Me when I remember something I said ages ago that was wrong or my values no longer align with
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Me when I remember something I said ages ago that was wrong or my values no longer align with

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Apotheosis Manifesto
If I become someone else after this, believe me, it wasn’t by accident. And I don’t mean my soul will change, but the way I’m perceived will go through changes. - Apotheosis, by Kai Straw
This is not a memoir or a biography, but it is a manifesto in the same neo-tradition of how George M. Johnson made their work All Boys Aren’t Blue as a memoir-manifesto. It is a guide, in a way I hope the people who need it will understand. This is focused in part on individual growth, but do not see this as an individualist creed - change will not come by the power and ability of any single person, but by many individuals who have found their strength contributing one or two specialties to the collective.
We live in a time where our power, autonomy, identities, our realities are being stripped for parts—for those most marginalized and those further crushed by the gears of the machinery of empire, imperialism, white supremacy, and patriarchy. You cannot keep sitting idle, stagnant, waiting for something to happen. You, reading this, have to be the one to make it happen. I’m sorry, but we cannot keep waiting on someone else to do the work of saving us, because someone must be the one to start moving.
This is urgent yes, but at the same time we must not rush, for forcing us to rush unprepared into the work we must do is a tool of white supremacy to ensure nothing can successfully undo it. You have to find others like you and learn how to grow together. You can no longer give in to isolation and stagnancy because you aren’t sure any of what comes next will be safe. It will not be safe. Change, especially for the better, is never safe for people like us—at best we will see our efforts come to fruition, at worst, well, “You already dead, asshole. At least die a sacrifice for something worthwhile.”
We must choose the path of uncertainty, because I would rather my life mean that eventually they cannot lay hands on a single other Black, trans, disabled, woman’s body after mine. We all know that there is much more that we can and should be doing beyond watching and pretending there’s nothing we can do, that our circumstances hold us back from doing something. There is always Work to be done, that some are already doing and that some want to do but need someone to take the first step, and not all Work is physical, monetary, or constant.
This is a tool to help you reach a place where you have the willpower and focus to take on that Work and step into a more collective role, whether you view this work solely in a spiritual or material sense, or as a combined concept. You must look at yourself and take that first step.
Art is by @skelejor
Some of you should reconnect with the dignity of labor instead of hallucinating a Garden of Eden past were people used to frolic and eat fruits and dance with no effort.

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Rule of thumb: In every oppressed group, the women are having a worse time of it. This is due to a concept called "misogyny", which intersects with everything
I don't remember finding fart jokes particularly funny even when I was a child.
Five year old me, watching a movie with fart jokes: "Oh, how gauche. They're pandering to the lowest common denominator."
think about this passage from wilderson's afropessimism a lot
The thing about American "leftist" comedians is that they aren't actually leftist, they are the Imperial Court Jesters. They stand on a stage, point directly at the blood-soaked gears of the war machine, make a little tee-hee noise, and the crowd erupts. Not because they are critiquing the machine, but because the laughter is a pressure release valve for the people inside it. Take the video of that stand-up asking the defense contractor if she helped Trump bomb those 160 Iranian school girls, and everyone laughing, including the contractor herself. That laughter is ritual absolution. The contractor laughs because she knows she will never face a tribunal. The audience laughs because they get to feel "self-aware" without having to actually stop anything. The joke doesn't condemn the contractor; it humanizes her, turns her into a lovable scamp who just happens to have a job graphing the velocity of shrapnel through children's bodies. By making it a punchline, the comedian sanitizes the atrocity. The blood is scrubbed off the stage. The audience gets to say "wow, we are so edgy for talking about it" while the person who builds the bombs gets to chuckle and order another drink. It is not satire, it is a team-building exercise for the empire.
Then there is the YouTuber talking about Transformers, casually dropping the "Iraq war aesthetic" like it's a color palette. Desert punk. Military core. A vibe. This is what happens when your country hasn't had a war on its own soil in living memory; the violence becomes media, a backdrop for childhood toys. The explosions are no longer the sound of mothers screaming; they are cool action sequences. They are digesting the visual debris of massacre as a nostalgic fashion choice, scraping the trauma off and compressing it into a genre for their retro-futurist fantasies. The apocalypse becomes a mood board.
And finally, the girl recounting celebrity love triangles from her childhood, flippantly mentioning how the U.S. was "busy with the Iraq war or whatever." Or whatever. That single phrase is the thesis statement of American innocence. Over a million dead, a region destabilized for a century, an endless river of grief; and for her, it was the commercial break between pop culture segments. It didn't raise her rent. It didn't stop her Wi-Fi. The violence is geo-locked to brown skin and distant deserts, just background noise like a refrigerator humming. She has the luxury of forgetting because the machine doesn't eat her children, it eats yours.
Americans don't hate the machine; they love the output. They hate the mess of it. So they turn it into jokes, into aesthetic, into "whatever." Because if they stopped laughing, if they stopped scrolling, if they actually looked at the 4K drone footage of the aftermath instead of the cool explosion CGI in their movies, they would have to realize that the lithium in their phones, the gas in their tanks, and the comfort of their suburban cul-de-sacs are all greased with the fat of foreign children. And they can't handle that. So they laugh. They turn it into a vibe. They call it "the Iraq war or whatever." You can't deconstruct the master's house with the master's jokes, especially when the punchline is the corpses holding up the floorboards.
“it isnt something you have to read critically” well 😭
this technically is true but I think this also perfectly encapsulates why I am inherently distrustful of like. “”cozy”” “turn your brain off” fiction lmfao. like okay WHO gets to turn their brain off and who has to suffer through bigoted caricatures of themselves while everyone else is having cozy silly no brain time 😐

