idk why i find it so cute thinking about hori accidentally drawing a line through midoriya's eye and just being like fuck it and doing it for the rest of the chapter
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idk why i find it so cute thinking about hori accidentally drawing a line through midoriya's eye and just being like fuck it and doing it for the rest of the chapter

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What foods do you think Toshinori can and can't eat?
If you donāt mind, Iām going to use this post as an overall explanation of Toshinoriās diet, including what he can and canāt eat, as well as some other info.
I think this panel is pretty good evidence that the league didn't know they had an informant at UA (or if they did, they didn't know who). I doubt they had any reason to give AFO a play-by-play of what happened, but they absolutely would've told him if their spy attacked one of their members. Especially because this made them lose one of the people they were trying to kidnap, and were only able to capture bakugo by the skin of their teeth.
The pro-heroes arc is one of my favorites but there are these little moments between Endeavor and Hawks that i just find odd.
This is mostly just a nitpick, but like... why did Endeavor only question Hawks giving him the book because his expression and not what the book was? Hawks already warned Endeavor about it when they met. Why didn't he research it if he was told how important it was?
And not just that, but Endeavor complained about how Hawks dragged him to Fukuoka for nothing. And he did. The train from Tokyo to Fukuoka takes like 5 hours. In Endeavor's mind, there was no reason that Hawks couldn't have had this meeting with him in Tokyo when they were together. Hawks even mentioned that these rumors are popping up all over the country, so why Fukuoka? Endeavor should've been way more suspicious about the way this went down, beyond just the nomu's timing.
It's all just so strange in a way I don't think Endeavor could've ignored. He was able to notice how the nomu attacked them immediately after they arrived, but didn't connect that to being in Fukuoka for no reason. I can only guess that Hawks was going to pitch a plan to get Endeavor to the coast the day after (when/where the attack was initially planned to be), but never did.
I've seen Toshinori and Mitsuki criticized separately (and done so myself) but holy fuck. the parallels are literally 1-1.
We've got:
Complaints about Izuku and Katsuki's "inadequacies" ...
... that both of them are deeply affected by:
And physical violence that's played as "comedy" ...
... but then is referred back to in more serious scenes:
(sorry for the gif, the anime makes it much clearer that Izuku is flinching here)
Now Toshinori and Mitsuki obviously weren't intended to be abusers the same way Endeavor or Kotaro were. As awful as Horikoshi treats the manga's abuse storylines, the Todorokis and Tenko do suffer realistic psychological effects of the abuse, their abusers are either "redeemed" or killed off, and nothing about the abuse is ever portrayed as even close to comedic.
But tbh, based on the information we have, I understand people interpreting both characters as abusers. They're meant to be toxic adults whose violence is exaggerated but whose actions and words hurt their charges nonetheless. It's not a huge jump.
I just don't appreciate how this logic is only ever applied to Mitsuki and never Toshinori.

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I was reading the cultural notes from this post from @/thetodorokifamilyannotated: https://www.tumblr.com/thetodorokifamilyannotated/812731316672004096/volume-5-chapter-042-final-match-time-%E3%81%84%E3%81%96%E6%B1%BA%E5%8B%9D-iza?source=share which mentions how osananajimi/childhood friends āis a word used to refer to people who, as small children, knew each other, lived next door or in the same neighborhood and/or had close family ties since childhood and/or attended the same school and class.ā and is a relationship where theyāre ābelieved to have a profound understanding of each other's personalities, secrets, and habits, both good and bad and therefore to have a close and deep bond, one that allows them to continue to express their honne [true feelings or desires] to each other openlyā which made me wonder how much of Horikoshiās framing of Bakugou & Midoriyaās relationship being a mutual issue is a consequence of this concept? To me it at least explains why during DvK2 Midoriya mentions the fact that theyāve never actually talked about their feelings because, despite their relationship being completely broken, their osananajimi status still permeated throughout every stage of their relationship, and with it came the social expectation that they be privy to information about each other and each otherās feelings that would otherwise be expected to be kept private. On a significantly less serious note itād also explain why Bakugou has zero reaction to Midoriya still referring to him w/ a term of endearment, despite crashing out over everything else. (sorry if this got sent multiple times tumblr was being squirrelly on me)
Thanks for the link anon. That post has a lot of interesting cultural context for Osananajimi that clarifies a few things.
