Artists, very validly so: Hey please rb my art instead of just liking it, it really helps me out! <3
Me, liking it and adding it to my queue: Bestie youâre gonna have to trust me here
#I AM SO SORRY FOR THE DELAY BUT I PROMISE THE REBLOG IS COMING
Peter Solarz
đŞź
cherry valley forever
Cosimo Galluzzi
he wasn't even looking at me and he found me
AnasAbdin
Jules of Nature

blake kathryn

titsay
Monterey Bay Aquarium
we're not kids anymore.
trying on a metaphor
noise dept.

I'd rather be in outer space đ¸
i don't do bad sauce passes

#extradirty
h

romaâ
Lint Roller? I Barely Know Her

seen from Spain
seen from India

seen from United States
seen from Germany
seen from United States

seen from Poland

seen from Germany

seen from Germany

seen from T1

seen from Switzerland

seen from Spain
seen from China

seen from Malaysia
seen from T1

seen from India

seen from TĂźrkiye
seen from India

seen from United States
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@ididitforthedogs
Artists, very validly so: Hey please rb my art instead of just liking it, it really helps me out! <3
Me, liking it and adding it to my queue: Bestie youâre gonna have to trust me here
#I AM SO SORRY FOR THE DELAY BUT I PROMISE THE REBLOG IS COMING

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#Caturday đââŹ
Eric Carle (1929-2021)
"Fifi was a black, long-haired #cat; curious and nervous, she had lively round green eyes."
Flora and Tiger, 1997
Collage of acrylic-painted tissue paper on illustration board
On display @ âSmall Living Things: The Magical Art of Eric Carleâ @ Michener Museum
I've made 20 phone calls today if one more person needs to talk to me on the phone I'm throwing it out the window
âDo you remember the time when we were little and I told you to stop fucking picking on me, because what if my other mum or dad was, like, important? I remember.â
     she named the mabari âporridgeâ, as it was the one recurring staple in her daily life, and she wished the hound to be so too.

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i love when Wyll paints us a word picture
everybody here's my tiny crochet coelacanth <3
"Like dogs, shianni"
wyll is constantly going thru it the ENTIRE game and nobody really acknowledges it. aside from the tadpole (already bad!!) my guy has:
had his body nonconsensually and painfully transmogrified as punishment for doing the right thing
found out his estranged dad got kidnapped by a cult
watched said dad get brainwashed by said cult without being able to help
had his abuser make herself fucking comfy in his camp and nobody really can do anything about it
potentially can even have his partner CHEAT ON HIM with said abuser (!!!!)
found out one of his childhood heroes is a mindflayer now and another is a fuckass dracolich after the first one murdered him
had to choose between his freedom and his dads life
and then if you ask him about any of this hes just like haha well it is what it is ^^
you damn well better.

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every time you make art of any kind, a stat that is not visible to the player goes up. also, this is the most important stat in the game
does singing in the shower count as art
does a strong as fuck ice mummy have ice powers
Wyll often falls into a pattern of black and white thinking where the sentient beings of Faerun can be sorted into one of two basic categories: monster (bad) and person (good). Monsters are acceptable to kill and in some cases, their death is morally necessary. People on the other hand, may be flawed but are ultimately valuable beings worth protecting at all costs (at least, at all cost to Very Heroic Wyll). This is a theme bg3 plays with more generally. We see it in the discourse around Astarion (âCan a vampire demonstrate empathy?â âCan a vampire love?â) as well as Minsc (âif minsc can be evil, and Nine Fingers Keene can be good⌠what then?â). Many more such examples!
Ulder Ravengard thinks in a similar way, and we have to imagine that Wyll learned much of this thought patterning from him. Whatâs so interesting about Wyllâs story in particular is that he must bear the repercussions of his fatherâs moral categorizing. When Wyll takes Mizoraâs deal, he gets shunted straight into his fatherâs Bad Category. In Wyllâs own words, âHe thought I was a fool or a traitor, and Duke Ravengard suffers neither.â Notice itâs âDuke Ravengardâ and not âMy Fatherâ, but I canât explore that rn.
Though Wyll gets redeemed in his fatherâs eyes depending on the players choices, we fall short of seeing Ulder acknowledge that his way of looking at the world is fundamentally cruel. Instead of fully confronting that the world is complex, Ulder simply shifts Wyll back into the Good Category. Wyll is reframed as Good, and thus worthy of love again. Nothing has really ontologically changed for Ulder Ravengard. Love from Ulder Ravengard was conditional and remains conditional.
What I find compelling and relatable in Wyll is that he wants to be Good. And not only that, he wants the people he loves to think he is Good, too. Though Wyll can read as very confident and generally happy on the surface, thereâs an undercurrent that doesnât get totally probed in the writing: if I am not Good, then what is left?
Me reaching what looks suspiciously to be the end of my rope: oobh i got plany off rope
Lord help me I'm playing bg3 again
thank you Cathy your support means the world
Cathy you're scaring me

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My friend really changed once she became a vegetarianÂ
its like ive never seen herbivore
i sighed so loud my mom asked me if i was okay and sheâs two rooms away
a lot of you really need to internalize that acting avoidant isn't cute at all and that it will cost you experiences and life outcomes if you don't change course