South African cellist Abel Selaocoe is a versatile musician who is interested in exploring the capacity of the cello across genres, from col

Janaina Medeiros
he wasn't even looking at me and he found me
untitled
Lint Roller? I Barely Know Her
Show & Tell
Fai_Ryy
sheepfilms
PUT YOUR BEARD IN MY MOUTH
🩵 avery cochrane 🩵
$LAYYYTER

Discoholic 🪩
official daine visual archive
Misplaced Lens Cap
will byers stan first human second

Kaledo Art
Stranger Things
One Nice Bug Per Day
"I'm Dorothy Gale from Kansas"
Xuebing Du

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@holy-atmosphere
South African cellist Abel Selaocoe is a versatile musician who is interested in exploring the capacity of the cello across genres, from col

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hey did you know that uhh
i. the monster's body is a cultural body
ii. the monster always escapes
iii. the monster is the harbinger of category crisis
iv. the monster dwells at the gates of difference
v. the monster polices the borders of the possible
vi. fear of the monster is really a kind of desire
vii. the monster stands at the threshold… of becoming
oh shit i didn't expect this to actually get notes lmao
these are all direct quotes from jeffrey jerome cohen's "monster culture (seven theses)" (full pdf linked) i highly encourage you to read it yourself!
that said, while i think cohen's writing is evocative, it can be a little dense, so while i'm here, here's my capsule summary (you can also hear me talk about this in the first episode of my podcast) (listen to @ghostswerepeopletoo)
i. the monster's body is a cultural body - The monster is a work of fiction to be analyzed through tools of literary and sociological theory.
ii. the monster always escapes - As long as the cultural fear from which the monster stems persists, the monster will reappear in retellings, reimaginings, and sequels.
iii. the monster is the harbinger of category crisis - Monsters defy binaries and challenge easy comprehension or categorization.
iv. the monster dwells at the gates of difference - The monster represents the Other.
v. the monster polices the borders of the possible - Tales of the monster exist to discourage unacceptable or taboo behaviors.
vi. fear of the monster is really a kind of desire - Subjects can vicariously participate in the disruption of the social order through the monster.
vii. the monster stands at the threshold… of becoming - Within the monster we find information about the self.
She's finished 🖤✨️

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Documenting what is quite possibly the best exchange I have ever seen on this website.
This website is a prison amd stuff like these are the bars of my cell.
they should give every weird gay person with a niche media interest $1,000,000,000 and a production company
Crying over these lesbian cats
Six Clown Birthday Candles

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Jessica Bartram
New cast pics via Con's Insta
new Calypso’s Birthday behind the scenes pics
Alejandra Bogue por Joel-Peter Witkin
Same model, same photographer, 26 years later.
I drew this when I was very sad

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Legendary voguer Willi Ninja wearing Mugler body piece in NYC | 1989 | ph: Chantal Regnault