Monday 3 June 2019
I love this corner of the library. Perfect silence, perfect temperature, perfect view.
Radcliffe Science Library, Oxford
One Nice Bug Per Day
Xuebing Du

Kiana Khansmith


oozey mess
đŞź
tumblr dot com
let's talk about Bridgerton tea, my ask is open
I'd rather be in outer space đ¸
Show & Tell
taylor price
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official daine visual archive
NASA
untitled

Jar Jar Binks Fan Club
Monterey Bay Aquarium
cherry valley forever
sheepfilms
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@his-dark-materials-trilogy
Monday 3 June 2019
I love this corner of the library. Perfect silence, perfect temperature, perfect view.
Radcliffe Science Library, Oxford

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A 17th-century Safavid brass Mecca Centred World Map, Persia,
The circular brass base plate with centrally-pivoted rotating brass diametrical rule fixed with removable pin, a glazed circular recess for compass to lower part, the base plate finely engraved and chased with an elliptical grid overlaid with inscriptions in thuluth naming the geographical locations on the grid, vertical and horizontal axis denoting longitude and latitude,.
The elliptical grid surrounded by four cartouches filled with fine inscriptions in thuluth on stippled grounds with scrolling tendrils, the border with a series of further inscription-filled cartouches denoting the bearings, applied hinged sundial to upper edge, hinged latitude arc to left hand side, two applied splayed brass feet to upper side of reverse
22.5 cm. diam.; the box 25.5 cm. diam.
Courtesy: Bonhams
So. Because the His Dark Materials series comes back today, I decided to do something a little different. As much as it breaks my system and gives you a little sneak peak at the final 3 chapters out of sequence, I had them all ready and wanted to share them all together to get everyone excited for the new series. I'll still be posting the final 3 in their own posts but you can have a sneaky mini look at them. I hope this whets everyone appetite for the new series, I'm really looking forward to seeing Lyra and Will interacting properly.
Bringing this back for world book day! And adding on my Subtle Knife book cover so they're all together â¤ď¸
New hdm episode today!
finished the rose field with a variety of feelings but predominantly the urge to visit the trout inn and have reg and brenda polstead serve me sandwiches and an enormous bowl of soup

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âI saw something. Like thin strings that were almost invisible. I felt them connect with the Knife.â
âLittle gliding specs of black âŤď¸, against the blue đľ, each with a sort of flutter inside the glide, but all too far away yet to be seen individually; a swarm of bees đ, a murmuration of starlings đŚââŹâtheir presence commanded the sky âď¸, and more of them appeared every second from the north, making for the mountain đď¸ palace đ° of Damavand, like a current in a great ocean.â đ
-The Rose Field đš, Philip Pullman
h_ly. sh_t
The thing is, in order to have a healthy and robust fandom, a piece of media NEEDS to leave some questions unanswered. Some relations unshipped. Some plot holes unfilled. Some backstories unwritten. Some lore unexplained. You need possibilities that will keep people up at night. The beautiful thing about an empty lot in a neighborhood is what people make in it
If you happen to be passing by Oriel College in Oxford, you might give a thought to the poet Hartley Coleridge, who was once a fellow of Oriel. Long before C.S. Lewis or J.R.R. Tolkien invented fantasy lands, Coleridge came up with an elaborate alternative world of his own â¨âđť. His quirks and drinking bouts were too much for the Oriel authorities, however, and he was exiled from his Oxford refuge.
You can read about him on our blog post here đ

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Chris Wormellâs art of Pan in the Rose Field
i dont understand people who never reread a book or rewatch a movie or series. the best art will always improve upon being revisited. girl. let it reveal more of itself to you.
Asriel saying it âdidnât work outâ as though heâs not the fucking reason is top 10 funniest things in the whole series.
JAMES MCAVOY as LORD ASRIEL BELACQUA HIS DARK MATERIALS, 1.01: LYRA'S JORDAN
I think thereâs something so symbolic about people who have daemons who settled as animals not native to where they grew up. People who are so far from where they belong but often donât even realize it or give their daemonâs form a second thought. Do they long to go to where their daemon would be more at home? If so, do they chase that feeling or do they ignore it?
Lee Scorseby ended up far in the arctic simply looking for work, not even aware that Hester was an Arctic Hare until Iorek told him. He had assumed that Hester was a Jackrabbit and only realized that the arctic meant something to him after speaking with Iorek. He couldâve found work anywhere else but he somehow ended up where he needed to be anyways.
Lord Asriel is probably the most interesting example of this though. He was always traveling, always looking for something, never being content to relax and exist in one place for long. The first time we ever see him heâs described as looking like a wild animal trapped in a small cage, totally out of place with his surroundings. When he finally stops moving is when he creates the Republic of Heaven and the basalt fortress is built. Itâs in another world with vague geography, but itâs likely roughly within natural snow leopard range. The last place Asriel ever lives is where he and Stelmaria mightâve finally felt some sense of belonging.
Itâs not something given much depth and thought within the books, but in a way it doesnât need to be. We get to see it naturally in a way that isnât forced. Itâs beautiful and real just like many of the other intricacies regarding daemons. It adds to these people as people instead of becoming something too fantastical and bizarre.

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The Rose Field art close-up by Chris Wormell
I don't think dust needs to exist personally
Me when I'm one of the main antagonists in the his dark materials series by Philip Pullman: