So another GO related post sorry just too many thoughts and feelings.
I've read somewhere that NG has put his break-ups in the Final 15. I've also read that Terry was the Angel and NG was the Demon. If that's all true the GO3 looks ridiculously logical and not because NG wanted us to suffer.
He just wanted to be a hero. Someone who gets all the credit, all the sympathy and all the support and everybody must be on his side. He is heartbroken, he knew all along that Aziraphale won't succeed, that the world is broken, he is so lonely and devastated and right and knows everything and moreover he is a former demon (ffs Crowley is not a former demon or best angel what the actual hell?!).
This was never a story about perfect angel and/or demon, not the story about two perfect angels, not the story about perfect and not-so-perfect angels. The characters were beautiful with their flaws and their weaknesses and their strengths. What was amazing was their differences and their commons, that they were 'technically' from different sides and yet has formed their own side. It was about humanity and how we all are shades of grey as these two are! It was about hope and love and variety. It wasn't sad, heroic or doomed. It wasn't bloody dramatic marvel movie with the one and only character sacrificing himself with all the freaking glory. it wasn't the story about freaking NG.
I am just so sad that everyone on the show, production team, Prime, etc had to or chose to follow THAT shit.
I mean I might be wrong but it looks bloody logical and I am so angry about it.
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Listen, S3 had me at Competitive Crossword Solving-- you all know it did lol-- but Aziraphale's dreamscape here, ah, putting into The Eternal Flame a rendering of what a rubber duck is? And that not being just, ah, a literal rubber duck but also the euphemistic one? 😂
The thing with the rubber duck is actually a lot deeper than just the innuendo, though, and that's why it's a perfect thing to represent so much of Aziraphale's life-- and himself-- burning down in this nightmare here.
What I think rubber ducks have to do with cocoa delivery and losing-- but, in the future, making-- a world of Canada... and just more of what, in general, is going on in S3.
While a "rubber duck" between Crowley and Aziraphale is a dildo, Aziraphale sometimes feels like a metaphorical one. The fake cock of a rubber duck is metaphorically his imposter syndrome, and symbolic of what he sometimes thinks he is as a person. It's the I bet you're all wondering: what's that man doing up there? of 1941. It's his fear that he's jiggery-pokery and nothing but a sleight-of-hand trick-- an imitation of a human, rather than a real person.
And where does all of that burn? Where does it go up in flames and burn down, in equal measure, and always has?
In, and with, his eternal flame of Crowley.
Aziraphale feels guilty about his consumption, about his humanity, when The Four Horsepeople are riding for him. He struggles to accept that it is all for him, too, because to accept that is to accept his humanity, and he's so hard on himself. But while he can scale back food for awhile, and while he can try to deny himself human things he loves, like his side gig as a working, professional magician?
What he can never do is deny that he loves Crowley-- with a love that is as human as it gets. Every part of Aziraphale is human with Crowley. Loving Crowley is the best of him and the kind of person Aziraphale wants to be. And what kind of person is that?
A professional conjurer. Different from a magician because its definition is also that of an exorciser of demons... which are metaphorical darkness. A conjurer? Is a healer.
It's not just about being human but about being a good person. The one staunching the bleeding, not causing it. How much is in your wallet? How much, Doctor McFell? Asa: meaning: healer, doctor. Aziraphale is the Raphael. He has made his redemption be "liberating their Bentley." He has made it loving Crowley, but he's never truly believed he deserved him.
And it follows him, into this nightmare that he is having in S2 & S3.
It's a dream of the last week of his life and a fate where everything goes wrong and he and Crowley can't find the lady or hear the Nightingales and then Hell claims him, Death takes him, and he works his way through a bardo where he ultimately decides that Crowley's love for him might have meant that maybe he wasn't completely irredeemable but he also wasn't good enough for a truly happy ending, either. In this dream, Aziraphale opts to torture himself for all of time with another kind of rubber duck... an imitation world.
