roaring 20s

I was a production assistant on “Deep Space Nine”. 

One day I was in a hurry, and decided to shave a half minute off my journey but zipping through a soundstage and out the other side. It was Stage Four, and held Ops, some personal quarters, Sisko’s quarters, the Cargo Bay.. and hallways. 

It was lit, because we were moving there later in the afternoon. I began jogging through the corridor and stopped right in the middle, where I could see neither end of the set piece. Suddenly, I WAS THERE. I was on the station. It was a complete alternate reality feeling, almost deja-vu, a deep familiarity. I paused, and a chill ran down my spine. 

But I was in a hurry, and my feet took me quickly to the end of the set, and I looked back… yep, just a lit set, all alone on the soundstage, nothing I hadn’t seen a thousand times. 

And yet. I had been there. On the station. For a split second, I was no longer on Stage Four, on the Paramount lot, in the middle of Los Angeles. I was in Bajoran space, on a station in the stars. It was only a moment… but the feeling and the memory has never, ever left me. 

Princeton University had conducted a study of how male brains react to seeing people in different amounts of clothing, and brains scans had revealed when men were shown pictures of scantily-clad women, the region of the brain associated with tools, such as screwdrivers and hammers, lit up. Some men showed zero brain activity in the medial prefrontal cortex, which is the part of the brain that lights up when one ponders another’s thoughts, feelings, and intentions [...] researchers found this shocking because they almost never see this part of the brain shut down in this way, and a Princeton professor said “It’s as if they were reacting to these women as if they are not fully human; it’s consistent with the idea that they are responding to these photographs as if they were responding to objects, not people”.

(her full presentation here, it’s a very interesting watch, she refuses to wear bikinis anymore)

She designs swimsuits now with Audrey Hepburn as her inspiration

Also

The kiss of death only works when she’s on a boat (she never kissed Will on a boat until their wedding)

When the effect does kick in, the killing is preformed by the crew of the Dutchman.

When Jack died, he was killed by the Kraken, summoned by Davy Jones.

When Sao Feng died, was by the damage from the canons of the Dutchman

When Norrington died, it was by Bootstrap Bill, a member of it’s crew.

And when Will died, it was directly by the hands of Davy Jones.

One more thing that has struck me as odd is when she interracts with Davy Jones, he acts as if he’s seen her somewhere before. When the Empress crew point her out as the captain he has a sort of “wtf, you, you are their captain?” reaction, now you could just shake that of as Davy Jones being a misogynistic but i don’t doubt he’s seen female pirate captains before, given how long he’s lived. And when they come face to face on the Dutchman, it feels like a meeting between sworn long time enemies (at least to me).

“Socialist leaders who, finding themselves caught up in the electoral machine, end up being gradually nothing more than bougeois with liberal ideas. They have placed themselves in determinate conditions that in turn determine them.”

oh! oh!!!

insurance fraud! insurance fraud for

Any person who has worked on a set for more than a few years has at least one person they know who died.  

Not usually on set, but afterwards.  Because we don’t have anyone shutting down production for unsafe practices when “unsafe” means 16 hour days.  Or more.  For weeks.  Finishing a day before hour 12 (not including lunch) is considered an early leave.

I had teachers tell us not to, unless we absolutely had to, take music video gigs because they’ll work you for 24 hours and send you to drive home.  And if we had to work that, pull over and nap in our car because multiple people per year fall asleep at the wheel and go over the canyons around LA.

I know you mean acting but please.  Don’t forget the crew.  We have a shockingly high rate of suicide because these working schedules leave us with no sleep, no time outside of work, and it destroys lives, relationships, and families.  Burnout is high.  Chronic illness and broken bodies are common.  Cocaine use in order to get through a 20 hour day is rampant.  Every single one of your reality shows is fueled by cocaine.

The number of days that are scheduled to shoot a feature has shrunk dramatically in the past two decades.  Which means longer days.

Netflix shows are notorious for being poorly organized, understaffed, and long days.