elements in the text which ought to be quietly subordinate to the main idea, but which textually call attention to themselves.
Most of you have been educated to ignore such elements. You have been taught to seek out and identify the main ideas, dismissing the trivial as you go. This has had to be trained into you: read to a young child sometime, you will notice she has the annoying habit of interrupting the flow of the story to draw attention to some minor thing. Close reading resembles the interruptions of that child. It is a method of undoing the training that keeps us to the straight and narrow path of main ideas. It is a way of learning not to disregard those features of the text that attract our attention, but are not principal ideas.
Jane Gallop, “The Ethics of Close Reading: Close Encounters,” Journal of Curriculum Theorizing, Vol.16, No.3 (Fall 2000), pg.7-8 (x)

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Prayer by Marie Howe
I’m the first and last person in my bloodline with a tumblr blog
musings on July
"NW" Zadie Smith, "the Hands of Friendship" in Yerevan (@metamorphesque). "Jane Eyre" Charlotte Brontë (@flowerytale), Franz Kafka’s Diaries (@hungryfictions), "Summer night by the beach" Edvard Munch, "A Magic Mountain" Czeslaw Milosz (tr by Czeslaw Milosz and Lillian Vallee), "Answer July" Emily Dickinson, "Four Sunflowers Gone to Seed" Vincent van Gogh, The Diaries of Franz Kafka (@shisasan)
Clotilde Olyff (Belgian, b. 1962, based Brussels, Belgium) - Stone Alphabet, 1994. She collected these over a 14-year period from the banks of rivers and oceans.

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Edna St. Vincent Millay, from a poem titled "Interim," featured in The Complete Poems of Edna St. Vincent Millay
By Heather Roblin, the Daphne and Apollo sterling silver ring set.