Imitation Crowleys. Pale, incomplete facsimiles of the real things. The rubber ducks of people. Ones that work well enough in the moment to sometimes help get you there but that never truly have the kind of warmth that can fully, deeply satisfy. An eternity of passionless Crowleys who study the stars, instead of making them... Aziraphale's artist lost to him forever, except in haunting his memories... Thank Frances that was all a dream. 😂
Thank Frances that Asa & Professor Anthony are the surplus baby. Thank fuck reality actually ended with 1.06's "The Very Last Day of the Rest of Their Lives" and, Aziraphale? You're going to wake up back in reality to the Crowley of the yellow eyes who calls you "angel" and be able to avoid the horrors of the rubber duck world your subconscious just showed you-- and I know that you do. We can see it here in your dream, as your mind works through all of this.
This very bad dream is a very good omen, helping to you to see the way through to what you will do. You've found the lady and you know that if you reach out? If you start treating the angels and demons like the people they are?
You can get all these ducks to talk about their frozen peas, which is the way forward. It's what this entire story has always been about-- winning the battle of personal Armageddon. Fighting The Four Horsepeople, and keeping your inner angels and demons at bay.
You know now that the answer is to group the books together by the first letter of the first sentence, like what Jim was doing in S2. I saw your subconscious telling you that you know about Michael, and of The Metatron's 'fiddling' with that book. You know exactly who she needs to talk to-- the same person you talk to. The one who understands that all too well. And you need to get all of you to a place where Michael can talk to Crowley soon because this dream shows how guilty you feel over having not reached out to her already.
It shows that you're thinking that, maybe if you do, you can keep her from going mad-- that saving the world first starts with something just as important: saving the world that is Michael herself.
It's a wild, new world that you're going to make, Aziraphale-- one that would have seemed impossible to you once, until this surreal dream showed you that maybe it's all more possible than you believed.
It's a world you actually already know how to make, which will excite you and make you nervous and make you be brave, all in equal measure, once you're on the other side of the panic attack you're probably understandably going to have when you wake up back in reality. What sort of world?
One where no one loses Canada... one where there is a metaphorical Canada for all of the people around you to live in. Canada: Latinized version of a now-extinct Iroquoian language word for a village; a community.
A space where everyone willing in your world-- angel, demon, human alike-- joins the Whickber Street Traders & Shopkeepers Association, like how you began dreaming with The Ball. A place where the bookshop is truly a functional embassy and a gateway to Earth for angels and demons alike... Michael and the copies of Our Little Village in S2 & Beloved Spouse's "our little village" of Whickber Street... it's North America. Heavenly liberation. That's what you build, after this dream helps you get there. After all, who wouldn't want to live in Canada? 😊 What a great place to write a book of life in...
You'll let them all in. You'll make it a real embassy. You'll make it happen, make it real, until, one day, not too long from now? There will be no chance of Armageddon: The Sequel because you can't have a war without war and because the archangel Michael can't destroy the Earth because then where would she and Crowley go get coffee?
Your mind has worked out that you don't stop a war from happening by trying to be put in charge of the army. You stop a war from happening by liberating the soldiers. You steal the army to your side of peace by treating them not as weapons but as people. You beat God and The Devil and The Metatron at their own game by getting them to play an entirely different one of your choice, instead-- a game that plays to your strengths.
Your dream taught you to own what it is you know and feel brave enough to be able to share it more and that's a good thing because you know how to live, Aziraphale. You and Crowley exemplified that to such an extent that Asa and Professor Anthony's "happy ending" was the most terrifying thing in this entire series.
Your dream showed you that you're not a rubber duck, you're human incarnate... and so are all of them. You can build this new model because you can see it now. It's not about having higher rank; it's about exorcising demons. That's a job for a professional conjurer, though, and that's why it's a good thing that you're really still here, about to wake up, as the very end of S3 showed us.
Speaking, as we were, about those Christmas lights... It's Christmas Day, Mr. Scrooge, even if you're really a Fezziwig-- or that's who you would like to be, anyway, as you quoted him to Nina in S2. You haven't missed it. It's not too late. It's three card monte with the Dickens novels, too, and the true ending can be found not in Bleak House or Hard Times but A Christmas Carol.
