“I saw something. Like thin strings that were almost invisible. I felt them connect with the Knife.”

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@his-dark-materials-trilogy
“I saw something. Like thin strings that were almost invisible. I felt them connect with the Knife.”

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“Little gliding specs of black ⚫️, against the blue 🔵, each with a sort of flutter inside the glide, but all too far away yet to be seen individually; a swarm of bees 🐝, a murmuration of starlings 🐦⬛—their presence commanded the sky ☁️, and more of them appeared every second from the north, making for the mountain 🏔️ palace 🏰 of Damavand, like a current in a great ocean.” 🌊
-The Rose Field 🌹, Philip Pullman
h_ly. sh_t
The thing is, in order to have a healthy and robust fandom, a piece of media NEEDS to leave some questions unanswered. Some relations unshipped. Some plot holes unfilled. Some backstories unwritten. Some lore unexplained. You need possibilities that will keep people up at night. The beautiful thing about an empty lot in a neighborhood is what people make in it
If you happen to be passing by Oriel College in Oxford, you might give a thought to the poet Hartley Coleridge, who was once a fellow of Oriel. Long before C.S. Lewis or J.R.R. Tolkien invented fantasy lands, Coleridge came up with an elaborate alternative world of his own ✨✍🏻. His quirks and drinking bouts were too much for the Oriel authorities, however, and he was exiled from his Oxford refuge.
You can read about him on our blog post here 🌟

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Chris Wormell’s art of Pan in the Rose Field
i dont understand people who never reread a book or rewatch a movie or series. the best art will always improve upon being revisited. girl. let it reveal more of itself to you.
Asriel saying it “didn’t work out” as though he’s not the fucking reason is top 10 funniest things in the whole series.
JAMES MCAVOY as LORD ASRIEL BELACQUA HIS DARK MATERIALS, 1.01: LYRA'S JORDAN
I think there’s something so symbolic about people who have daemons who settled as animals not native to where they grew up. People who are so far from where they belong but often don’t even realize it or give their daemon’s form a second thought. Do they long to go to where their daemon would be more at home? If so, do they chase that feeling or do they ignore it?
Lee Scorseby ended up far in the arctic simply looking for work, not even aware that Hester was an Arctic Hare until Iorek told him. He had assumed that Hester was a Jackrabbit and only realized that the arctic meant something to him after speaking with Iorek. He could’ve found work anywhere else but he somehow ended up where he needed to be anyways.
Lord Asriel is probably the most interesting example of this though. He was always traveling, always looking for something, never being content to relax and exist in one place for long. The first time we ever see him he’s described as looking like a wild animal trapped in a small cage, totally out of place with his surroundings. When he finally stops moving is when he creates the Republic of Heaven and the basalt fortress is built. It’s in another world with vague geography, but it’s likely roughly within natural snow leopard range. The last place Asriel ever lives is where he and Stelmaria might’ve finally felt some sense of belonging.
It’s not something given much depth and thought within the books, but in a way it doesn’t need to be. We get to see it naturally in a way that isn’t forced. It’s beautiful and real just like many of the other intricacies regarding daemons. It adds to these people as people instead of becoming something too fantastical and bizarre.

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The Rose Field art close-up by Chris Wormell
I don't think dust needs to exist personally
Me when I'm one of the main antagonists in the his dark materials series by Philip Pullman:
truly think one of the other lowkey funniest moments in hdm is when mrs coulter says she and asriel should've kept and raised lyra. like it's such a poignant scene, and i see where she was coming from, but also she was completely wrong. oh god. if there are two people who should not be around a child it's asriel "child killer" belacqua and marisa "child torture, for science" coulter. like, mostly staying away from lyra for a lot of her childhood was in fact the best thing they could've done for her. good job team. that is not the thing to regret here
if i had a penny for every time Daniel Craig has been cast as Ambiguously Malevolent Surrogate Father Willing To Sacrifice Children To Achieve His Goals In The Field Of Interdimensional Religious Science i'd have two pennies but it's weird it's happened twice

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some pet portraits from june!
opening up comms again now :)
‘She wasn’t a good mother’ great are we evaluating this character trait as one of her many facets or are we just damning her for not being the most maternal womanliest woman who ever womaned
the thrilling sequel ‘he’s a bad father but we’re using it as grounds to see him as beloved and a deeply complex and intellectual character that needs to be studied’
and both were made for each other