dirt enthusiast
noise dept.
YOU ARE THE REASON

Andulka

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Lint Roller? I Barely Know Her

if i look back, i am lost
AnasAbdin
TVSTRANGERTHINGS

oozey mess
almost home

★

ellievsbear
Sweet Seals For You, Always
RMH
One Nice Bug Per Day

he wasn't even looking at me and he found me
Monterey Bay Aquarium

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@glamorousgamine

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Is this tuff
The designs belong to @sebbyisland ! I haven’t had this much fun drawing something in a while (and also I couldn’t draw cuz of busy), so ty for the inspiration
Apparently drawing muppets is like super fun?? So of course I had to make Hikaru and Karashi
IM SO GLAD U HAD FUN!!!! bro why is it actually so fun to draw muppets frfr
I think I’ve figured out how homophobia works. It’s like when Nathaniel Hawthorne flips out over an evil plant.
To give some context for what I’m talking about, most authors have a greater or lesser ability to set aside their prior knowledge and precisely depict something they’ve seen, without adding in things that it obviously “must” be. Even if they don’t understand why something happened, they can accurately portray the fact that it happened and the way in which it happened. Terry Pratchett calls this “first sight” and waxes poetic about it, while Meg Cabot calls it “painting what you see, not what you know.” Charles Dickens is the grandmaster who shows everyone else how it ought to be done. And Nathaniel Hawthorne, as it so happens, is worse at it than any “classic” writer I’ve ever seen. Everything he writes about is filtered through the perspective of “What does my religion say about this?”, and if the things his religion says are different from the things you could see if you used your eyes, then his religion takes priority.
There’s a bit in Rappaccini’s Daughter where Hawthorne needs to describe the physical characteristics of an artificially bred plant. A normal person would describe this plant as beautiful, but Hawthorne knows that God doesn’t want us artificially breeding plants, so the existence of this plant must be a sin, and sins can’t be beautiful. Therefore, he informs the reader that the plant is “glowing with an evil mockery of beauty.” The plant, meanwhile, continues to be a plant, which can’t be good or evil unless they sing and/or eat people.
In a similar vein, a homophobe looks at a gay guy who’s talking about his husband, and evaluates based on what God wants. A heterosexual man talking about his spouse could be delivering a cute anecdote, but homosexuality is a sin, and anecdotes about sins can’t be cute. Therefore, the only possibility is that the gay guy is intentionally mocking straight people with a twisted parody of romantic cuteness.
I’ve never heard this directly stated, but it explains so much about the way homophobes act when gay people talk about their relationships. It’s not that they’re flipping out at gay people acting cute. It’s that they treat a gay person who’s acting cute exactly the same as a gay person who’s mocking them, because the two actions are one and the same in their eyes.
I really liked the commentary in akane banashi's episode 11 so I transcribed all the parts that were my favorite because of how applicable they are to writing literature too ✨
"The more I listen, the more the scene comes to life and the more that girl seems to vanish from stage."
"As long as you make the audience think you're good, you're second-rate. That's what they always used to say. Because the listeners are so focused on the story, it feels like the performer has disappeared. I've experienced that illusion on rare occasions, during a master's performance, but who would've thought I'd feel it at the Karaku cup?"
"I thought it would backfire on her. Most of them can preform 'Jugemu.' So they're discerning. It won't be easy to get laughs from an audience like that. Though you could say that it's easy to envision precisely because it's so familiar."
"Ever since she was a little kid, she could instantly master whatever I taught her. But you see . . . because it's too easy for her, she lacks one thing. Awareness of how to empathize with her character's feelings. Because even with a scant understanding of the characters, Akane can handle them reasonably well. But at the end of the day, that kind of art is hollow and superficial. It can't move people's souls. To become, and think as the characters you're playing. Perspective. That's what I wanted her to learn."
"Now where did the Karaku Cup's usual fervor go? This is no longer a venue to vie for technical supremacy. It's a place to enjoy listening to stories. Actually, I should probably give her credit for this transformation. The more you exert yourself to preform, to express something, the more your presence as a performer expands. By considering your character's perspective and understanding it, you gradually learn how act as that person in the most natural way, without having to rely on over-the-top expressions or technical skills. Until the performer's presence vanishes in a subtle, natural manner."
"Oh crap! I was supposed to write an article on this, but I just sat and listened!"
I feel like there's a pressure to be really good at technical skills in creative writing, like having a massive vocabulary or an expert grasp on grammar- but stories can move people emotionally even without all that. Writing is about the characters themselves and bringing them to life in the narrative. Historically that was not always the focus, of course, however in the modern day with character driven stories being the expectation it's essential to grasp that as an aspect readers are looking for. Especially as a foothold, even if it's not a primary focus.
This is most obviously true through narration and dialogue, where an authors characters all talk more or less the same and you can't spot the differences when you take away the dialogue tags. This makes it difficult to follow and it wastes an opportunity to flesh out the narrative. So long as characters all sound like a product of "the author" it will continue to sound like a story. Which will prevent the falling away effect of a skilled author presenting something vividly real by removing their presence from the narrative.
I think creative writing ethos in academia is often taught skill-forwards, and is actively destructive to the good habits someone can build for character driven narratives (i.e. breaking rules, like a character speaking without "correct" grammar that's more accurate to spoken language). It has no concern or consideration for connecting to the audience or having a good grasp of people. Without those things though, the story ends up trite and shallow. There's no amount of plot complexity or beauty in prose that can disguise a lack of compelling characters.
Please stop being nonbinary too. God only created one gender. You must conform to that.
THERES ONLY ONE NOW?????