The cure to personal Armageddon is a cheese sandwich-- any form of it-- but if you wish to be delivered from evil, Aziraphale? If you want a truly scrumptious eternal life with your original, vintage, liberated Bentley, as we all know you do? You aren't going to get that dooming yourself to David Bowie's Life on Mars.
You're going to get it by dancing on the head of that pen-punning pin that you have Michael wearing in this thing and writing it. Create it into being. It's dominoes, Aziraphale, as your dream showed. They're all going to fall or go up-- to Earth-- if you help get them there. The long rope, and the medium rope, and the short rope are all the same length.
They aren't angels or demons-- they're people, as your dream helped you to recognize. People with their own inner wars that you and Crowley are uniquely equipped to help them fight. It's not about fighting The Metatron or The Devil directly, as you'll never get anywhere-- it's about weakening their ability to do harm by making the alternative of a more accepting world for their soldiers.
Saving the world doesn't look like a big, epic battle for the whole of the Earth; it looks like Jim's hot chocolate. It looks like Beelzebub's favorite human song. It looks like showing Michael how to metaphorically dance on the head of the most horrible kind of pin there is before it's all too much and she burns it all down with her...
...and, missing Christ on a bike, Aziraphale, we both know who the greatest dancer is. I mean, he's really not a great literal dancer lol but Crowley. can. dance. and you're a huge part of that. Your dream has an awareness of the fact that the two of you can help Michael, and a guilt over how you haven't already tried. It's what you'll know you need to fix when you wake up.
There will be war so long as no one is addressing that Michael has been abused. There will be war so long as no one is addressing that Gabriel has anxiety, depression, and an eating disorder. Helping them fight their personal Armageddons-- keeping them from ending their own worlds-- is how you save the world itself.
We aren't meant to be able to easily cope with these books of life of ours, and not on our own. You and Crowley know that, as you'd both have gone completely round the bend long ago without one another. The space that you made for one another needs to be opened up now. That is what you will know that your dream told you to do-- to start with Gabriel, and let them all in.
Let Gabriel in and you're also letting in Beelzebub, and where there are four of you "fallen" human ants? There will soon be oodles of them in this new world you're making.
There were four of you in the bookshop, and it was the whole world, and now, as this dream showed you? It's time to change who those four are.
Your dream-- so, you-- are trying to get you to fuck your concepts of God and Satan, Aziraphale, and to replace them with the real people of Gabriel and Beelzebub. To start with those two, other ducks and let them help you open the door. To metaphorically hire the assistant bookseller-- he's the key to everything. Do that and, one day, not all that long from now?
There you'll be, on a warm night in the South Downs, the cottage actually real around you, a few dozen people in the backyard-- angels and demons and humans alike-- all drinking literal cocktails on euphemistic Alpha Centauri under the stars. You'll want them all to go home after an hour lol but you will also be overwhelmed in a good way by how real it all is... and breathlessly grateful for all of their messy imperfections.
The dream of your Death, and your Hell? It helps you appreciate your life and gives you the courage to make the world you want to live in. It won't be easy, or smooth, as nothing is. You'll have to be brave, but you are braver than you think you are.
There will again come a tempest, Aziraphale-- there always will. Your story was left in reality with "the really big one" still to come for you (likely happening in the reality background of S2/S3) and this dream to show us how you dealt with it when it did. Because, the truth is? There will always come some tempests-- some darkness, some storms-- no matter how long you live because, if there isn't? You're not living. You're not in the real world. You're not human.
And you're human, Aziraphale.
The dead will leave their graves and walk the Earth once more, even if there are also great lamentations. It's just that how the dead resurrect-- whether it's a world of eternal life as zombies like we saw with Asa and Anthony or whether you find your way back to yourself in the world of the living-- is up to you. We judge ourselves and The Four Horsepeople never have as long a final ride as they think they might as, if you avoid salads? Then, well, everyday, it's getting closer...
You can Dr. Frankenstein yourself a rubber duck world of doom in Hell and have it never truly be real... or you can deal with the messy, silly reality by recognizing that, sometimes, things happen that just never before seemed like they could ever be real and, yet? Here they are. The world of the living is the magical world, where the miracles can happen. It's magic, and you know magic. You're a better performer than you believe.
