loveloveolivia ➡️ hobisexually
The Stonewall Inn

Discoholic 🪩

Fai_Ryy

Jar Jar Binks Fan Club
Not today Justin

if i look back, i am lost
I'd rather be in outer space 🛸
Claire Keane
let's talk about Bridgerton tea, my ask is open
"I'm Dorothy Gale from Kansas"
Aqua Utopia|海の底で記憶を紡ぐ

bliss lane

tannertan36
Show & Tell
taylor price

titsay
Sweet Seals For You, Always
Keni
Monterey Bay Aquarium

seen from Bangladesh
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@hobisexually
loveloveolivia ➡️ hobisexually

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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i dont "go on walks," i dont "use character sheets" and i dont "plot before writing," i raw dog it, and if it doesnt flow, I FUCKING CRY.
via hannaheinbinder
not the new devil wears prada costume department pulling from G-Dragon’s archive HELP 😭
This was MY heated rivalry

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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#He has to wash his suit by himself now
20260201 ♥ Happy Jihyo Day ♥
© PULSE_KDH | Do not edit or crop or remove logo.
"Is squirt pee" brother who CARESSSSSS. Worst case scenario u made a woman feel so good she pissed herself how is that a net negative to your image

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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V for JINRO 🍸
WHAT WAS IN THE AIR IN PARIS, or Namjoon in this white tank top will keep me awake at nights [tank top, pt.1]
[cr. sara_wallflower96, bambraah, yerimakoo, bemyjinnie, camilladellaross, _veronicacampos_, keunyangjungwoni, yzcemywt, stroborahae]
me in any social situation
to all my queer friends, everywhere but especially in Germany and Berlin, please take care. of yourself, of each other. don't let the doom and fear take you. grieve. but hold on tight. we've still got each other and they can't take that away from us.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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ten years ago as part of my creative writing degree we had a class on professional development where we learned how the publishing process works for different mediums and how to choose an agent and what the role of a publishing house is and back then, the advice was "self-publishing has its advantages but a traditional publisher will provide editorial support and market your book and if your book sells well enough they want to invest in your future" and now basically none of that is true anymore. books make it to shelves with noticeable errors and structural issues that could be addressed with one or two more rounds of developmental editing, authors are expected to do more and more of the marketing themselves to the point that they are expected to be social media influencers in their own right, and publishers appear to be prioritising flashy debut novels with huge advances they don't outsell, which means the author is less likely to get a follow-up deal.
Obviously a publisher is a business and a business needs to make money, but the idea used to be that you'd have a couple of very successful authors who bring in so much cash that they subsidise the new kid who is building a back catalogue of books that sell okay until they get name recognition and pay for themselves. I was told back then that a couple thousand pounds was very reasonable for a debut novel because you want to get royalties for the sales exceeding your advance and that way the publisher sees you as a profitable investment. The last couple of years I keep hearing about six figure book deals for debut (!) literary fiction (!) novels, what on earth?
I'm not saying that the publishing industry is uniquely awful or that it's worse than it's ever been or whatever, but especially in a time when reading and talking about books is trendy and there is so much money in books, it feels very, I don't know, symbolic? Prioritising flashy one-time projects over sustained and sustainable growth. Investing only enough resources to make your product fit for sale but not enough to make it good because people will buy it anyway. It's frustrating to me as a reader and as an aspiring writer and as a person existing in a capitalist system.
One of the tags referred to people thanking their editorial teams in acknowledgments, and I want to point out the growing prevalence of people thanking beta-readers and writing groups, both of which usually rely on a pre-existing community or relationship and, just as importantly, are unpaid.
My day job is as a freelance editor for nonfiction books, and I can safely say that if the publishing industry were operating as intended, I would either not have a job at all or be working for a specific press. Authors pay me directly to do the work that a press editor used to do as part of publication contracts. This is because so many presses have started outsourcing all their editorial work to either third-party contractors or, even worse, to genAI.
In short, venture capital has broken the publication industry the same way it's broken the retail, restaurant, and travel industries.
I didn't go into this side of it in my original post but YES! Fuck! I know this is a huge issue for translators too because they're being asked to do more work in less time for less money and I've heard rumblings about human translators being brought in only to essentially proofread work done by AI, which is so disrespectful to the sheer skill and artistic abilities of (literary) translation...
Anyway, I love editing. I think I love editing almost more than writing, and I'm pretty sure that I'm better at it. Last year I edited an academic article from 11k to 9k words for my supervisor and I felt like a god when I finished it, but when my supervisor asked if I'd thought about doing this professionally, I had to tell her that there's just not a viable career in editing anymore. Publishers used to employ! editors! Several different kinds of editors for different stages of the process! That used to be my dream job!
Editing is so essential to making a text good. It doesn't matter how talented or dedicated you are as a writer, you cannot achieve the level of quality by yourself that you could achieve by working with a skilled editor. That's normal! The lone genius who comes out of the cave with the perfect novel does not exist! The manuscript that gets sold to a publisher is supposed to be handed off to an editor who tells you to tighten up that plotline and reminds you that every day can't be Tuesday and sharpens your prose so your voice really shines. Skimping out on that part of the publication process takes money out of the hands of skilled professionals, leads to consumers (ew) receiving subpar products (ew!), and is such an injustice to the writers whose work can't reach its full potential (and the writers who won't get published because they can't afford to pay an editor out of pocket!).
It drives me up the wall. I hate reading a mediocre book and knowing that a skilled editor could have easily raised it from 3 stars to 4. We should all be way angrier about it, frankly.