Hart Crane

@theartofmadeline
todays bird

tannertan36

祝日 / Permanent Vacation
Cosmic Funnies
trying on a metaphor

Kiana Khansmith
Misplaced Lens Cap
Show & Tell

★
Stranger Things

Discoholic 🪩
noise dept.
2025 on Tumblr: Trends That Defined the Year
Cosimo Galluzzi
Aqua Utopia|海の底で記憶を紡ぐ

⁂

roma★
Not today Justin

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@standingatthefence
Hart Crane

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All I want is to wake up every morning by your side.
COMRADES: ALMOST A LOVE STORY 甜蜜蜜 dir. Peter Chan
“Sometimes you read something and a thought that was floating around in your veins organizes itself into the sentence that reflects it. This might also be a form of dreaming.”
— Claudia Rankine. Don’t Let Me Be Lonely: An American Lyric. 2004.
Mt. St. Helens. May 18, 1980.
Photo sequence from Gary Rosenquist at Bear Meadow, NE of the summit, taken over about two minutes. (Mount St. Helens / Lawet’lat’la)
What is hell like? / Wait and see, it is what man is turning the world into.
— Saddiq Dzukogi, from Book Three, Bakandamiya

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“One cannot understand reality without understanding cinema, photography, 3D modeling, animation, or other forms of moving or still image. The world is imbued with the shrapnel of former images … Reality itself is postproduced and scripted, affect rendered as after-effect. Far from being opposites across an unbridgeable chasm, image and world are in many cases just versions of each other … This assigns a new role to image production, and in consequence also to people who deal with it.”
--Hito Steyerl, "Too Much World: Is the Internet Dead?," e-flux Journal, November 2013, e-flux.com.
Poetry suspends time. Poetry is time. Poetry gives us time. A story or a poem is like a living body; we need only tell the few, precise pulse points to feel the heart of it leaping in its skin. Those details are the flare in the desert, a signal from a boat mid-ocean, the cry of the abandoned, the ones caught in a trap who must be freed. To rescue, to name what must not be forgotten. Sunday evening, winter morning, November dusk. We belong where love finds us.
Anne Michaels, from Infinite Gradation
My job is not just to interpret or describe realities but to create them through language and action, symbols and images... Our task is to write against the edict that women should fear their own darkness, that we not broach it in our writings.
Gloria E. Anzaldúa, Gestures of the Body— Escribiendo para idear
“Black Snake” (2002) ∿ William E. Nutt ◆ Polished marble, raw limestone
“We think with the entire body, or rather, we have to acknowledge the embodiment of the brain, and the embrainment of the body.”
– Rosi Braidotti, Anthropocene Feminism

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The Green, Green Grass of Home (1982), dir. Hou Hsiao-Hsien
An ancient heavenly [...] hypnotic trance.
MIA BARKAN CLARKE — Tea with Nana: Paintings & Poems, (2009)
Anaïs Nin, The Diary of Anais Nin Vol. II: 1934-1939
"But this is my own maze, she told herself, this is the maze I grew up in; I could not be a prisoner here; I know the way so perfectly, and she turned and was further lost."
— Shirley Jackson, The Sundial
Lino Brocka - Bona (1980)

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Kim Ghattas
[A]ny pain caused by unhappy experiences, whatever their nature, has something in common with mourning. It reactivates the infantile depressive position; the encountering and overcoming of adversity of any kind entails mental work similar to mourning.
Klein, M. [1940] (1977) ‘Mourning and its Relation to Manic-Depressive States’, in Klein, M. (ed.) Love, Guilt and Reparation & Other Works, 1921–1945. New York: Dell Publishing. p. 360.