I bet that, one day in the not-too-distant future, Gabriel will ask what made you reach out to him. What was it that made you send him a private message and ask him to come to the bookshop alone to talk? I bet you think of the dream and you hesitate but then decide, in the moment, to tell him the truth.
I had a dream about you. We used to talk a bit, back before everything, you and me, remember? And I thought that maybe everything might be better, for all of us, if we could start to do that again.
And when Gabriel asks what happened in this dream of yours that changed everything, Aziraphale? I think you tell him. He's definitely going to love hearing that you dreamt about him naked 😂 but he's also not dim. He doesn't need a Psychology doctorate to pick up on how the stripadeliveragram and the new name of Jim were really about being emotionally naked and fresh starts-- about how the dream you had was really a desire to have your old friend to talk to... and that you worry about him. Your dream, after all, was that Heaven tried to kill him... because you know they are slowly killing him.
Your dream saw through Gabriel clearly to the anxiety and depression and the consumption disorder. You dreamt he was traumatized and in danger and you insulated him in blankets and hot cocoa and a week spent hanging out with Crowley, talking about feelings and trying to set up the neighbors. You care deeply about him, Aziraphale. Your mind made a world to keep him safe-- one that also recognizes how vital he would be to your and Crowley's own safety. You gave yourself the answer, and the answer is getting the archangel Gabriel a go-to comforting beverage.
And, later, when the time comes for the first embassy party you throw? Your first attempts to make a better version of The Ball from your dream into reality? Gabriel turns up, in a rhinestone-laden blue suit with a really fabulous coat. (Naturally, one of the only questions he did ask about your dream was what he wore to this party in it lol.) It obviously won't be exactly the one from your dream-- which will make it all the better, because this one is real-- but it'll be a bit ridiculous, like he is. Like you both are, and like all of life is.
And when you're there, all nervous and in disbelief that this is actually happening, and you find yourself looking between him and your neighbor and saying the impossible thing of: "Ah, Mrs. Sandwich. This is Gabriel"? Gabriel will have taken the tray from your hand and offered it to her instead and you'll just be standing there as the Supreme Archangel quite literally makes your dreams come true:
"Hi, I'm Jim. It's short for James. Some people call me Gabriel. Do you wanna consume any of these, uh... small meal blobs?"
And you'll laugh and tear up at the same time. You'll touch his arm and then have to walk away for a minute because you'll know you've done it. This deeply silly, vainly insecure ostrich is your friend and you're never going to that terrifying world of Asa and Professor Anthony. He won't let you. It is, as your own dream foretold and you both made happen: you've been delivered from evil by the stripadeliveragram.
[You tell Jimbriel about the darker parts of the dream in more detail eventually and he says, and we quote: "This all sounds like a real drag, Aziraphale. Didn't this dream begin with me naked? Why did you give it, like... a plot?" to which Crowley adds: "I asked him that, too, actually." and Gabriel just points in "see, he gets it" at Crowley, who adds: "I mean, we were getting shop lesbians to vavoom together for the first part of it." Gabriel: *eyebrow* "That what they call it down here these days?" Aziraphale: *half-laughing* "Good night now, Gabriel, see you next Tuesday." /fanfic popping into the meta lol] But mah point izzz...
You found the lady, Aziraphale, and the path to a world where you and your lady live happily ever after. You know how to make the true ending now-- the one from the novel of a boy, and his dog, and a summer that never ends. Just as good an omen is that you might be getting more to a place of forgiving yourself and starting to believe that you actually do deserve to live in such a world. You now know that's truly the only way you'll ever be able to have that eternal flame forever.
You need to make peace with yourself, if you want to know forever the peace you find with Crowley, and I think this dream helps you get closer to that.
You wanna bring the baby, Aziraphale? You want to marry *your* Crowley? You want a world of silly and messy reality where the only rubber ducks are toys and everyone you know lives in a metaphorical Canada you helped to make? The first step is to do the thing that this dream tells me you are thinking a lot about doing in reality:
sending a private message to the archangel Gabriel.
