dionysos
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dionysos

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â[The Iliad] is remarkable for the way that its preoccupation with mortality and the human conditions extends even to the enemy. The killing of Hektor by the central figure of the Iliad, Achilles, is a great victory for the Greeks, and yet the camera immediately shifts, as we witness the gut-wrenching reactions of Hektorâs mother, father, and wife to his death. Similarly, the Iliad ends not with the funeral of Achilles, who is doomed to die very soon, but instead with the funeral of Hektor. Achillesâ own short life and imminent death resonate throughout the laments that are sung for his deadliest enemy. In the words of Simone Weil, who was struck by the equity of compassion with which the suffering of the Greeks and Trojans is narrated: âThe whole of the Iliad lies under the shadow of the greatest calamity the human race can experience - the destruction of the city. This calamity could not tear more at the heart had the poet been born in Troy. But the tone is not different when the Achaeans are dying, far from home.ââ
â from The Captive Womanâs Lament in Greek Tragedy, by Casey DuĂŠ (via cithaerons)
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ACHILLES STRIKES!

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Dima Filatov, 1976-
Athena. Battlefield, 2014, oil on wood, 60x140 cm
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âWhite Cat with Gemstonesâ by Joseph Jones Oil and acrylic on linen, 2026
iâve also been thinking about the homeric narrative voiceâs counterfactuals and how they give us glimpses of possible alternative narrative futuresâ like in book 21, âand even now telemachus would have strung the bow, if forcefully a fourth time, except odysseus shook his head and restrained him, though he wanted otherwise,â and how the narrative voice gives us this feint at a potential story where he does string the bow and proves worthy of his father and begins the slaughter of the suitors himself, only to pull back at the last minute and refuse to let the story fulfill that potential and do the things itâs strong enough to do but cannot act out because the bard will not let itâ and then the way the narrative voice also gives these counterfactual statements about what would happen if it let odysseus take over the story? if the bard turned it over to him entirely he stay months among the phaeacians, a year with eumaeus, his storytelling would eat away at his story. this justification for seizing control back from the characters and silencing themâ thatâs why book 4 is twice the length of some of the other books, itâs because the bard turns it over to menelaus and helen and the two of them bat it back and forth between each other and prevent the bard from intercepting it again.
Clytemnestra

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Roman articulated doll, made from Ivory
3rd - 4th century CE
Museu Nacional ArqueolĂłgico de Tarragona MNAT P-12906
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The Wrath of Achilles. 1881. Louis Edouard Fournier. French 1857-1917. Winner Prix de Rome 1881. Â oil/canvas.Â
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Painting by Jon Gasca

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St. Brendan the Navigator giving Holy Communion to a mermaid