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Hello friends we need to talk about this twitter account:
You might know him from a thread where he was getting wowed by free appetisers in a Mexican restaurant.
Firstly: He is doing a bit pretending to be a wandering samurai. It's a joke and his posts are all made up. This is very obvious if you actually look at his account and website:
He does purport to be Japanese but based on some of the other content he posts there's reason to believe he's British.
Which brings me to my second point: his Samurai content is interspersed with posts like this:
And this:
He is not cute or funny. Stop platforming him.
The chips and salsa thread went viral in June and his website seems to have gone live in July. This confirms what I suspected which is that said website with it's explicit disclaimers was made in response to the big viral hit.
Consequently, back when he first blew up it was potentially a bit harder to figure out that his stories are fictional. That said, the New York Times worked it out so I'm comfortable accusing outlets who ran the story describing him as a Japanese world cup tourist of legitimately terrible journalism.
Regarding some comments in the notes:
Yeah this is also the guy from the truck thread going around. That's what prompted this post and in retrospect I should have said so explicitly.
He claims he just uses AI to translate his posts from Japanese. He also says the art on his website isn't AI generated. I think he is full of shit on both counts.
I only gave a couple of examples but even on a brief look through his twitter it was apparent that he posts a LOT about UK politics to the point where he's quite patently British. He is a Restore supporter which is a party that split away from mainstream far right party Reform due to feeling they weren't right wing enough.
It might not surprise you to hear he does not seem to know shit about Japan? Both the salsa story and the truck story failed the smell test for people who are familiar with Japan. There's also a story about going to a potluck where he seemingly couldn't come up with a single Japanese dish for the character to cook??
Yeah his whole bit is racist and it is troubling that so many people took a guy badly roleplaying as a medieval samurai to be a 21st century Japanese tourist.
my bad. turns off my perpetual motion dog catapulting machine
nyc-looks wants to show you a 22 year old wearing $3000 of pure bullshit
that's it that's the show.
KIM KITSURAGI — "I do not like women, Harry."
RHETORIC [Easy: Failure] — Kim Kitsuragi is a misogynist.

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Pretty dystopian to be campaigning for fundraisers to save the lives of your countrymen trying to survive genocide and the top trending topics on Tumblr is the most recent zionism and fascism American military industrial complex propaganda movie.
Also I don't think it's a coincidence the zionist producer teamed up with the shoot and cry propaganda character played by this guy:
To make a movie about how AI mass surveillance tech is good for society actually because it helps you eliminate the inhuman subversives.
My bestie told me people are calling him Palantir Parker right now on Twitter cuz of the movie.
Anyways Disney is a priority boycott target for the BDS movement! Don't watch any more Marvel movie trash, the MCU has been collaborating with the Pentagon to make Western imperialist propaganda since Iron Man 2008!
If you were going to spend money on tickets to see the movie, go send that money to Mona's mutual aid fund instead to help feed Palestinian refugees today! Your outrage should be translating into concrete actions to help Palestinians!
Pjackk url held and actively used by someone who's not even funny with it is the bad ending but in a meta sense it's a fitting trajectory for pjackk's corpse so carry on