I'm as totally certain as you are that everything would be better if you could also just be near this one, other particular person. Go get Captain Von Trapp to start playing the guitar again-- Liberace is how you liberate your Bentley forever. Think of your dream's bookending start and tidy finish, Aziraphale: Jim's hot chocolate. Cocoa delivery.
You will wake, having had a nightmare of everything you fear most and, after the understandable panic attack that is definitely going to come? I know that you will listen to Agnes Nutter and reach out and make the calm cometh by making a Canada where you can all approach to profess those peas and have some peace forever. You can do it, as you're not a rubber duck. You're a professional conjurer.
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it wouldn't have proved anything like it could've been just an endearment but the fandom would've gone FERAL. We could have had hope at least. Theories. Happy tears. And I mean HAPPY.
Well, okay, I need to get this out of my system, so bear with me.
SPOILERS FOR GOOD OMENS 3
I'm sorry but fuck.
That being said, I'll try to elaborate. Sorry for typos and mistakes, I'm not a native English speaker and now have to use German on a daily basis and that's not my mother tongue either, so... I hope I'll make some sense here nevertheless.
I've read some comments about how it felt rushed and smashed and we all know why. I've also read that it was probably not the ending NG has created and even requests to show us the real script for all the 6 episodes. And though I would love to read it too (that would be a book so why not), I think that really was the ending TP and NG had discussed years ago. For me personally - sadly so.
Cause if you think of it, it goes in perfect unison with both authors and their creations. And here I see a Big Ineffable Plan. And poetry. To think of it, it's really poetic, to love the world and people so much, to love humanity, to love each other and act out of this love, to make us all the children of love. Isn't it beautiful? And at the same time ironic because, see, that's what Jesus did in the Bible. He sacrificed himself for our sins and these two sacrificed themselves and each other for our Free Will. It is even more tragic in some sense and it is a kind of challenge for the church, like, okay, you imagined a man who died for us but know we offer you a world which exists thanks to gay angel and gay demon. How about that? It could have been so powerful and poetic, but.
But.
But we - as viewers who fall in love with those characters - don't need this kind of poetry. If we want the big sacrifice we can read the Bible. Or watch Avengers Endgame again, sorry. Here we needed THEM to be THEMSELVES and HAPPY. We have a shitty life. We live at times with terrible wars, terrorism, human rights are shattered in too many countries, we face pain and depression and loss and loneliness and the thing we want is to go to another imaginary world to meet our favourite guys and be happy for them, with them. An escape from reality. We don't need them to die for us, cause, seriously, we see too much dying already. And to be honest we feel connection and sometimes we see ourselves in them. We don't want to die, too. Or actually cease to exist (wtf?!). It is especially painful for me in the context of lgbtq+ community. I know it is not about gays, I know the universe of GO is bigger, but, dear show runners, you brought it there! You put it in there! How many more times do we need to be "killed" in the movies and shows before we get a happy ending? I've faced enough shit in my life because of who I am, can I please have a nice place to go even it is only on screen? Just to forget about all the fucking nightmare around me? I believe, whose, who are not a part of community but who aren't happy with the ending either also wanted a happy place. Am I right or am I right?
The kind of poetry we want is a happy healthy relationship. It is a tension that gets resolved, it's when all the words that need to be said are actually said, it's when the characters we love can love each other freely and fully without looking up and down. It is justice for whose characters, not erasing them. We, the viewers, are simple people. If we want a tragedy, well, there are plenty of stories that make us bawl our eyes out. I don't know. Read the greek tragedy. Give us some fucking HOPE.
I can't even.
I imagine it might have been good to be the creator of this story and to think how much the ending will affect others. I get it, I do. It's the author's right to tell his story as he sees it.
But hey, we have show runners and it could've been done, well, a bit better? Just a few suggestions.
