Mark Rothko, Untitled (White and Blue-Green on Yellow), 1956
Oil on paper mounted on linen
© 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York

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Mark Rothko, Untitled (White and Blue-Green on Yellow), 1956
Oil on paper mounted on linen
© 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York

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Jeffrey Earp
23ju26 - 2026
Mai Thu Perret
Mai-Thu Perret (Swiss, b. 1976)
The lion teaches the cub by making it lose its way - 2023
via mimeticspace
Céleste Boursier-Mougenot (French, b. 1961)
clinamen installation - 2012 – ongoing
[above] clinamen v. 10 - 2012 – 2025
@ Bourse de Commerce — Pinault Collection, Paris
[below] clinamen 11 - 2026
@ Park Avenue Armory, NY
© Céleste Boursier- Mougenot/ADAGP. images by Nicholas Knight
Zuzanna Skiba (Polish / German, 1968)
LILIE IM TAL - 2019

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Helen Frankenthaler (N. American, 1928 - 2011)
Alassio - 1990
On exhibition display @ The Moment and the Distance April 30–July 2, 2026 New York, USA
(c) 2026 Helen Frankenthaler Foundation Inc. / Artists Rights Society (ARS), New York
Photo: Rob McKeever
Helen Frankenthaler (N. American, 1928 - 2011)
Yin Yang - 1990
On exhibition display @ The Moment and the Distance April 30–July 2, 2026 New York, USA
(c) 2026 Helen Frankenthaler Foundation Inc. / Artists Rights Society (ARS), New York
Photo: Dan Bradica
Jeffrey Earp
14ju26 - 2026
Yayoi Kusama - Night Rain, 1998
Jeffrey Earp
123ju26 - 2026

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Lbf
Point of Release
henry draper. glass positive of the sun. 1876.
Lbf
Origin
Nigel Cooke (British, b. 1973)
Reader - 2020
© Nigel Cooke - Nigel Cooke @ Pace Gallery
Nigel Cooke (British, b. 1973)
Nemesis - 2026
© Nigel Cooke - @ Pace Gallery

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Mark Rothko The Drawings of 1962 Wove paper. all approx. 11 1/16 x 8 9/16 in. (28.1 x 21.7 cm) Mixed media (Pencil, Ink, Watercolor and Wash) All Gifts of The Mark Rothko Foundation, Inc., © Kate Rothko Prizel and Christopher Rothko
We don't see many late drawings from Rothko, there's one in '56 and some that are studies for mural projects, but for some reason, in 1962 we have this nice group of works on paper. What the intention of then was, no one knows for sure.
In 1962 Rothko was working on the Harvard Murals, but these drawings don't really resemble that work and only the 3rd drawing, in pencil. seems more like it might have been a sketch.
But it's still a little funny. The Seagram and Harvard mural sketches are cementing shapes that Rothko wasn't known the use. After all the stacked rectangle forms Rothko had painted by 1962, why sketch a single one out in pencil?
In seems likely to me that at least the 4 of them, in ink, were meant to stand alone, but we will probably never know.
I'm presenting them here as a set even though they are all up on the blog individually. For one thing it's nice to look at then this way, and for another these are recent scans from the NGA, which are different in small ways than what's already up. The previous scans are professional vetted scans but these new ones were probably done all at the same time and we sometimes see less yellow in the paper than we've seen before.
Enjoy these.
Nenad Bacanovic