Impressions on my mind

Far from Blue - Seula Yi 

South Korean , b. 1990 -

Vincent van Gogh, A Lane of Cypresses with a Couple Walking, 1888

Ana Mendieta

Keiji Uematsu, “Wave Motion I” (1) & (2), 1976

“To create a work in which the lack of a single element will cause the entire structure – the invisible existences of things and their relationships – to collapse like a cosmos.” 

Keiji Uematsu (b. 1947, Kobe, Japan) is a conceptual artist associated with the post-war Japanese art movement, Mono-ha. Over a nearly five decades-long career, Uematsu has developed a highly cohesive body of work that has consistently sought to make visible the invisible relationships between objects and the spaces they inhabit. In 1972, he wrote: ‘What I want to do is to make visible existence, visible connections and visible relations appear more clearly. And to cause non-visible existence, non-visible connections and non-visible relations to appear. And to cause visible existence, visible connections and visible relations not to appear’. The ideas of ‘de-familiarising’ space and focusing our attention on the natural forces of gravity, tension, and material attraction, whether through photography, drawing or sculptural installation, underpin his entire practice. 

Yayoi Kusama, Everything About Life

Liu Wei  (Chinese, b.1972)

Yayoi Kusama   Infinity Room