They could have kissed at the end. Just a soft touch of lips would be okay and it would be a goodbye kiss but the real one and after they really know what they meant to each other. They could have hugged - I would appreciate it the same as a kiss really. I like hugs. To hold each other in the end - it is poetic too. They could have whispered "I'll find you" before disappearing. It would break my heart but it would felt right. Crowley could have reacted in any fucking way when Aziraphale asked God about Crowley and God said Aziraphale loved him. To give him a LOOK, to sharply turn his head, to reach for him, to hold his hand at that exact moment, to inhale audibly. Literally anything! Crowley could have said "You know what I always wanted. Us. Free from heaven and hell. And humans having a free will. Can we do it? Together?". Their human forms could have been more like them, just a bit? Grumpy Crowley, excited Azi. They could have dreams about their now non-existent journey or glimpses or hints or whatever. Or "It feels like I've known you forever". Or we could have seen just a quick sketch of them as humans but through ages or universes where they are happy and in love. It would've been bittersweet and not THEM, yes, but at least something. Anything, really, we are used to eating crumbs. Or maybe then they die and not reborn yet there was this tiny moment somewhere in space when they see each other and just KNOW. Most of these suggestions don't require more screen time. And those which do could have been done in two minutes. I guess it's not that hard.
We needed CLOSURE. We needed to feel at least a bit better about them feeling their feelings openly and talking about their wishes freely. To do smh with the longing, and yearning, and pining, and wanting. It was there, for satan's sake. Dear show runners, you DID this and gave them almost NOTHING. You gave us almost nothing.
It is not fair at all.
Come to think of it, did we have a truly satisfying ending lately? I remember how devastated the fans of How I met your mother were. Show runners thought they did smth close to real life, they wanted a Big Turn, but it just frustrated and hurt the audience. I also remember Lost (fuck I'm old). I was not a big fan of both shows and haven't watched it to the very end, but I remember enormous online discussions. What else? Game of Thrones? Not my cup of tea again, but people weren't happy. The same goes to Stranger things (although for me it was ok, I was not deeply invested in characters and relationships, so I guess I got lucky). And don't even get me started on lgbtq+ shows. Our flag means death? Killing Eve (Jesus, there are fucking books with the fucking happy ending, what the fuck is wrong with you people?!)? I guess it's really better sometimes to just get the show canceled like Hannibal or Dead boys detectives. No ending - no drama. Thanks?
I mean I can name two shows which help my soul heal. Young royals (I recommend you to watch it if you haven't, it's a treat and it has a truly happy ending, wahoo) and Heated Rivalry (yep, sorry, I want that, I want to see my gays happy and fucking alive and together. And if you pull that right, dear show runners, you can get a lot of money, you know, and a fanbase, and a good karma). I hope the second season of HR won't tear us all apart.
GO had it all. I mean, all the potential. It was all there. There are so many ideas how it could have ended better! But if it was the original idea of TP and NG, well, I believe it could have been done better. Okay, I've said too much already, it's all above, I'll shut the hell up now.
Just to be clear.
I am a simple person. I want love, justice and happiness for my favourite characters. I want HOPE for myself.
I have like tons of questions as to actually why? No, I get the idea of the change and sacrifice and all that but.
If Destiny has a number of ways, if the choices we've made along the way matter and the rest can differ and we get the results of our actions and already mentioned choices and the story probably shows us how these choices work for the Dream then... WHY are so many other entities come and interfere and intentionally (!) try to kill him?! As a viewer I was expecting to be led to his death by - I don't know - the natural chain of events, the probabilities and possibilities and accidents. As if it was something inevitable. He made the first move and everything else led to the unescapable outcome.
Instead I see a bunch of folks who are trying to end him and manipulating others and creating their schemes. And then they get away with it. Because - well - if you spill family blood then you are doomed. But if you just kill the Dream, that is surprisingly okay. Oh this part actually sounds logical for this universe but it still pisses me off.
Really, okay, I get it. They are gods, they have their own morals. They've seen too much, they've survived too much, they have responsibilities. Got it. But what's it in there for me? I'm no god. I am watching this and I keep thinking "Is it good to change? Do I need to die to change? Do I need to change more? Is it bad not to change enough? What are the risks of changing too strongly? Would that be safer not to change at all?". Cause, you see, if Dream was the same - as they all say - he won't probably go to hell to save anyone or he wont's come to look for his brother or he won't visit his son or he would lie to his son and won't fulfil his wish. It was the best for him not to change at all or?
