▪︎Harpsichord.
Maker: Girolamo Zenti (Viterbo 1609-11?–1666/7 Paris)
Date: 1666
Place oforigin: Rome, Italy
Medium: Cypress, boxwood, ebony, brass, leather
taylor price
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@theartofmadeline
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Game of Thrones Daily
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ojovivo
Misplaced Lens Cap

Origami Around
Keni
Sweet Seals For You, Always
Alisa U Zemlji Chuda

Kiana Khansmith
Not today Justin
TVSTRANGERTHINGS
noise dept.
Sade Olutola

❣ Chile in a Photography ❣
Jules of Nature
Lint Roller? I Barely Know Her
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@historically-informed
▪︎Harpsichord.
Maker: Girolamo Zenti (Viterbo 1609-11?–1666/7 Paris)
Date: 1666
Place oforigin: Rome, Italy
Medium: Cypress, boxwood, ebony, brass, leather

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therapist: the semihemidemisemiquaver isn’t real, it can’t hurt you
the semihemidemisemiquaver:
Can someone who speaks sheet music translate for me?
req’d by @astranyx
this is entirely true
Here’s the damned hurdy-gurdy. Facebook advertised this to me for a solid MONTH before I broke down and bought it. It was fun to build though.
Unfortunately I did not sand and rosin the wheel right so it 1. Barely makes noise and 2. Sounds like shit when it does.
mozart can have little a night music, as a treat
If you’re English, overhear two ravens praise the faithfulness of a slain knight’s lady. If you’re Scottish, overhear twa corbies plan to peck out and eat an abandoned knight’s eyes.

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Types Of Dark Academic Musicians
I don’t see a lot of musicians in the dark academia tags very often, so I thought I’d make a tag yourself for dark academia musicians! (I’m currently a music major myself.)
punk - this guitar kills fascists: combat boots and leather jackets, thinking of seriously taking drugs for the altered mental state, abrasive but extremely sensitive at heart, electric guitar distortions, yelling at bandmates, undercuts and unusual hair colours, staying up till 3 working feverishly on a particular riff.
classical instrumentalists and the symphony: concert formal blacks, having at least 10 pieces running concurrently in your head, very social despite practicing alone for alarming lengths of time, the oboe’s piercing A to tune the orchestra before a concert, messy annotations on scores, nitpicking details, muscle aches from too much practice precision, black coffee and thin fingers.
glitz, glamour and operas: elaborate period costumes, thinking about the next party where you can drink and yell without sacrificing your voice, much more calculative than you seem, getting into character and actually crying on stage, memorising lines in a foreign tongue that sounds absolutely divine, heavy stage makeup, perfumes, dark red nail polish and blood red lips.
historical performance: dishevelled musty cardigans, being excited to play on some of the oldest instruments that exist, obsessively protective over your collection of old parchment and facsimile scores, unusual sounds of a period instrument, either gentle or unnervingly intense, sleepy eyes and sharp ears, vintage.
the science of musicology: shirts with wild colourful prints, always hungering for more insight into a particular musical culture that you are researching, sentimental, learning a language just to immerse in the musical culture better, bright colours, specific tastes in everything, collecting plane tickets, piles upon piles of readings.
researcher-analyst-inventor: linen clothing stained with coffee, thinking in such abstract terms even you cannot decipher your own thoughts, always always always preoccupied with new ways to approach sound, paying attention to silence, hunching over a computer fiddling with this and that, bleeding edge musical theory, software and coding, tea gone cold.
music management - business, babey: sharp business suits, torn between profit and musicality, jack of all trades and master of none, can play maybe 3 instruments, good with numbers, mechanical pencils, cold-blooded and efficient, networking, the clean lines of a piano, always out of breath from running from meetings, sarcasm concealing a caring soul.
composer, creator, writer: three-day old sweaters, ink stains and pencil smears, haunting melodies in the brain, scrambling to write write write before they escape you, messy handwriting, messy hair, drafts upon drafts of unfinished work, trembling fingers, energy drinks, the buzz of hearing your own work being performed.
classically trained singers roll up to the club one vertebra at a time
um u “like classical music” but don’t even listen to John Merbecke (c. 1510 – c. 1585), producer of the first musical setting for the English liturgy, who later published The Booke of Common Praier Noted 1549? ok 😂😂👌
someone finally said it 😤 😩 🙌
👏👏 AGAIN FOR THE PEOPLE IN THE BACK 👏👏
The theorbo is possibly the coolest instrument.
Nonesuch and Maltese Bransle

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I Must Complain by John Dowland (1563-1626) 1603; The Third and Last Book of Songs and Aires Text - Thomas Campion (1567-1620) Michael Solomon Williams - tenor Jacob Heringman - lute Recorded live by Pixaudio as part of the London Strings Festival on 29th September 2018.
Mend your heart with art.
A day after canceling upcoming performances due to concerns around the coronavirus, the Metropolitan Opera announced that it would stream en
More free quarantine art!
The Philharmonie is closed – so we will come to you!
This is so neat!
Me at work when I am about to Lose It™.
One of the first pieces I listened to in 2020 literally came up in the composer’s trial by the Inquisition in the 1500s as evidence against him so that’s the mood for the new decade lads
It does slap
what a banger
can’t connect w my mutuals anymore… kpop this kpop that… can’t we all just listen to gregorian chant again :(

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Me, playing anything pre-1750 in equal temperament:
A Handy Chart for learning clefs, if you’re into that sort of thing, you weirdo.
OMG, the “girl bassoonists” one gives me life.