Hadley's gone madley!

Character: Grantaire From: Les Miserables by Victor Hugo Representation: LGBTQIA+, addiction, mental illness Their Importance: Oh, Grantaire. Where to start with Grantaire? He’s a MLM, an addict, a sufferer of depression and in my heart the unquestionable winner of the Greatest Pre-20th Century Book Character (Who Appears In 20 Pages Or Less) Award. So! A few paragraphs before we’re introduced to Grantaire we’re introduced to Enjolras, leader of the student revolutionaries and object of Grantaire’s affections. Hugo, god bless him, uses hundreds of words to tell us what the key deets are: Enjolras is HOT but SCARY and casts women aside with “astounding and terrible glance[s]”. Good to know! Onto Grantaire. Take it away, Hugo:

However, this sceptic had one fanaticism. This fanaticism was neither a dogma, nor an idea, nor an art, nor a science; it was a man: Enjolras. Grantaire admired, loved, and venerated Enjolras.

[…]

There are men who seem to be born to be the reverse, the obverse, the wrong side. They are Pollux, Patrocles, Nisus, Eudamidas, Ephestion, Pechmeja. They only exist on condition that they are backed up with another man; their name is a sequel, and is only written preceded by the conjunction and; and their existence is not their own; it is the other side of an existence which is not theirs. Grantaire was one of these men. He was the obverse of Enjolras.

One might almost say that affinities begin with the letters of the alphabet. In the series O and P are inseparable. You can, at will, pronounce O and P or Orestes and Pylades.

Wondering who Orestes and Pylades are? These guys. Pay attention, that’ll be important later!

Anyway, for the next few chapters we get to know Grantaire even more. He’s very clearly an alcoholic (although the concept as we know it hadn’t really been invented back then) and also very clearly suffering from depression (ditto. Also, damn, does he talk about his depression the same way I think about mine.) Enjolras “disdains” him, largely because he can’t generally be trusted with simple tasks, and also because to be fair he can be a dick at times. But every time Grantaire looks at Enjolras it’s with “great gentleness” or something similar. IT’S SO SAD, BUT IT’S ABOUT TO GET SADDER.

Come the summer of 1832 the June Rebellion took place and seeing as Grantaire lives in a book literally called “the miserable” you can probably guess it doesn’t end well for him. BUT. Okay. As the student revolutionaries are taking their places at the barricades, Grantaire drinks so much he passes out, although not before Enjolras harshly tells him, “You are incapable of believing, of thinking, of willing, of living, and of dying.” (Woe.) So while Grantaire is out of it history takes its course and lovable revolutionary after lovable revolutionary is cut down until only Enjolras is left. BUT THEN:

The chapter where Enjolras and Grantaire die is called “Orestes Fasting [sober] and Pylades Drunk”. Enjolras is cornered in the room where Grantaire is waking up, about to be shot by a firing squad. Grantaire comes round and immediately realizes what’s happening. Let’s hear it, Hugo:

“Long live the Republic! I’m one of them.”

Grantaire had risen. The immense gleam of the whole combat which he had missed, and in which he had had no part, appeared in the brilliant glance of the transfigured drunken man.

He repeated: “Long live the Republic!” crossed the room with a firm stride and placed himself in front of the guns beside Enjolras.

“Finish both of us at one blow,” said he.

And turning gently to Enjolras, he said to him:

“Do you permit it?”

Enjolras pressed his hand with a smile.

This smile was not ended when the report resounded.

Anyway. Few things give me hope the same way Grantaire gives me hope.

I think he’s important largely because the force of his love for another man is what transforms him in the end, and gives him belief and power. It’s almost presented as something holy. Back in 1862! Well done, Victor Hugo. May you rest well in French Heaven.

Issues: Although many actors add their own longing looks etc to their Grantaires on stage (and George Blagden also did so in the 2012 movie) his story isn’t really included in the musical. Granted, this is probably because the average musical is only 165 minutes long.

Combeferre: Just a couple of nerdy ones. Primarily some birds he likes and references from his favorite books (maybe a quote?)

Courfeyrac: None on his arms, his mom told him it would ruin his career prospects and he just internalized that. But his legs? Oh his legs are covered with stick-n-poke tattoos (most of them were done by Jehan). And he probably has a Pokémon tattoo. Lots of colours.

Enjolras: Only Black. No colours. All of them are on his arms. Most are famous leftist imagery(i.e. Cherries in reference to Le temps des cerises, a black cat, etc.) And he has "La liberté ou la mort” tattooed on his rib.

Bossuet: Now, this is a man who has a rose tattooed on his hand. I don’t make the rules. He probably also has some Roman numbers in the back of his neck that aged very badly. Classic stuff.

Joly: zero tattoo. This guy does NOT trust the hygiene practices of tattoo artists. Especially not drunk Jehan and his stick n pokes.

Grantaire: Obviously, the man, the legend. Everyone loves giving R tattoos in modern AU. Me included. His arms are covered with them. Entirely in a patchwork style. And he also has a couple on his legs from Jehan. Most importantly, he’d have barbed wires tattooed over his top surgery scars.

Feuilly: He would have a sleeve in a traditional style. And maybe a big piece on his leg. A tiny stick n poke on his ankle.

Jehan: Most of their tattoos are in an illustrative style. There’s a lot of flowers, animals, but also some abstract stuff. Loves being their own canvas and has lots of stick n poke tattoos.

A sad news at the end of the Barricade Week of this year. The actor of 2012 film's Gillenormand, Parrick Godfrey passed away.

Greetings, citizens!

There’s been quite a bit of discussion about Enjolras’ sexuality, and a lot of arguing over which interpretation is The Right One According To Canon, which I think is rather silly because the same snippets of text can be used to defend contradictory claims. (Which are perhaps not so contradictory, as you will see.) To demonstrate, I’ve rounded up the bits I’ve seen cited the most frequently for one cause or another, and show how they can be interpreted to support readings of Enjolras as gay, bisexual or pansexual, and aromantic asexual.

Some things before we start:

I’ve chosen those three orientations because I’ve yet to see anybody insist he is heterosexual. I’m sure they’re out there, but generally, I think we can all agree that he’s queer.

I specify “aromantic asexual” because the two are not synonymous. One can experience romantic attraction without experiencing sexual attraction; the opposite is also true. Ergo, it is entirely possible to read Enjolras as asexual but also gay, or aromantic but also bisexual.

You’ll note that the mythological duos used as references for Grantaire and Enjolras (Orestes and Pylades, Achilles and Patroclus, etc.) are conspicuously absent. That’s because they come up in Grantaire’s narration rather than Enjolras’, so I feel that they’re more indicative of Grantaire and of Grantaire’s relationship towards Enjolras. (Plus, this thing already went longer than planned.)

And here we go!