Bleak Mountains | Li Ye
todays bird

oozey mess
Lint Roller? I Barely Know Her
One Nice Bug Per Day
Not today Justin

Kiana Khansmith
d e v o n
Cosimo Galluzzi

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Mike Driver
cherry valley forever

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❣ Chile in a Photography ❣
Xuebing Du
Sweet Seals For You, Always
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Bleak Mountains | Li Ye

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Johann Sebastian Bach, Klavierübung, IV. Teil: Aria mit verschiedenen Veränderungen: Goldberg-Variationen, New York: C. F. Peters, 1937, pp. 40-41, Annotated by Glenn Gould [The Morgan Library & Museum, New York, NY. Mary Flagler Cary Music Collection, 2001]
Henri Fantin-Latour - Roses in a Basket on a Table (1876)
Austrian writer Elfriede Jelinek on her peer and influence, Ingeborg Bachmann
Plunder
Berlinde De Bruyckere

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Hope Gangloff - “Salomé”.
“The real concrete is not the immediate but the entirety of real determinations. The concreteness of an abstract definition derives from the dialectical nature of the process investigated. Concreteness is a tendential limit of the immediate determinations grasped and analyzed (and this time, these are properly abstract).”
Toni Negri, Thirty-Three Lessons on Lenin
Margaret Scolarli Barr, Medardo Rosso The Museum of Modern Art
Cy Twombly - Lycian Drawing (Niphidia), 1982, oil, crayon and pencil on paper, 100 x 70 cm
Mekhitar Garabedian Fig.a, a comme alphabet 2009-2010 Pencil, pen and marker on paper 29 x 42 cm

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Pauline Couble - Stratified Head, 2020
Acrylic on wood 30 x 23 cm
Vincent Hawkins
“[She bites God in the wrist]”
— stage direction from Artaud’s The Jet of Blood (via comachild)
– Jacques Derrida’s library
Irving Penn - three steel boxes

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Ala Ebtekar, Thirty-Six Views of the Moon (from the San Jose Museum of Art)
Cyanotype prints on found book pages exposed to moonlight.
Jiang Miao(姜淼 Chinese, b.1981)
Infinity and Immortal No.3 2019 Acrylic and oil on wooden panel with carving 126.0 × 231.0 × 5.0cm via