It appears that because people who have known each other from infancy would know each other from before they could develop a tatemae, there is a social expectation in osananajimi that these people would have a deep understanding and friendship with each other. Therefore, the fact that Bakugou and Izuku donāt understand each other and donāt talk things through is a failure to meet societal expectations. That does clarify why other characters often treat it as a mutual fault situation in BNHAās society that prioritizes fulfilling roles correctly over everything else.
It also explains why Bakugou had the nerve to keep seeking out the person he terrorized for years whenever he wanted to have an emotional episode even when he still looked down on Izuku. Outside of his relationship with Izuku, Bakugou was preoccupied more than most about what other people think of him and meeting social expectations. He might have deeply disliked Izuku for the first 1/3 of the series, but Izuku was one of the only characters he could break down in front of without any meaningful risk to his reputation.
Given how BNHA ended, I canāt help but think that BNHA was also criticizing the osananajimi role as well. All for One, the main antagonist, is the character who most strongly clings to this idea that relationships from infancy are the only ones with any meaning. Understanding was not inherent for Bakugou and Izuku just because they knew each other as small children. It is also a type of relationship that can be toxic and abusive. Bakugou had to put in great effort to understand Izuku and had to go through an atonement arc before they could ever truly be friends. Even at the end, Bakugou didnāt have a complete understanding of Izukuās values and goals (saving Shigaraki, continuing to teach, not wanting to work at Bakugouās agency, etc.).
There was a direct contrast made in the manga and light novels to the fast but deep friendship between Izuku and Shouto versus Bakugou and Izukuās osananajimi relationship without any mutual understanding or fond feelings. The in universe reason Shouto repeatedly mentions the childhood friendship status is that Shouto seeks an osananajimi depth friendship with Izuku despite not knowing each other as children. On a narrative level, itās to criticize the idea that the only people who can truly know you are the people you met before learning how to perform in society.
This osananajimi concept may also partially explain why the savior trio and their villainous foils were often depicted as children in their final fights where they sought to seek understanding with their villains. That artistic choice makes sense if Japanese society has a social expectation that some of the only people you can truly understand are your osananajimi.
The Kamino Arc really did rewire Shigarakiās brain as to the role of the āDemon Lordā and the function of hero society from its symbol to the lines between heroes and villains.
Shigaraki did not in any way understand that All for One harmed him at this point. He did not want to be like All for One anymore because his defeat at Kamino destroyed Shigarakiās image of him as an all-powerful demon lord. He interpreted the defeat as All for One not having sufficient power to achieve his goals, so Shigaraki sought to surpass him.
Act One Shigaraki hated All Might largely because he believed All Might was single-handedly responsible for holding up hero society. He thought killing All Might would end everything he hated. This misconception was shattered by hero society maintaining itself after the reveal of All Mightās true form and his subsequent retirement. Shigaraki wanted to kill the Symbol of Peace, so he didnāt bother to attempt to kill the retired Yagi Toshinori. His failure to recruit Bakugou also convinced him that it was impossible to get heroes to leave hero society. As a result of these challenges to his simplistic Act One worldview, Shigarakiās goal in Act Two gradually mutated into just destroying everything.
She's honestly one of the few LOV characters who has consistently had a relatively coherent systemic critique of hero society while actually believing in a future. It's actually not surprising she follows Stain even if she doesn't exactly share his ideology.
