Nini's Painting [Rome] - Cy Twombly | The Broad
Three Goblin Art

Janaina Medeiros
Xuebing Du
trying on a metaphor
let's talk about Bridgerton tea, my ask is open
h
he wasn't even looking at me and he found me

if i look back, i am lost
ojovivo
Sade Olutola

blake kathryn
Stranger Things
d e v o n
occasionally subtle
we're not kids anymore.
Acquired Stardust
Cosmic Funnies

⁂

seen from Malaysia
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seen from United States

seen from United States

seen from Malaysia

seen from United States
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seen from United States
seen from United States

seen from United States
seen from Argentina

seen from Portugal
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seen from United States
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@paintedout
Nini's Painting [Rome] - Cy Twombly | The Broad

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Cy Twombly
Cy Twombly, Nini’s Painting, 1971, emulsion paint, crayon, colored pencil and pencil on canvas, 250.3 x 300.4 cm, Munich, Museum Brandhorst. Photo from May 2024.
Cy Twombly, Untitled, 1957
Cy Twombly, 14 Papers, 1983

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Cy Twombly at the Gagosian Gallery, New York, March 22nd (the show has now closed)
"The poet Rilke looked at a statue of Apollo and Apollo spoke to him. 'You must change your life.' When the genuine myth rises into consciousness, that is always its message. You must change your life." - Ursula K. Le Guin
Cy Twombly
Cy Twombly
Cy Twombly, Untitled, (pencil on paper), 1960 [Private Collection. © Cy Twombly Foundation, New York, NY]
/ l’Altissimo /

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Cy Twombly
Cy Twombly, Gaeta Set (For The Love of Fire & Water), 1981
Cy Twombly, 1959
Lucien Smith
"This is in Claverack, New York, inside a tent that I converted from a standard outdoor canopy, normally used as a temporary shelter for automobiles. Here I am in the midst of finishing a painting for my upcoming show at OHWOW Gallery titled Seven Rain Paintings, opening in September. A few months after attempting the first rain painting, I realized I needed some sort of shelter to create them. mostly because I needed the ability to mark the spray range and angle necessary to achieve consistency throughout the series. As winter came, it really proved to be tremendously helpful against the snow and rain. It would have been impossible to make these paintings without this structure, and looking back at the year I spent creating this body of work, I really wouldn't have been ableto make these paintings in the city. In that sense, they are site-specific. There's a warmth to the paintings that I don't think would have been there if I'd made them in say, somewhere like Long Island City."
Gedi Sibony

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Yoshitomo Nara
Julie Mehretu