please tell me that everyone else also scrolled down, saw the caption on the second photo, and scrolled back up to double-check
šŖ¼
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@halcyonbreaths
please tell me that everyone else also scrolled down, saw the caption on the second photo, and scrolled back up to double-check

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Jinki is beautiful ā” ā” ā”
Peachy
have yāall seen that nasa pic of the earth with the sun behind it on the night time side it really really fucked me up my own soul became solid and likeā¦ā¦ā¦ā¦.. weeped!
who wouldnāt see this and then look deeply into their own emotional playing field to see what improvements could be made purely inspired by the vulnerable earth. this is the face of all literal gods
#we live here!!!!!!!! those lights are us!!!!!!!!!!!Ā #weāre the proof of life in the darkness!!!!!!!!!!
That ball of shiny blue Houses everybody anybody ever knewĀ -Chris Hadfield, āI.S.S. (Is Somebody Singing)ā
characters recognising a doppelganger/evil twin/shapeshifting imposter because they know the original so well is such a good trope
extra sexy if they manage to trick them into saying or doing something the other would never do

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Feeling blue
Like clockwork
For reference
he fucking killed the other guy
rare post where every single comment is funny
crying crying crying

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I am in love w the way pre 2000s films have that hazy feel to them. hd honestly kills the vibe
I think thatās one of the reasons why āperiodā media thatās marketed off the Aesthetic sometimes bothers me.......like they get the music, the clothing, the cars......and yet it always feels like something is missing
like,
vs
or even compare the early x files to the reboot
something is just lost with the crispness
someone in the tags said early spn vs new supernatural and tbh 100% yes !!
vs
I never realized how much I missed the grainy undersaturated filing ...... āgood lightingā and sharpness strike again
Seasons 1-3 were shot on 35mm film
4-15 were all shot on digital cameras, a change that the network insisted on
Yeah the exact thing that changed is that all the old stuff was recorded on film and all the new stuff was recorded on digital media.
i was going to say the film thing and the someone brought up supernatural and i was like "nah" and then @aphony-cree out here dropping that bomb.... in *2005,* to *2008?* there was a show shooting on film???? god you guys MOST shows went though this transition in the 90s how the fuck was SPN on FILM
In the 2000s dramatic shows had a good shot of convincing networks to let them use film. The network still had film cameras theyād bought and maybe hadnāt gotten enough use out of before the switch to digital. Most dramas canāt be shot entirely in the studio, they need to go on location, so it made sense to let them use the older cameras while the new expensive digital cameras stayed in the studio where they were safer
Supernatural wanted the 35mm film aesthetic and hated when they were forced to switch to digital
They just recently released a 4K version of Lord of the Rings and theyāre so Crisp. None of those soft fantasy vibes
one of my least favorite things about these 4k updates to films (especially ones that used actual film) is that they also go and try to do color correction. like thereās a REASON that some scenes are heavily blue saturated. that wasnāt purely an effect of using film, but also a choice during the editing process. color is just as important to a movie as anything else.
itās the exact reason why the matrix was shot with blue heavily filtered out to give that greenish-gray appearance, which added to the feel for a grungey dystopian machine-ruled future. The 4k version of it still has that there for the most part, but you can tell they did some color correction too and it throws off the entire vibe.
not to mention 4k updates of older movies REALLY makes the CGI stand out in a bad way and often times reveals imperfections in makeup that they knew, at the time, wouldnāt be noticed once everything was edited and it hit the big screens.
Casting a spell on you that makes you happy, by the way. Your day tomorrow will be pretty good. Something nice will happen, maybe.
preserving this here bc op turned off reblogs
& the thrilling sequel
š³ <- this emoji but without the blush or romantic connotation. im not blushing im staring you directly in your fucking eyes
if you excuse the bad editing it would look like this
*puts my cigarettes out on you*
*wuickly smokes it all before you can reach me*
oh a wise guy huh? *rolls up my sleeves* why I oughtaā¦
*wuickly rolls your sleeves back down before you can hit me*

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This porno didnāt fuck around
thereās⦠a lot to take in hereā¦
I was so flummoxed by this I had to learn more, so I took to Google, where I found this blog post by Dan Cardone, who was a grip on this film. Some highlights:
This was the first set I had been on that featured three directors, and hopefully the last. One director was there to primarily film the sex scenes, which he did effectively and economically. The other two directors handled what is called in porn-lingo āB-Rollā, i.e. everything non sexual. Which on this film was substantial. The plot for To The Last Man involves two ranches populated entirely by horny men who have random sex and feud over water, as they are in the middle of a crippling drought. Which is why we filmed in Arizona during thunderstorm seasonā¦
Itās amazing no one got killed, or seriously injured. There was horse riding, there were fight scenes of rocky escarpments, there were drownings. When the real guns and live ammunition came out for a scene I thought, āThatās it, Iām going back to the truckā.
Fortunately, one of the models was also a fully qualified nurse, so that saved money, time and also lives. Plus, he was sexy, so it was win/win.