i miss my dead wife the cw
Noah Kahan
cherry valley forever
let's talk about Bridgerton tea, my ask is open
RMH
Aqua Utopia|海の底で記憶を紡ぐ
d e v o n

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Kiana Khansmith

Product Placement
Sade Olutola
Cosmic Funnies
Sweet Seals For You, Always
Cookie Run:Kingdom Official!
Fai_Ryy
Show & Tell

@theartofmadeline

Game Changer & Make Some Noise

ellievsbear
occasionally subtle
seen from Malaysia

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@travelsafely
i miss my dead wife the cw

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every day i am so glad i have not been keeping up with any bts stuff for hotd i dont need to know what that man is saying.
i guess one reason among many i find the developing “fascism” beat in hotd (rhaenyra is now being presented in behind the scenes commentary as someone “cognizant” of using “fascist imagery” even while the actual beliefs she’s expounding are like “i am divinely ordained to rule this feudal kingdom via prophetic mandate and myself have a semi-divine status” which to me simply has many more immediate ideological connections to other things than to fascist ideology or rhaenyra promoting a modern cult of dictatorial personality) enormously grating is because domination existed before the 20th century. there have been many, many, many empires. as someone who thinks about the horrors the roman empire a lot. daemon and rhaenyra’s valyrian revivalist turn in s3 is more analogous to like byzantines being really into the good old days of the western empire. and obviously all of this exists after fascism, it is pretty inescapably inflecting the imaginary, and fascism made its uses of previous empires. but i do think that’s exactly why there is benefit in disarticulating it, rather than just handing huge swathes of human history to fascists in this way. and resent the idea you can apparently never use fantasy to tell stories that wrestle with or examine any other epochs of human time, other societal orders and other belief systems. all is subsumed to us and what made us, we can and should only ever try to talk about ourselves. “rhaenyra targaryen, feudal monarch with a dragon, is literally, ideologically, a fascist, despite having no actual beliefs that fit neatly to fascism, which is a real ideology with identifiable beliefs, not just like, vibes, because she makes a speech to a crowd that’s supposed to be scary” as opposed to something that allows connections across times ideologies etc to be drawn but does not overdetermine the matter - which i think could be generative - is that kind of giving over.
half my life ago when i was 15 i definitely assumed i would grow out of the kind of relationship i have to fiction (and television in particular) where i can just go very deep and obsessive for an undetermined amount of time.
and it has absolutely matured, just from having to realize the boundaries of healthy/unhealthy attachment to television. especially given television is by its nature a story that is unfolding and often in dialogue with its audience, but there is still a gap between audience understanding of a story and what a writer's room's perceptions are. there was a particular combination of what happened with the magicians *points to the sign* and then subsequently finding myself falling (back) into riverdale where there were real emotional stakes but you were just kind of along for the ride and you had to let it be silly and dumb sometimes and let the affection exist alongside the silliness.
but even so it's sort of wild to be turning 30 and just being like. i think this is just a fundamental part of who i am as a person and that's kind of fun! i think i kind of like that about myself.
im turning 30 on sunday and taking almost two full weeks off work and i am going to be using far too much of it obsessing about the c plot of the worst season of the not very good game of thrones spinoff. yay!

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crazy to get followed by a radfem in 2026 like do the pronouns in my bio mean nothing to you
the power of gwayne hightower to make me feel literally anything at all about criston cole
on one hand i really wish hotd was written better and more equipped to juggle its infinite number of characters. but on the other hand the fact that gwayne was kinda nothing to me in s2 does feel so fitting for his character arc like. he is just some guy and there is nothing really significant about him beyond his function as a foil to criston and it's only when the story that surrounds him escalates and his narrative foil commits suicide-by-unwinnable-battle that he actually becomes interesting and in deeper conflict with the world around him. guy who has witnessed the horrors of war and was supposed to die pointlessly many episodes ago wants to live! except everyone around him is now fully locked into being willing to die and send countless others to die for their ambitions to power/glory/heroism.
like idk if you're gonna halfass writing a character for a season and then decide to try to do something interesting with him im not mad this is the end result.
extremely funny to me i think the exact week episode 6 aired helen was watching the opening credits with me and was like "oh who does freddie fox play, that name sounds familiar" and i, someone who had been zoning out every time criston cole was on screen on principle, was like "i have no idea."
have to say i do think people are glazing gwayne's commitment to daeron somewhat simply because his competition is alicent (absent) and ormund (unfortunately very present). like i'm sorry but his trusted adult advice and support was just 1. don't kill yourself and 2. try not to let your uncle touch you anywhere you don't want until you can become president and make it illegal for him to do that. anyway i'm going to go rest my eyes on the couch now. the only halfway decent parental figure boymoder sansa stark has is the teen omelas dragon chained to a radiator in the basement.

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"repeatedly going back to rewatch specific scenes" stage of fic writing always so so good
going insane right before i go on vacation (staycation) so i wont be problematically avoiding my work but will just have like 11 days of uninterrupted time to fuck around with writing. so excited.
"repeatedly going back to rewatch specific scenes" stage of fic writing always so so good
our house of dragon is collapsing
really seeing the difference in how tme nonbinary people are treated vs tma nonbinary people demonstrated concisely in the promo material/interviews coming out ahead of teenage sex and death at camp miasma & how comments are needing to be limited or turned off only on videos of jane schoenbrun speaking and not on those of jack haven
also i somewhat suspect that the smaller scale harassment & smearing calling schoenbrun a pedophile for making a movie with the words "teenage sex" in the title will go a little more mainstream post-release and when you're talking about how stupid this is i need you to recognize that it is specifically happening because the director is transfem and not simply as the result of a nebulous "cultural puritanism"
HOUSE OF THE DRAGON Queen Alicent Hightower and her youngest son, Prince Daeron Targaryen

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HOTD / Twilight
madisen kuhn