Shigaraki and Dabi's systemic critiques are muddled by the involvement of All for One and Endeavor in their stories. In that Shigaraki was groomed to see only the worst in everything and prevented by All for One from experiencing anything that wasn't misery. And Dabi in both what created him and his current goals are tied up too much in Endeavor specific neuroses. There are systemic critiques in there, but you have to pull back a few layers of scheming and circumstances that wouldn't apply to even most disenfranchised people in their society.
Toga doesn't have that problem. She was a "normal girl" from a "normal family". She (and Twice) are the examples of the psychological toll of their society's suppression of all quirks outside of heroics.
Due to the nature of Toga's quirk, she connects to people by drinking blood. This didn't inherently have to include violence. People routinely get small injuries in their day to day lives. Blood banks exist. Even the narrative directly acknowledges this - baby Toga didn't attack other children, she "kissed their booboos".
But because they live in a society based in suppression, she was treated poorly every time her quirk - her individuality - affected her relationships with people. And the fact that her parents, her quirk counselor are faceless - they could have been anyone. The reactions she received by those around her are typical of their society.
And kid Toga did her best to put on that faceless mask too, but it didn't fit right. In a moment of weakness - one bad day you could say - she attacked her crush after seeing him bleed in a fight. And she likely felt connected to another person for the first time in years. But Saito died. And then she was a villain. And thus the connection was established. She could only feel connected to people through violence - through causing harm to the people she wants connection with.
In the end though, Toga wants acceptance and believes a future like that is possible. But her experience has told her that the only way to accomplish that is through violence. Stain also killed to establish a future he wanted. He had a significant fanbase despite having a "creepy" quirk that necessitates the ingestion of blood. This might be the first time Toga saw society interact with a person with a quirk like hers in a way other than outright disgust. It's not a surprise she was also inspired by Stain.
the thing to me about the todoroki siblings is that they all have different relationships with their "purpose" because they were all born in different families actually.
shoto was born to an abusive family where becoming who his father wanted him to be implied suffering and pain for himself and his loved ones aka his mother as well as isolation from his peers. so of course he would reject it entirely, of course he would grow up to search for another sense of purpose that was healthier and better.
natsuo was born to a neglectful family. he failed to meet his father's expectations before he was even aware of himself, so his father was largely absent from his life, and his mother was emotionally unavailable. he was basically raised by his siblings, and between touya pushing him to be angry at their father and family dynamic, and fuyumi pushing him to leave that burden to her and focus on himself, it's no wonder he could walk away from it all. he has no attachment to the "purpose" he was created for, so he can move past it and focus on creating his own.
but touya and fuyumi...... touya and fuyumi were born in a family that, while founded on misogyny, toxic masculinity, and traditional gender roles, felt peaceful, and loving, and safe. so for them, their "purposes" for existence (being his father's successor, being a support for her brother/family, and the gender roles inherent to both) were constantly reinforced positively by their environment during their earliest development years. the deterioration of their family unit and subsequent overt abuse happen parallel to their perceived failure at fulfilling said purposes (enji rejecting touya, touya rejecting fuyumi's concern), so deep down, for them, the roles that were imposed onto them since birth weren't the problem as much as their inability to fulfill them. thus, if they can get back on track and succeed in carrying out that purpose (touya burning himself to get his father's acknowledgement as a child and as dabi, fuyumi not moving out and constantly trying to push their family into being a "real" family) then everything will be okay the way it was when they were infants. to the very end of their presence in the story they can't let go of their assigned purposes or consider the possibility of finding another one, because the best era of their family and their childhood is forever associated with living up to what they were creted for.
I feel like the ppl who hate shoto's appearance in the timeskip bc he lost his baby face or "looks too much like endeavor" missed the whole point of his character arc where he learns to accept that even if he does look like his dad and has his same quirk, that doesn't mean that he is him and it doesn't mean that he's cursed to go down the same path of abuse

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āIām optimistic to a fault.ā
Aw, I gotta say, I like this line a lot more than some of the fanlations and debates Iāve seen floating around.Ā āIām optimistic to a fault.ā I think that does a good job describing Hawksās attitude about his position in life, especially when it immediately follows the panel with him hugging his Endeavor doll as a kid.