Tbh the philosophical questions aren't really bothering me. What bothers me is the choice and Destiny and the choices that others make. I get that what we do has consequences and that the consequence is not the same as reason. I guess I am just sad about Dream and pissed at these three old ladies (the kindly ones my ass) and that other lady with the dogs (I forgot who she is; she was even at the funeral! and no one punched her in the face!).
Once again. I know Dream made his choice as he was tired and felt guilty (right, it was better to leave Orpheus to suffer more, sure, fine, whatever). All things considered I see this all as injustice and it makes my skin crawl. The actor was amazing, and he will always be The Dream for me.
Funny enough, this concept is explored in The Motion Picture novelisation by Gene Roddenberry.
It is very, very rare for Vulcans to have a mind link, or bond, with another individual that can be achieved without some form of physical contact -- thought to be unheard of between a Vulcan and a human.
That is what a lot of Vulcans aspire to achieve in their relationships and connections. Roddenberry coined that as a*T'hy'la* bond in Vulcan culture.
Spock is basically outed as having that type of bond with Jim Kirk in TMP novel when he is attempting to complete Kolinhar. He fails it because when the Vulcan elder melds with Spock's mind, she can actually hear Jim Kirk's worried ruminations in Spock's mind -- on Vulcan -- all the way from Earth.
Anyway, that is particularly scandalous, and largely unheard of, in Vulcan culture. The elder instructs Spock to take leave of Vulcan and answer this call, as "his place is elsewhere".
This post summarizes that moment in the film beautifully while conveying more of the emotion of TMP novel -- that it was the connection to Jim that Spock could not sever or let go of in order to complete Kolinahr.
Shout out to @kristascoffee-blog1 for creating these gorgeous gifs and the OP which articulates this moment so well.
In the movie version, Spock's summoning is depicted as solely being about sensing V'Ger.
In the novel, it is because he is essentially caught having a T'hy'la bond with Jim Kirk that is strong enough for them to hear each other *on other planets*.
In TMP novel, Roddenberry describes Spock and Jim's mind link as a very unique, rare and much sought after type of bond that is revered in Vulcan culture.
Roddenberry wrote: "For Spock, theirs had been the touching of two minds which the old poets of Spock's home planet had proclaimed as superior even to the wild physical love which affected Vulcans every seventh year during pon farr." I mean . . . That's pretty major. LOL
I thought they were intentionally nodding to that quote about poets and the T'hy'la bond from the novel when Pelia referred to Kirk and Spock's connection as "poetic", a reference to how Spock himself thinks of their bond in TMP novel.
I always felt the film version lacked a great deal of that incredible humanity and affection found in the novel because they were so late getting Nimoy involved. They didn't have enough time filming with him to deeply explore some of the more meaningful moments with Spock on screen outside of what we did get.
In the novel you get to hear all of his pained, desperate, and insecure thoughts. How much his heart is bursting when he first comes aboard the Enterprise. But we see little of that inner turmoil displayed in the film, sadly.
I know given the opportunity and time, Nimoy would have done a wonderful job with fleshing out Spock's story, because honestly, TMP is about Spock. V'Ger simply mirrors what he is going through and helps him realize where he belongs.
They just took so long getting Nimoy involved, they barely had time to film with him. So the story feels very cold on screen, and that's too bad, because the book actually made me weep when I read it growing up because it moved me so much. It has so much heart, and it is at its core a beautiful story of self acceptance -- a willingness to be vulnerable and accept love.
Spock starts the book like V'Ger -- cold, broken, and desperately seeking answers to the meaning of his existence.
He attempts Kolinahr and is refused by Vulcan when they realize he has a T'hy'la bond. They tell him to seek out the voice calling him, as that is where he belongs.
He comes full circle in the sickbay scene when he takes Jim's hand and admits that V'Ger is what he had aspired to, and he doesn't like what he sees -- he realizes the incredible value in the simplicity of love, trust, and loyalty.
