strangest thing was that i trusted u
Noah Kahan
🪼
we're not kids anymore.

bliss lane
Claire Keane
Show & Tell
will byers stan first human second

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2025 on Tumblr: Trends That Defined the Year
Lint Roller? I Barely Know Her
Mike Driver

shark vs the universe

oozey mess
Jules of Nature

pixel skylines
todays bird

gracie abrams
I'd rather be in outer space 🛸

Love Begins
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@helpwherearethedirections
strangest thing was that i trusted u

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hi!!!!!!!!!!!
This
bathe in your own sunlight !!!!!!
How to Disappear Completely

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The Watermelon Woman (1996) dir. Cheryl Dunye
Hey this movie is really important in queer history! It was the first feature length film directed by a black lesbian! You can watch it here for free!
I really recommend you do because while it is a rom-com (and a drama), it also looks at how the stories of black queers are over looked in history.
and my beautiful wife banh mi
you will see something that the us military has done and it will be the most horrifying thing in the world. something that should be the catalyst for a complete upheaval of the system, for riots in the streets, for national mourning periods and rewritten textbooks and decades of reparations. and the whole time it's just a normal day for them. they did something like it yesterday and they'll do it again tomorrow. the lucky ones even get to come home and spend the rest of their lives getting discounts at the movies and applause at baseball games. and if you try to express any this to the average person irl they will act like you shot their dog in front of them
I really think that Project Hail Mary is truly an important movie to come out at this exact time with all that it going on in the world. Take AI for instance and all the growing dependence on it and its presence in creative works. Then, look at this movie that refused to even use CGI or green screen. They made an intricate puppet and hired five puppeteers. They even had one of them do the voice for the puppet despite not being "famous." They took the time to make a whole space ship to bring authenticity to the movie. So much of this was done out of pure love of film, love of storytelling, and love of art. We need that now more than ever, and to have it in such an instantly popular movie is even better. That's not even to talk about how important the story itself is right now. It shows people coming together in the face of hardship. It shows the power of empathy and hope. It shows people helping each other despite differences and working to save people who haven't done anything for them personally. Ryland Grace has been given no reason to want to help Stratt's mission go through from the way he has been treated, but he does it anyway because humanity at its core is good. Rocky is trying to save his own world, but he doesn't hesitate to help Grace save his own too. They find each other in the face of solitude and are able to connect through their shared mission. They repeatedly choose to help each other even when it isn't in their own best interest, and they both choose not only to save their own world but each other's. It's so hopeful. It's so full of love and sacrifice, and it shows that sacrifice doesn't always have to mean you don't get to live. It's about empathy and helping others, and I think the world needs to hear about that right now. This movie is so important especially in the context of now. It gives me hope. This is a movie that shows that there is hope for humanity and that humanity can be good, and it shows that humanity is necessary in art and film to get a result like this.
Neil stomps into their dorm room with fury written all over his body. Andrew watches curiously from his spot half way buried into a bean bag. Neil glances at him, and for a brief moment the tension in his shoulders drops, before his glare returns with even more force than earlier. He slips into their bedroom without a sound, the soft click of the latch the only evidence of his presence.
Andrew keeps one eye on it, barely pretending to be watching Gordom Ramsey chew out some chef while he waits to see what Neil will do. It's not hard to piece together what happened. It's a Thursday, which means Neil spends a few hours with the upperclassmen in between classes, before heading to practice with Andrew and Kevin.
He's back early and angry, angry enough that Andrew knows someone found themselves on the receiving end of that sharp tongue. Andrew reflects on Neil's look, the fury racheting up to a higher degree immediately afterwards.
Neil's protection still creates a pit in his stomach, a bone deep sense of wrongness not easily replaced, but Andrew feels it in his chest, too. His lungs stutter first, forget how to draw in air due to his surprise, than warmth rises between his ribs, small, like a flame barely coaxed out of embers.
For a moment Andrew is torn between two instincts, and then Neil returns to his side. His duffel is in his hands. Everything inside of Andrew freezes, or maybe that's the Earth, spinning so fast Andrew seems still in comparison. The anger doesn't get a chance to chokehold his fear before Neil realizes his mistake, his own anger cedeing to guilt as he drops the bag carelessly to his side. He reaches for Andrew instead, hands an inch away from skin, framing his face.
"I'm staying," Neil says calmly, resolutely, as honest as a liar knows how to be.
The world slowly rights itself; his lungs remember how to breathe. Andrew scowls, at himself, for being stupid enough to think Neil would leave like this, with the courtesy of a goodbye. He scowls at Neil too, for making Andrew like this, for his runner nature, for the hands Andrew leans into because, against everything he knows, that's where he wants to be.
Neil's hands are warm and calloused, scarred pianist's fingers rubbing soothing circles Andrew wishes he could hate into his scalp. His thumbs brush under his eyes, firm enough that Andrew knows he's imagining erasing the dark circles that lay there.