Like, he knows that his optimism for the future and how things will turn out is excessively hopeful compared to how most people see things - especially people like the LoV and Lady Nagant, that are disenfranchised by society and the heroics business due to having experienced similar life difficulties to Hawks himself. Being taken advantage of by the HPSC or being left behind by heroes who overlook their struggles? Hawks has suffered both of these things, and heās deliberately chosen to react to them with hope and optimism despite his harsh circumstances.
The framing makes it look like heās including the fact that he looks up to Endeavor in that, actually.Ā Like, heās not blind, heās aware of at least a large portion of what Endeavorās done to his family by this point, and heās a victim of child abuse himself. He has awareness of the seriousness of the situationā¦
And maybe itās a fault that he was so optimistic as a kid that he looked up to Endeavor (not realizing in his naivete that heās yet another abuser), and maybe itās a fault that he continues to look up to the positive traits that Endeavor has now (despite the atrocious actions heās committed), but the big point being made between Hawks and Lady Nagant is that his misguided optimism has gotten him to where he is today, and thatās not nothing.Ā Itās important that heās had that hope and optimism, because otherwise he would have become embittered and resentful and - well, like sheās saying, just another version of Lady Nagant, or the Shigaraki, or Dabi. Just another person taking out their misery on the rest of the world, perpetuating the cycle of personal abuse they experienced on a much grander scale.
Hawksās long-term goal is wanting the world to be such a safe place that heroes are no longer needed! He canāt accomplish something like that without believingĀ in the good parts of mankind and maintaining hope for the future.
Dabi and Hawks
Itās interesting to me that Dabi essentially makes the same mistake with Tokoyami that Hawks does with Twice.
Keep reading
Hello! Forgive me if I misunderstood anything while reading your posts, but it seems like you've read the light novels ā or at least one of them? I bring it up because I wanted to know if they contain anything interesting or noteworthy that people who haven't read them wouldn't know.
Sure. Until a few months ago, I had only read bits and pieces. Now I've read up until Light Novel 5, so I've read all of them but the most recent one. They have a lot of interesting trivia, but instead I'll answer with what parts of the School Briefs light novels should have been in the main story.
LN 1
In general, the light novels make Izuku's interest in early heroes/hero history more obvious. It makes his choice to teach the subject later feel more natural. pgs. 30-31.
Shouto's scene with Rei before Parents' Day is important. It demonstrated how difficult it was for Shouto and Rei to repair their relationship. Their conversation is stilted and she only remembers what he liked as a small child. She can't be there for Parents' Day even though Shouto wishes she could come. Shouto spends pages telling his mother about his bestie Midoriya to fill the silence. pgs. 36-47.
Per Kaminari and Mineta, it's considered completely normal for quirks to go haywire when they first manifest. It adds to the worldbuilding, especially concerning Eri, Shigaraki, and Toga. pg. 143.
Ochako was one of the few students who lived alone from the beginning of the school year until the dorms. She rarely saw her parents because they couldn't afford to come see her. It adds more to Ochako's characterization and explains why she was so concerned with her parents' financial situation. Also, it adds to her parallel with Toga. Toga was kicked out of her home after her outburst at her middle school graduation, so both Ochako and Toga were made to live on their own at the same age, though under very different circumstances. pgs. 151-152.
Aizawa gave them an assignment to write about their gratitude to their parents. Shouto wrote his Parents' Day letter to Fuyumi. pg. 189.
LN 2
Izuku thinks Monoma is an impressive person because of how he is able to fearlessly approach Bakugou. The light novels in general do a much better job on giving Izuku the opportunity to think about the Bakugou situation. pgs. 173-178.
LN 4
The light novel is clearer on the public's response the the Shie Hassaikai raid. Izuku did not get credit because the public saw it as a failure that the League got away.
