One Nice Bug Per Day

ellievsbear
Claire Keane

if i look back, i am lost
Stranger Things
Today's Document
"I'm Dorothy Gale from Kansas"

@theartofmadeline
styofa doing anything

Product Placement
Aqua Utopia|海の底で記憶を紡ぐ

PR's Tumblrdome
Alisa U Zemlji Chuda

Love Begins

Discoholic 🪩

roma★
Xuebing Du

❣ Chile in a Photography ❣
i don't do bad sauce passes
I'd rather be in outer space 🛸

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@haudanharmaa

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Maria Dulębianka (Polish, 1861-1919) - Portret, 4
Gaudi’s Bellesgaurde Tower
Title (name): Chasuble with appIication - symbols of death
1740-1760
National Museum Krakow
I need to look at a body of water. immediately

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that's enough myself for today
The problem with travel by Ada Limón
how am I supposed to go to the supermarket without cavalry support
rene burri, ballet school at the instituto bellas artes. havana, cuba. 2007
Laurent Grasso — Sans titre (oil on wood panel, 2026)

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‘It all depends what you mean by a weed’. The definition is the weed’s cultural story. How and why and where we classify plants as undesirable is part of the story of our ceaseless attempts to draw boundaries between nature and culture, wildness and domestication. And how intelligently and generously we draw those lines determines the character of most of the green surfaces of the planet.
The best-known and simplest definition is that a weed is ‘a plant in the wrong place’, that is, a plant growing where you would prefer other plants to grow, or sometimes no plants at all.
Richard Mabey, Weeds: in defense of nature's most unloved plants, 2010.
I will have a life beyond these bad days
Oggoq after eating a seal
19th century mother of pearl hand-carved with the crucifixion

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Absurd (1981) dir. Joe D’amato