Claire Keane

祝日 / Permanent Vacation
🪼

blake kathryn

JVL
hello vonnie
Mike Driver
AnasAbdin
noise dept.

❣ Chile in a Photography ❣
Sade Olutola
Keni
One Nice Bug Per Day
Show & Tell
Monterey Bay Aquarium
he wasn't even looking at me and he found me
we're not kids anymore.
Lint Roller? I Barely Know Her

Andulka
DEAR READER
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@bayouette

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Argentina is the only Latin American country I’ll betray this World Cup bless 🙏
dionysos
“[The Iliad] is remarkable for the way that its preoccupation with mortality and the human conditions extends even to the enemy. The killing of Hektor by the central figure of the Iliad, Achilles, is a great victory for the Greeks, and yet the camera immediately shifts, as we witness the gut-wrenching reactions of Hektor’s mother, father, and wife to his death. Similarly, the Iliad ends not with the funeral of Achilles, who is doomed to die very soon, but instead with the funeral of Hektor. Achilles’ own short life and imminent death resonate throughout the laments that are sung for his deadliest enemy. In the words of Simone Weil, who was struck by the equity of compassion with which the suffering of the Greeks and Trojans is narrated: “The whole of the Iliad lies under the shadow of the greatest calamity the human race can experience - the destruction of the city. This calamity could not tear more at the heart had the poet been born in Troy. But the tone is not different when the Achaeans are dying, far from home.””
— from The Captive Woman’s Lament in Greek Tragedy, by Casey Dué (via cithaerons)
free use is kind of a funny kink bc it relies on the idea that everybody wants to touch you and have sex with you but what if they don't. what if you tell everybody at the party you're free use but they all ignore you and mind their own business

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I DID MY CHORES!!! I GOT 60 BUCKS FROM MY GRANDMA!!! IM TRYING TO STAY CLEAN!!!! FUCK UNIVERSITY OF HOUSTON!!!!!
ACHILLES STRIKES!
Dima Filatov, 1976-
Athena. Battlefield, 2014, oil on wood, 60x140 cm
we are never going to be free until it literally doesnt matter whether a person is ugly or not
‘White Cat with Gemstones’ by Joseph Jones Oil and acrylic on linen, 2026

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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i’ve also been thinking about the homeric narrative voice’s counterfactuals and how they give us glimpses of possible alternative narrative futures– like in book 21, “and even now telemachus would have strung the bow, if forcefully a fourth time, except odysseus shook his head and restrained him, though he wanted otherwise,” and how the narrative voice gives us this feint at a potential story where he does string the bow and proves worthy of his father and begins the slaughter of the suitors himself, only to pull back at the last minute and refuse to let the story fulfill that potential and do the things it’s strong enough to do but cannot act out because the bard will not let it– and then the way the narrative voice also gives these counterfactual statements about what would happen if it let odysseus take over the story? if the bard turned it over to him entirely he stay months among the phaeacians, a year with eumaeus, his storytelling would eat away at his story. this justification for seizing control back from the characters and silencing them– that’s why book 4 is twice the length of some of the other books, it’s because the bard turns it over to menelaus and helen and the two of them bat it back and forth between each other and prevent the bard from intercepting it again.
Clytemnestra
Roman articulated doll, made from Ivory
3rd - 4th century CE
Museu Nacional Arqueológico de Tarragona MNAT P-12906
Literally what’s the fucking point of having older sisters if they weren’t gonna tell me my bleached hair looked crazy

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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The Wrath of Achilles. 1881. Louis Edouard Fournier. French 1857-1917. Winner Prix de Rome 1881. oil/canvas.
http://hadrian6.tumblr.com
Painting by Jon Gasca