UA's different tracks have separate applications. Shinsou expected there would be problems with his attempt to get into the hero course, so he completed two applications for the hero course and general studies. pgs. 56-57.
The entire beauty pageant chapter should have been in the manga. It wasn't even about a beauty pageant as much as everyone having to drop everything before it started because Hatsume decided to cause chaos. The chapter had good Nejire characterization and would have been the better place to include her backstory, considering it should have been closer to the other members of The Big Three. It had Kendo agonizing about her gender identity and expression. It explained that the beef between Nejire and the Eyelashes gal from the support course mostly wasn't about who people thought was prettier. Nejire refuses to commission Eyelashes for her support needs because Nejire thinks she is too flashy, so Eyelashes has a bit of a chip on her shoulder about it. pgs. 147-185.
The thoughts of Izuku's friends about Izuku, particularly Shouto and Iida, are clearer in the light novels. They worry about him running off without his phone and wish he trusted them more. At the school festival, when Izuku ran off without telling anyone to make a candy apple, Shouto suggested GPS tracking him. pgs. 215-219.
LN 5
After the school festival but before Endeavor Agency Arc, Rei and Shouto share a meal for the first time since her hospitalization. This is important due to the symbolic meaning of meal scenes to the Hellish Todoroki Family subplot. Also, there was no soba, so Shouto and his mother eat Izuku and Iida's favorite foods in the hospital cafeteria, katsudon and beef stew. pgs. 126-127.
Natsuo also prays to Touya's shrine at New Years prior to the Endeavor Agency Arc. Given that like Fuyumi, he sees Touya's death as the tragedy of the Hellish Todoroki Family, it should have been included. pg. 132.
In general, the fifth light novel gives Natsuo's character a lot more room to breathe. Before Shouto's birth, he tried to get Enji's affection but never succeeded. Rei was Natsuo's support system until Shouto was born, but she became distant with him after Shouto's birth. While Touya resented Shouto for taking Enji's attention, Natsuo resented Shouto for taking Rei's support. Natsuo was close by enough to hear the screams from the kettle incident. Natsuo's experience from the kettle incident caused him to let go of his resentment towards Shouto. He still didn't approach Shouto after abandoning his resentment because he was ashamed and because he had some fear of Shouto's eyes that rejected everyone and everything. pgs. 131-140.
Izuku confirms that Bakugou and Izuku have never shared a meal together prior to Endeavor Agency Arc. Again, symbolically this means that they had never come to a mutual understanding/made peace with one another. pg. 173.
It doesnāt seem like Dabi was as all-knowing as he portrayed himself in this scene. Given this dialogue about typical heroes and his honestly surprised expressions in this chapter, it doesnāt appear that Dabi thought Hawks intentionally killing Twice was in the cards.
This means that the information Tomie gave Dabi was incomplete. All that is certain is that she gave away his name. Dabi could have figured out Hawksā relation to Thief Takami on his own from there. If he didnāt think Hawks choosing to kill Twice was a possibility, then he didnāt know anything specific about Hawks and the HPSC. He comes across as unaware of the Hero Commissionās assassinations or special hero programs overall.
There are two ways to interpret this: (1) Tomie chose to protect her son in a small way by not giving more information than the minimum that would assure her safety or (2) Tomie sold her son to the Hero Commission without bothering to look into what circumstances she sold her son into and didnāt have that intel to give Dabi.
this was such an incredibly raw moment for hawks, i just hate how they did it in the anime. this wasn't about supporting midoriya or wanting to see their side win, it was about the emotional connection between these two characters. and that isn't a shadow behind hawks, thats a fucking bloodstain from dragging himself to tokoyami's side. i know it was such a small panel, but this is the most vulnerable moment we got from hawks in the entire manga, its such a shame it wasnt animated

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*explodes*
hawks was the one who suggested getting the kids involved in the war. the HPCS were the ones who pushed it onto UA and the other heroes, but they likely wouldn't have deemed it necessary if it werent for him. and i dont think he ever forgot that.
*explodes*