TMP is actually supposed to be about Spock and how his journey from shame about his connection to Jim to unabashed pride mirrors V'Ger's experience.
V'Ger also goes from being cold and barren to discovering the potential and value of human love. Sadly, they took so long to get Nimoy signed on for TMP that the end result was a story that really wasn't about Spock or his journey, even though the novel almost entirely focuses on what Spock and Jim went through and how that parallels V'Ger.
Spock tries Kolinahr, Jim tries admiralty, and they both end up miserable pursuing what they *think* the next step naturally should be, not what they actually want. The conclusion is them actually accepting that they are far, far better together than they are separate.
Their T'hy'la bond, this form of Vulcan bonding thought to be so rare it is often considered a myth on their planet it is considered so unattainable -- this bond is shared between a human and half-human Vulcan.
It solidifies that Vulcans actually stifle themselves and their potential when they get too hung up on being pragmatic, stop at logic, and don't explore beyond logic as a meaning to life. As Spock says many years later, logic is only the beginning of that exploration, not the end. Spock has grown by not permitting himself to have such limitations.
So in summary, you are absolutely right -- this kind of mental bond or connection is extremely rare in Vulcan culture, and seldom seen without there being a physical connection to establish a link.
The absolute irony is, a rare Vulcan T'hy'la bond is shared between a human and half-human Vulcan, while many full Vulcans will live out their long lifetimes without ever knowing what that is like.
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The first time I met Max Liebermann, he irritated me. And the second time. And the third. In fact, every time I met him he managed to do that to me. Max was always right. As far as he was concerned, there were no other opinions that mattered. Whether it was art, music, medicine, Max knew best, and the rest of us could frankly keep our mouths shut. The most arrogant, opinionated, stubborn man I’ve ever known. He couldn't help it. He was so self-assured, that nothing could shake him from his conviction.
The first time I met Max Liebermann, he irritated me. And the second time. And the third. In fact, every time I met him he managed to do that to me. Max was always right. As far as he was concerned, there were no other opinions that mattered. Whether it was art, music, medicine, Max knew best, and the rest of us could frankly keep our mouths shut. The most arrogant, opinionated, stubborn man I’ve ever known. He couldn't help it. He was so self-assured, that nothing could shake him from his conviction.
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765874 Unification - Short Film from The Roddenberry Archive, OTOY, William Shatner and the Nimoy estate, in commemoration of 30th anniversary of Generation being released.
Apparently, back in the day, there was a really notorious tie in novel for Star Trek that had a lot of slash elements called Killing Time
The slash elements were requested to be removed by Paramount, and they were, BUT due to a mistake, the original was sent to print without the edits
When it was caught, they’d printed 250k of this “first edition” which subsequently became collectors items for Kirk/Spock fans, since later editions DID include the edits censoring the slash
NOW, I bring this up because my friend who’s into the original Star Trek found and was reading the first edition at the desk at the library we work at, cause we’re slow on weekends and we’re the only ones here. She laughs at it, so I ask and she tells me about the general backstory of the book, and that she laughed because (among other things) Kirk, who doesn’t get mad in the og series really, was being described as hot headed and apparently just getting into fights left and right
So I’m looking over her shoulder at the scene, commenting on the character changes that resemble modern fic-degradation of characterization for the sake of a shipping dynamic, when I realize something
Now, my only interaction with the Star Trek series directly was the 2009 reboot, and my friends hasn’t seen those and is only interested in the originals. As I’m looking at this scene, and my friend is pointing out the character changes to Kirk, I realize that this is the fucking premise of the reboot, down to the fucking alternative timeline shenanigans, the rank swap, and Kirk being a hotheaded fuck up
The 2009 film was literally based on this slash fiction misprint they tried to bury!
Im reeling.
I can’t be the only one who made this connection.
So I google to see if anyone else has, and oh yes, good, there was someone
The fucking author of Killing Time
…I feel like I’ve uncovered a conspiracy. I’ve still got 3 hours left in my shift and I can’t focus. The world must know.