The Wrath of Achilles. 1881. Louis Edouard Fournier. French 1857-1917. Winner Prix de Rome 1881. Â oil/canvas.Â
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The Wrath of Achilles. 1881. Louis Edouard Fournier. French 1857-1917. Winner Prix de Rome 1881. Â oil/canvas.Â
http://hadrian6.tumblr.com

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Painting by Jon Gasca
St. Brendan the Navigator giving Holy Communion to a mermaid
king priam told me achilles keeps killing his warriors so i asked how many warriors he has and he said he just goes to the anatolian countryside and recruits new warriors afterwards so i said it sounds like heâs just feeding warriors to achilles and then hector started crying.

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straight up this looks like ai generated gay porn
Tourist, Sonia Feldman
okay??
Like I donât have a lot of connection to Chicano culture but my grandparents are Chicano so Iâm Chicano because my grandma would kill me if I killed her identity
Can my sister get married and have a baby already Iâm so boreddddd

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tumblr is the website for if you're just someone's weird sister
An ancient structure predating the main monument of Stonehenge by 500 years has been uncovered just 5km from the iconic site.
Dr Matt Leivers, senior research manager at Wessex Archaeology, said: "The discovery at Bulford is fundamental because itâs the earliest example of people building things here that aim directly at the solstice. "When we talk about the solstice, weâre talking about religion. "Itâs a religious event. "Thatâs why itâs so important."
Wessex Archaeology suspect they have uncovered a prototype for world-famous Stonehenge site in Wiltshire
âWhat weâre seeing here is the religion of the stone age made manifest in the ground,â said Matt Leivers, the senior research manager at Wessex Archaeology. âObviously we have no understanding of precisely what any of it meant, but the fact that time and again, over thousands of years, people are coming back to [the Stonehenge landscape] to build and rebuild and mark and remark this set of substantial events â it gives us an indication that this is religion. This is how they are understanding their place in the cosmos, how the universe works, what their deities are. âWe donât know what the sun meant to them. We donât know whether they personified it as a deity. But the amount of effort thatâs directed toward marking it and its movements leaves us in no doubt at all that this is a major religious event thatâs inscribed over the whole landscape over millennia.â
old painting, deer infront of the windows xp solitaire winning animation
life is very personal
the one lifted from the nile, the charmer of charmers, grows quiet. too quiet. he knows he'll never cross the river into the thirsty land; he's too thirsty. or, not thirsty like god needs him to be. then his gaze is on ×Ö°××֚׊××֟ע֡ yeshua, child of nun. he's young. he's riling. he's god's type. he's thirsty, the right kind of thirsty. "you're him," the old charmer's voice is low. not nervy but not content, yeshua looks from the tent of tents to the new moon. he's got the book of books in his touch. he's got god's breath on his neck
"yeshua of nun" âdeut 31

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Lou de Bètoly ââ Berlin Spring/Summer 2020
[Three times had Achilles dragged Hector round the walls of Troy, and now was selling the lifeless corpse for gold.]
i forgot to say this on the proper day but one of the things my professor pointed out about the pictures on the temple walls of carthage is that these lines completely strip away any of the humanity earned by iliad book 24. the last book of the iliad is achillesâ truest moment of humanity, the moment where the demigod rage that has held him since the first word of the poem releases him, and heâs able to connect with priam as a grieving father while knowing his own father will soon grieve him too. and these lines address NONE of that. because of course they donât! weâre in aeneas POV cam! he fought against the greeks! the reader of the iliad can see hectorâs body as the bridge between achilles and priam; aeneas only sees the body of his friend.