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Let's have one more fun adventure
JUNE 24TH!!!
the great thing about the wuxia genre is you can start a sect called the Evil Blood Cult in a place called Demon Mountain that’s a volcano full of poison and you all wear crazy gothic black and red hanfu and practice Sinister Backstabber Style kung fu and like. that’s not a deterrent to prospective disciples. do all that and a fuckton of bright eyed youngsters will still show up at your door and say hello i would like to join the demon mountain evil blood cult where do i sign up?
Lockheed Martin was at my college's job fair
Deltarune is entering it’s Wano arc
Who enjoyed the direct

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Ok folks (shoutout @watanuki-chihiro) have talked abt how God of Death Duel Duet (G3D) parallels the Zenza Rensekai, and that got me thinking. Can we talk about Akane’s convo with Kaisei after losing? Because this scene was way more fucking loaded than any of us expected I think. Considering recent events.
Thank you. I hope everybody thinks this
I often wonder what happened to authors of unfinished fanfictions.
I hope they’re having a nice life
we absolutely are not and that unfinished fic haunts us to this day
Reblog if that unfinished fic haunts you to this day
This guy plays the tune of Jason Mraz - “I’m Yours” using two Nokia Phone
this is so fucking relaxing
IVE BEEN LOOKING FOR THIS FOR TWO FUCKING YEARS
When you’re too broke to afford a Launchpad
things in fic I'm used to people kind of faking their way through writing about:
the city of los angeles
the city of new york
sex
how drinking alcohol works
how getting high works
how a child of any age speaks
how nuclear physics work
how [my job] works
how debilitating being shot in the shoulder is
how hypothermia works
things I have never before seen someone fake their way through writing about, until today:
what french toast is
read through the notes on this one trust me
Here's some of the notes, starting with the things multiple people brought up:
SHRIMP COCKTAIL:
banahbanah: #flashback to that one fic where Peter Parker frets about drinking shrimp cocktail because of the alcohol
generaldeliciousness: adding: what a prawn/shrimp cocktail is
#why is your character turning it down because they're under 21 #do you think prawn cocktail is a cocktail #this lives in my brain rent-free constantly #the rest of the fic was so normal #and good enough that i'll still re-read it #but bro
And then many, MANY, people wondering if this was actually authour mistake, since Peter really would do this!
POMEGRANATES:
zhajhassa: #haha where's that post that was like someone describing someone eating a pomegranate but they ate it like an apple
thornhands: #once someone wrote persephone biting into a whole Pomegranate #had to stop and stare at a wall for a minute
sungsingsanguine: I once saw someone very confidently write about a character eating slices of pomegranate.
FRUIT TREES:
zagreuses-toast: #given a very endearing glimpse into a writers blindspots by seeing them describe someone sitting under a ''pineapple tree''
salatrash: I remember something about picking watermelons... OF A FUCKING TREE
baander: #cranberry trees
DOUGH/BATTER:
maycelium: #I'm a chef so I'm really used to people not accurately describing how to cook food #But I was surprisingly flabbergasted when someone was writing making a cake and was kneading it. Which uh #Not necessary for cake. It was interesting for sure but just bizarre
livebloggingmydescentintomadness: #the one that drove me nuts was when a character set aside a batch of PASTA DOUGH 'to rise' #pasta doesn't have yeast!! #it does need to REST but it will never RISE #you do not want an airy crumb on your noodles
lovesodeepandwideandwell: #THE ONE WHERE THEY MADE COOKIES BY LADLING BATTER INTO A TRAY
Some other topics:

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Okay, if you are tired then you won't be able to read. There I say it. No one else want to say it. It is strange. If you are tired, if you cannot finish a book that's a given. That's why you need to read...at work. You need to steal your reading time from your employers.
i was looking for the convenience stir-fry recipe from 3gatsu for a friend, but i thought that some people might find it useful! it's basically a little hack for an easy way to keep some nutrients and variety in your meal-prep.
it's also super versatile -- the manga takes the unseasoned route so you can customize it as you eat, but you can add whatever spices and sauces you like best (i do some with a gochujang sauce, some with just salt/pepper, and some with soy sauce) into the stir-fry while you're prepping, and they freeze up just as well! you can also play around with what to add in the stir-fry: lotus roots, broccoli, beans, and most root veggies work super well!
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