"I only grabbed the bag because I wanted to ask to go to Columbia," Neil puts an inflection Andrew can't quite read on the word ask, but that's not the only reason Andrew's eyebrows twitch up in surprise.
"I didn't think they were capable of pissing you off enough to skip a game."
Neil huffs, "Just practice tonight, and our morning classes tomorrow; we can get back in time for the game."
"Of course," Andrew says, "Silly me."
Neil rolls his eye before moving away so that Andrew can stand; he doesn't miss his touch as soon as it's gone. He refuses.
He moves to get his own bag together when Neil stops him, "I grabbed things for you too."
Andrew flicks the duffel one single unimpressed look before turning on his heel and walking out the door.
Andrew watches Neil sink into the passenger's seat. He breathes in first, like the scent of leather and smoke is more necessary than oxygen. His eyes close next, tilting his head back onto the headrest, unintentionally drawing attention to the line of his neck.
Andrew is unsure if Neil himself is aware of this ritual, of the tension he carries which never disappears entirely outside of these small moments. The growl of the engine wakes him from his trance, and Andrew watches from the corner of his eyes as Neil buckles, before twisting in the seat to stare at him.
Andrew ignores it for now. He focuses on the road ahead of them, lets himself enjoy the purr of the engine, the control as they hurtle down the highway. Neil doesn't speak, only stares at Andrew with increasing intensity as they get closer to their destination.
Neil waits until they're twenty minutes from the house to speak up. Andrew's surprised he made it that long, considering he'd started twitching and biting his lip thirty minutes ago.
"They don't think you can say no to me," the words leave Neil in a rush.
Andrew watches the anger return as he continues to speak, the dam broken.
"They were joking about it," Neil says with disgust, "Ask Andrew to dye his hair pink. Ask Andrew to follow Kevin's diet, on and on and on. Like I could just force you to do something you didn't want. It was-"
"Your anger is pointless," Andrew says flatly.
This time Neil's eyes flash with anger at him, icey cold except for how it warms his skin. "It is not. Not when it's about you. Not when it's about this. If I thought you- If I thought I-"
Neil's jaw clenches, "It was the first thing you said to me, after we kissed. I didn't understand then, not really. I think I do, now," Neil faces the horizon as he says it.
When Neil finally turns back to him its with a fervid gleam in his eyes, "When was the last time you told me no?"
"No," Andrew says flatly, petty and unwilling to contribute to Neil's mental gymnastics.
Neil hisses, "Andrew".
"Abram," Andrew responds sharply, "You are being an idiot."
"Maybe," Neil says, a tremor growing in his body, "Maybe I am an idiot, but I can't remember the last time you told me no. I was so angry earlier, but-"
"Careful," Andrew interrupts darkly, "Do not believe them more than you believe me."
Neil inhales sharply, turning towards Andrew frantically, "It's not that Andrew. I believe you; I trust you more than anyone. I just-"
Andrew settles at his reassurances. This isn't Neil turning his back on him, or second guessing his honesty. This is Neil spiraling, harder than Andrew has seen for a minute.
They're almost to the house when Neil stutters through his next thought, "I thought I couldn't hurt you, before- before Baltimore. I didn't realize I made it onto the list of the very few things that could, and now, you don't say no to me." Neil looks at his hands like they aren't his own, "I could-"
Andrew slides recklessly into the driveway, turning before the car is in park to place a hand on Neil's neck. It's not enough. He unclasps their seatbelts himself, pulling at Neil until he scrambles over the center console into Andrew's lap. Andrew presses hard on the soft skin of Neil's nape, until his trembling body slumps into his own, forehead pressed to his shoulder as Andrew holds him.
"You are not my weapon of choice for self destruction," Andrew says harshly, presses his hands into Neil's skin, like that will make the truth sink in faster.
Neil shudders once and then goes still, relaxing further into him. Good, Andrew thinks. He's remembering what Andrew already knows, the terrible and awful truth that burns him from the inside out.
Neil is good for him, even more than that, he's good to him. He follows Andrew's boundaries to a T; he never pushes for more than what Andrew wants to give. On his bad days he does not say no to Neil's touch, he says later or not today or nothing at all, and Neil is content to stay by his side. He's never said no less than in the past year, which is humorous now that he's finally found someone who will respect it.
Andrew cards his fingers through Neil's mess of hair, his other arm circled around his waist. It feels so impossible to be able to hold everything that matters in his arms like this.

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we will make it
will is so gentle. he never stopped being so gentle. he embraced being gentle. it’s interwoven with his very being; the way he moves, the way he talks, the way he shows up for everyone, the way he loves, the way he holds his friends and family close to his heart, the way he makes space for others even when they don’t deserve it, the way he holds and cherishes-
he is so effortlessly full of love that not even the deepest layers of hell can burn up <3
so kinger has been trapped since 1999...
BunWill of The Day!
mike getting so flustered by being saved he panics and introduces himself by his full government name 😭
they’re so smitten oh my god

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they obviously never thought about it at all but in my head the connective tissue in Jonathan going from photography -> filmmaking at NYU is that photography is more solitary/can be practiced alone whereas filmmaking is another visual art form but inherently collaborative/a team effort and it's a reflection of how Jonathan has learned to let people in over the course of the show. if you use your imagination
i’m in serious shit