Floating Herbarium , Polychrome I - Julia Whitney Barnes , 2025.
American , b. 1970s
Watercolour, ink , gouache and cyanotype on watercolour paper , 30 x 23 in.
Peter Solarz
I'd rather be in outer space 🛸
todays bird
Mike Driver
Xuebing Du

Janaina Medeiros

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Aqua Utopia|海の底で記憶を紡ぐ
sheepfilms

★
Three Goblin Art

Kiana Khansmith
Show & Tell
"I'm Dorothy Gale from Kansas"

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noise dept.
KIROKAZE

Jules of Nature
d e v o n

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@harpsicalbiobug
Floating Herbarium , Polychrome I - Julia Whitney Barnes , 2025.
American , b. 1970s
Watercolour, ink , gouache and cyanotype on watercolour paper , 30 x 23 in.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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"But what can I DO?"
Do one thing.
Start there, do ONE thing to help. Take an active role in bettering your little corner of the world by solving One Small Problem, whatever it might be.
It may not fix Everything, but it fixes Something. One less thing is broken. One less task needs doing. One less place is uncared for. One less heart is heavy. One less stomach is empty. One less voice is silent.
And that is not nothing.
like genuinely no shade to that anon but that sort of thing happens a lot where u guys find out xyz black artist is bi or autistic or trans and thats what makes u want to check them out and its kinda obvious u would not care to view them as artist like u do with white people unless u have a conditional interest in a shared identity and its like …at some point ur going to have to be able to consume things made from people not like u and if they happen to have similar traits thats cool and all but ur rlly limiting urself by ignoring art forms by brown ppl unless they have xyz other minority status etc etc
i genuinely love that the way k.a applegate resolves the issue of needing the alien on the team to be able to drop plot crumbs without totally solving everything for the human kids is by making aximili-esgarrouth-isthill a jock who only tangentially paid attention to when his teachers were explaining, like, the andalite equivalent of how to find the cosine of a triangle, and now he's in an astronomically rare circumstance where the fate of an entire species depends on him remembering how to do that. and he's cold sweating trying to recall the answers to homework problems he didn't do. and also he's always lying.
ax is literally experiencing like if you got teleported back several hundred years and everyone was expecting you to explain the precise mechanisms of how cell phones work to them and if you don't come up with a sufficient explanation they're all going to die. And he's not enjoying it.
every day this happens to ax
My favorite was when Ax had a horrible infection in one of his glands and they figure they have to remove it, so they ask him "Where is the Tria gland?" and Ax, who's delirious by this point, literally complains "You said we wouldn't have to know the glands for this test!"
Andalite Bandits - a piece for the Animorphs30 Zine uwu

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Theyre camping : )
this job market is a fucking nightmare
Zendaya for Spider-Man: Brand New Day press in John Galliano ss97
I haven’t been on INat since I took field ecology two years ago, but your blog has inspired me to pick it back up.
im so glad! i hope u have fun :>
tbh i love hear me outs but i also love the opposite of hear me outs where it’s like nearly everyone thinks they’re fuckable except you

