o captain my captain
(the pattern is based on that mysterious clock sisko built in s1)
AnasAbdin
$LAYYYTER

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@hadescavedish
o captain my captain
(the pattern is based on that mysterious clock sisko built in s1)

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Sanctified Lady | Da Brat for The Source Magazine, March 2000
Da Brat
Aaliyah, Lil’Kim, Missy Elliott, & Da Brat (1999) for ELLE Magazine.
Actually I dgaf what tumblr has to say about hip hop and rap music actually because Black art will always be loved and supported by us matter what. Thank you Black women of hip hop and rap for giving us an outlet to be angry and voice our emotions in spite of the angry Black girl trope. Thank you Da Brat, Queen Latifah, Salt and Pepa and more for starting the lane for women in rap and giving us the Black tomboy rapper. Thank you Lil Kim and Foxy Brown for birthing the sexual hypefeminine Black Barbie and crossing hip hop with high fashion. Thank you Missy Elliot for revolutionising production and choreography in hip hop music. Thank you Nicki Minaj for keeping women's rap alive in the 2010s and showing the versatility of rap with pop music. Thank you Rico Nasty for giving us Black female rage and giving us alt Black girl rep. Thank you Doja Cat and Tierra Whack for giving us quirky Black girl rap representation. Thank you Flo Milli, Leikeli47, Megan Thee Stallion, Lola Brooke, Doechii and more for carrying the torch for the next wave. Thank you especially to Doechii again for proving darkskin women can do anything and that our art matters. Thank you RoXXXan, Lioness and Amplify Dot for starting the renaissance of women in UK rap in the 2010s. Thank you Lady Leshurr for putting UK women's rap on the map. Thank you ENNY for giving us the Black British girl anthem, Peng Black Girls. Thank you Little Simz for carrying the UK rap game on your back no matter how long they doubt you, no matter how long it takes the UK industry to recognise your excellence. Thank you Cristale for paving the way for the next generation in the UK.
Thank you Black women of hip hop for giving us representation across the board . That we can be just as masculine just like the men of rap but also as girly and as feminine as can be. That we can reclaim our sexuality either through open sexual expression without shame or none at all no matter the stereotypes thrown at us. That as queer Black women we exist and we can thrive. That no matter the misognyoir, colourism and queerphobia we exist and we will always be here.
Thank you Black women of rap and hip hop. I love you all!

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me: “yeah I dated a guy in high school who came out as gay. it was before i knew i was a boy so needless to say it didn’t work out”
coworker: “damn dude was preordering”
other things this coworker (who is a cis guy) has done/said:
—got confused about why I’d never been a boy scout because he forgot i was trans
—told me he was gonna get top surgery scar tattoos to match me after i get mine
—laughs at all my trans jokes, even if they’re supremely unfunny
—calls me big dog (and him little dog) even though he is about as tall as two of me
— “I can’t believe she would say that transphobic thing to you. In June? Pride month?”
Once I said "My gender is whatever's funniest at the time" and my coworker stops dead in his tracks, turns slowly and says "So are your pronouns honk/honk?" killing me instantly
I was talking to a friend I knew before I transitioned about my new relationship (my first one ever!) and I said "Yeah, I think I only indentified as aro/ace most of my life because I didn't have lesbian as an option" and he looked me dead in the eye and said "Oh? Why not? ...Ohhh"
Then he said "You know, I completely forgot you weren't always this way. Femininity really suits you" and let me tell you I started tearing up
Of course, not ten minutes later I mentioned that I had to relearn how to sing and he said "oh no, what happened?" so he might just be a little slow
Update on that friend: a bunch of people sent me "he's a little confused, but he's got the spirit" gifs in response to that story. I can tell you now with certainty that she definitely has the spirit, and she's not confused anymore
Bill Brufords jumpscare
AAAAAAAA
callie thorne and sonja sohn attend the wire premiere afterparty on september 14, 2004 in new york city
SANFORD: There’s a lot going on in this scene, because Randy is being pressured to snitch, and meanwhile we wanted to work hard to keep Cutty alive over there by the counter, keep him actively listening, but also keep the conversation alive between the two of them. […] THORSON: It opens up a whole other theme that’s very closely examined in The Wire, and that is the role of the informant, snitching, who really benefits, who really loses? A kid like Randy—who just sort of likes to get away with as much as he can on a smile—ends up in some bad situations. And his greatest fear is his home life—Miss Anna, he’s got a foster mother, he just doesn’t want to end up back in a group home. So that’s the only thing that can really pull him back, is the threat of telling on him and telling his foster mom. The consequences, in his mind, are really severe.
Kate Sanford and Karen Thorson, commentary on 4x04, “Refugees”.
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The Wire 4.9 - Excerpts from ”All the Pieces Matter: The Inside Story of the Wire"
THE WIRE 2.06 — All Prologue
#his tie
what’s the funniest show that could be pitched to someone tumblr style like “omg watch this there is a gay character and autistic representation!”

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SANFORD: I wanted to have a little more suspense about how [Marlo] was gonna react to getting beat at the card game. THORSON: Yeah, and he does get beat. [...] THORSON: And here’s another card game, but this is one that you have to lose. The mayor has to win. And the fat cats are feeding what they call his walk-around money.
Kate Sanford and Karen Thorson, commentary on 4x04, “Refugees”.
Ok no one told me Oz pilot episode straight up showed me such many juicy plots