CLAUDIA ANDUJAR / “MACUMBA” / 1961 [gelatin silver print | 7 ¾ × 11 3/4″]
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CLAUDIA ANDUJAR / “MACUMBA” / 1961 [gelatin silver print | 7 ¾ × 11 3/4″]

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he Yanomami may burn their collective house when they migrate, to rid themselves of contagions, or if an important leader dies. Infrared film, Catrimani, Roraima, 1972–1976. © Claudia Andujar – Courtesy Fundación MAPFRE
Selected vegetables from the kitchen garden, 1978

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Casa Malaparte, 1937 Capri
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‘Chinese Vase with Flowers, a Fig, and a Bean’ (between 1625 and 1650).
Watercolour by Giovanna Garzoni (Italy, 1600–1670).
Uffizi
Web Gallery of Art:
Wikimedia.
Rafael Aura León
Early morning in Dolgiye Borody village in Novgorod Oblast, Russia (1971)

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From the book:
LIGHT AND SHADOW / Daidō Moriyama
Publisher: Getsuyosha, bookshop M (2019)
photo: Daido Moriyama
Tiles, Fukushima, 1986
“Somente neste súbito desaparecimento da identidade reencontro as minhas quedas dentro dos espaços malditos do passado, e somente nos momentos de lucidez imediata que se seguem ao retorno à superfície o mundo surge-me naquela atmosfera invulgar, de inutilidade e obsolescência, que se formava ao meu redor quando os transes alucinantes acabavam por me derrubar. Eram sempre os mesmos lugares – a rua, a casa ou jardim – que me provocavam as «crises». Ao entrar nesses espaços, o mesmo desmaio e a mesma tontura envolviam-me inevitavelmente. Armadilhas reais invisíveis, colocadas aqui e ali na cidade, em nada diferentes do ar circundante, estavam ansiosamente à espera de que eu ficasse preso na atmosfera especial que continham. Um passo, um único passo que desse para entrar nesses «espaços amaldiçoados», tornava a crise inevitável.”
Max Blecher, “Ocorrências na Irrealidade Imediata”, ed. E-primatur (trad. de Tanty Ungureanu), 2022
atón | víctor m. alonso

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