soliloquy by an immortal cave painter.
pencil, ink, and ochre on paper
I'd rather be in outer space 🛸
Phantogram Three
"I'm Dorothy Gale from Kansas"
untitled
noise dept.
$LAYYYTER
official daine visual archive
cherry valley forever
EXPECTATIONS
NASA
Fai_Ryy
KIROKAZE
occasionally subtle
Not today Justin
Cosimo Galluzzi

Origami Around

ellievsbear
Lint Roller? I Barely Know Her

tannertan36
Game of Thrones Daily
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@harpsicalbiobug
soliloquy by an immortal cave painter.
pencil, ink, and ochre on paper

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Deadly egg recall
The FDA has upgraded an egg recall issued last month to “Class I,” its highest risk level, as it warns the public that consuming the products could cause “serious adverse health consequences or death.”
The recall of 1,589,577 dozen white-shell eggs and brown cage-free shell eggs was initially issued by Midwest Poultry Services in late July, which warned they might be contaminated with Salmonella Enteritidis.
According to the company, the eggs were produced and distributed from farms in Texas between June 6 and July 3 and have sell-by or best-by dates between July 20 and August 17. The recalled egg cartons have either the code P-1950 or 0840962 and Julian Dates between 157-184.
source: X
FDA recall info: X
Black ppl deserve to feel safe and welcomed on the internet, on fandoms on whatever community or hobbies they want without having to deal with antiblack racist attacks, microaggressions or enablers of antiblackness . And if u genuinely consider urself to be left leaning or an ally or woke you should do and try to unlearn the colorism, texturism , eurocentrism and antiblackness
Charles-Henry Bédué: The House of Happiness
whenever people try to act like harry potter being comfort media for them matters at all i'm just like. cool i also grew up with it, i also have incredibly fond and nostalgic memories attached to it. but i'm also a complex individual capable of basing my actions on more than just immediate comfort and enjoyment

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they should revoke your driver's license if you have over 1000 observations on iNaturalist
i am a (holy shit red shouldered hawk) hazard to everyone on the road including myself. wait pause turn around i need to get a pic of that sky lupine along the highway back there
Once I was in a car with an older ecologist. He was telling me about how he had avoided the draft in Vietnam because his major professor — luminary, vital author of the modern synthesis of the theory of evolution — was such a distractable driver that his dean was haunted by the specter of “X university professor kills 37 in car accident” enough that he was willing to write ANY paperwork for a potential grad student so long as the luminary NEVER drove a university vehicle. That was the foundation of this man’s career: driving a luminary who couldn’t be trusted to traverse highways where species could be observed.
Partway through this story the ecologist saw a novel Mimulus and braked so hard he bounced my head off of the dashboard.
This Rate My Professors review of a plant ecologist was part of how I decided where to go for college. I actually ended up being her employee. Never got in a car with her.
Andre 3000 in Honey Magazine, 2002 shot by Marc Baptiste
Donna Nook National Nature Reserve Lincolnshire, UK Photograph: Danny Lawson
Geological horror. You find a geode and crack it open and the crystal lining its walls is human blood that can't be genetically matched to anyone. You find a human skeleton but every one of the bones is made from rock, a rock that you know can't be whittled into those shapes. You find layers of clay and loam that sport ancient fossils at the top and the still-rotting corpses of modern animals at the bottom.
This reminds me of the blood river in Antarctica. For like a century scientists had no clue why this river looked like, acted like, and felt exactly like blood. Turns out it’s just really high in iron.
"Blood River in Antartica" yeah right there's no way a river looks like bl-
...nevermind
Blood Falls isn't just high in iron, it's the byproducts of extremophile bacteria that have been isolated under a glacier in a iron- and sulfur-rich anoxic brine for the past 5 million years.
Worker of the Volzhsky Synthetic Fiber Factory. Photo by Vsevolod Tarasevich (1967).

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how are we feeling today
art made by a 10 yo girl, shared by Judy Tuwaletsiwa
mother giving birth wearing different masks
really amazing video of judy talking about this piece
ever since I read between generations: collaborative authorship, I notice it everywhere; throughout history but online more than anywhere; the ease with which adults discredit children as individuals in our thirst for phenomenalizing their capability for thought through work. The profundity of a work of art made by a child is generalized to be attributed to the abstracted concept of “child”, and their lack of agency, the estrangement through this lack of agency as those who know less leeching into a supposed unworthiness of individual recognition. At most we get a first name and the age of the child. There are countless reasons why the names of child artists are lost or omitted: time, a purposeful anonymizing from a parent or guardian out of caution, a disaster like war or ecological destruction or trauma which accordingly of course anonymizes an infinite number of artists and artworks of any age, etc. But so few of these reasons excuse the lack of individual recognition given to that child. A blatant injustice that makes my head spin. This video in particular really gutted me because when I first saw it on instagram I knew that this child was not going to be accredited for this piece that they made and likely never would, because unless they grew up to be an artist who continued to make work then the attribution would be, phenomenologically, to the abstract of “child”. The speaker knew the child artist’s first name, the child was in her class, the speaker was so reverent of this child's piece, and despite the fact that at this point the child would be an adult at the time this video was posted, the speaker did not give her full name. And the “grace” of giving even her first name is more than most children will receive when their work is made public and deemed phenomenological. Excusing lack of recognition as anonymity for protections sake is an easy way to escape the responsibility for considering authorship and consent. But I would argue that an equal gravity should be given to the act of sharing a child's work without recognizing their person hood and the value of their intellect. By stripping them of the agency to be seen as an individual entity one strips the capacity to believe this child deserves recognition. These children are not separate entities from adults, their thoughts are not the seeds for some grander matured mind. So much more thought should be given to valuing accreditation to their individuality equally with adult artists.
John Wilson, american sculptor and artist, 1980s
"(analog) parts of me" by takimunk

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Today’s Exhibit of the Day is a blast from the past! Snapped in 1938, this archival image depicts Museum preparators sculpting a model Styracosaurus. This large ceratopsian dinosaur was related to Triceratops. However, unlike its three-horned cousin, Styracosaurus had a singular nasal horn. It also possessed huge spikes on its frill—the bony collar that projects rearward from the skull. The model pictured here isn't on display today, but Styracosaurus fans can spot a fossil skeleton in the Hall of Ornithischian Dinosaurs.
Photo: Image no. 315713/© AMNH Library
Death feigning beetle larvae also feign death