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bell hooks mentioned going through a time in her life where she was severely depressed and suicidal and how the only way she got through it was through changing her environment: She surrounded her home with buddhas of all colors, Audre Lorde’s A Litany for Survival facing her as she wakes up, and filling the space she saw everyday with reinforcing objects and meaningful books. She asks herself each day, “What are you going to do today to resist domination?” I also really liked it when she said that in order to move from pain to power, it is crucial to engage in “an active rewriting of our lives.”
I have come to think of the suicidal impulse as the brain waving a flag to say three things:
something needs to change here
this is urgent
I don’t know how to do it
death is the ultimate metaphor for drastic change. it’s a general specific. whatever your problems are, it is very likely that dead people don’t have to deal with them. a real solution to your problems may demand a very narrow range of action that’s likely to be out of reach at this moment, but death is sold on every street corner, so it feels like a more realistic fantasy than happiness.
you don’t really want to die per se but it’s also not completely random chemicals swamping your brain for no reason. you want the pain to stop, you want to be somewhere else, you want to be someone else. it’s urgent. you don’t know how to do it. the end is not the end but a means that feels within your reach right now.
this is the wisdom of bell hooks: daily rituals of meaning and resistance and solidarity are part of slowly building a future where you can make the change you really need. and only alive people can do that. every step you take towards change and power is another step away from death.
I’ll also add this quote by Huey P Newton:
“I do not think that life will change for the better without an assault on the Establishment, which goes on exploiting the wretched of the earth. This belief lies at the heart of the concept of revolutionary suicide. Thus it is better to oppose the forces that would drive me to self-murder than to endure them. Although I risk the likelihood of death, there is at least the possibility, if not the probability, of changing intolerable conditions. This possibility is important, because much in human existence is based upon hope without any real understanding of the odds. Indeed, we are all—Black and white alike—ill in the same way, mortally ill. But before we die, how shall we live? I say with hope and dignity; and if premature death is the result, that death has a meaning reactionary suicide can never have. It is the price of self-respect.
Revolutionary suicide does not mean that I and my comrades have a death wish; it means just the opposite. We have such a strong desire to live with hope and human dignity that existence without them is impossible. When reactionary forces crush us, we must move against these forces, even at the risk of death.”
The crickets' party. St. Nicholas songs. 1885.
Internet Archive
Sophie Taeuber-Arp, Embroidery, 1918
Photo: Silvan Faessler Fine Art, Zug
"visual art should be totally comprehensible just by sight, it should not require an explanation" is ultimately an argument in favor of cultural hegemony.
like, you know who this is. you don't need an explanation as to who this is and what he's doing. And why is that?
any image could easily explain itself to a viewer, and any image could require an external explanation; it's entirely dependent on what the viewer's background knowledge is, it's not a property of the image at all - and "what can a person be assumed to know" is inescapably a cultural, political question.
If you want visual art that's totally comprehensible just by sight, then go read a fucking comic book.
Comic books are very contextual; we know that a cloudy-shaped text bubble represents thoughts, and a round text bubble represents spoken words. we know that non-letter symbols in the place of a word represent a character saying a swear the publisher isn't allowed to print. We know what panels are and what order to read them in. We know what a superhero is. we know about genre conventions like themed supervillains, superhero costumes, and secret identities. None of these things are explained by the comic book; they are assumed to be background knowledge the reader already has. 250 years in the future, any or all of these things might need to be explained to a casual viewer by an art historian. Even in the present, someone from a different cultural context might also need an explanation; think about the little "here's what order to read this in" tutorials that were included in english manga volumes when manga was first getting popular in the U.S.; the same image required an explanation in the U.S., but did not require an explanation in Japan. That's my main point with this post: when we ask "does this image need an explanation?" that's not a quality of the image itself, it depends on the viewer.
The question of whether art should explain itself gets employed in the art world in a number of ways; some people will say art should be immediately comprehensible to the viewer as an argument categorically for figurative art and against abstract art. others will say art that is immediately comprehensible is low and commercial compared to more esoteric and conceptual art. Because comprehensibility is contextual, I think all these attempts at hierarchicalizing art based on its comprehensibility are wrong.
TLDR; Yes, I'm defending hard-to-understand art from people who insist that everything should be straightforward, but I'm also defending straightforward art from those who think it's crass and lowbrow; comprehensibility can't have any bearing on an image's artistic value, because, again, it's not a quality of the image itself, it depends on the viewer.
Something to keep in mind…. building muscle is so hard people compete to see who can do it best. If you’re a woman worried about “getting bulky”, i promise you that you cannot achieve that physique by accident. Now go lift weights to increase your bone density & protect yourself from osteoporosis and improve your insulin resistence and eat a fiber + protein dense meal with some carbs to refuel and fat for satiety + energy 🫵
trans women this goes double for you especially the part about eating 🫵 you are not immune to your bones becoming tapioca in your old age pick up the weights and the fork sister we’re all gonna build our new bodies if i have anything to say about it

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The older i get the more i understand why some people become obsessed with privacy, not because they’re hiding something, but because being constantly perceived starts to feel spiritually exhausting.
Did you know that soda machines at restaurants and movie theaters spy on you? That most common new cars now record your sexual preferences and send it to the manufacturer (and also data about anyone who also gets in your car, walks by your car, and maybe happens to be within visual range of your car)? That grocery stores are trying to force customers to download an app to scan barcodes on shelves instead of putting up prices, so the app can scan the phone, decide how much that customer should be squeezed for, and adjust the price? That more and more innocent people are being sent to jail for crimes committed hundreds of miles away because an AI facial recognition algorithm spit their faces out and the cops didn't bother to do the most basic of checks?
I am not uptight about privacy because I'm hiding something. I'm uptight about it because the people who dismiss my right to privacy are dangerous to you and me and our families, personally, all the time.
And often, they are assholes, too.
Together In the Deep Down
(A Cutthroat Eel and a Red Galaxy)