Ghosting Ghosting Ghosted

Ok, so Copia's themes. When he was a Cardinal, he emphasized disease ("Rats"), and the Plague specifically, as with the title "Dance Macabre."

For those who don't know, the original idea of Danse Macabre is an allegory of death (or personification of it), and the universality of death, much like a Momento Mori: it comes for everyone, king and peasant alike.

Danse Macabre was very popular during the Late Middle Ages. Wonder why? The Bubonic Plague, The Black Death was making its rounds throughout Europe. Anyone who was anyone - and nobodies, too - were dying from the Plague. Now, we look at the title of this album Prequelle (translation: Prequel.)

This obviously hits the mark on two things: the prequel to Copia's ascension to Papacy, and the Prequel to his second albulm (first as Papa), IMPERA.

IMPERA thematically represents the "Rise and fall of empires." This can literally mean what it says, but it can also mean death, too. Empires, much like people, also must remember Momento Mori: that they, too, will also die or "fall"; nothing is meant to last forever. And the people living in these empires experience death as well, whether that be figuratively (their homeland falling into ruin) and literally, as in genocides via war, lack of resources to support the populations of empires or - and stay with me in this - diseases wiping out entire empires.

How does Revelations fit with Copia? Easily we can say he embodies two of the riders of the Apocalypse: Plague (the first horse, originally known as Conquest but was changed over time), and as Death. Why? The beautiful song "Witch Image" (Prequelle album) with the lyric of him being on a pale white horse - Death.

Well, let's look at Revelations 6:7-9 "And now I saw a pale horse, and its rider’s name was Death. And there followed after him another horse whose rider’s name was Hell. They were given control of one-fourth of the earth, to kill with war and famine and disease and wild animals."

Copia fits Plague well for obvious reasons, but we can also fit him in as war/conquest as he, iirc, did kind of overthrow Papa Nihil and his brothers via killing them and becoming Papa IV; killing and overthrowing has historically been viewed as acts of war, so there's that for the bolded statement above. The wild animals part? Hunter's Moon because someone on this site said it was the perfect werewolf song and now it's all I can see when I hear that banger lol.

Anyway, where does Perpetua fit in all of this? Well. As a casual onlooker, all you ever hear about the Apocalypse are the four broken seals and the four riders of the Apocalypse. You never hear about the fifth one in Revelations 6:9-10.

"And when he broke open the fifth seal, I saw an altar, and underneath it all the souls of those who had been martyred for preaching the Word of God and for being faithful in their witnessing. 10 They called loudly to the Lord and said, “O Sovereign Lord, holy and true, how long will it be before you judge the people of the earth for what they’ve done to us? When will you avenge our blood against those living on the earth?”

I've heard this particular Revelations passage being called, "The Cry of the Martyrs." This relates to Perpetua because many people - or Tobias, I can't figure out who said what or if it's just a fan theory - say this newest Album, SKELETA will focus more on saints and Martyrs and martyrdoms.

Here are now my connections: Papa V Perpetua is the fifth Pope, which shallowly connects him to the fifth seal. The fifth seal in Revelations specifically calls back to everyone who died from the previous broken seal, Seal 4 with Death and Hell following close behind. Those who died in the fifth seal want revenge on those still dwelling on earth.

People have pointed out Papa V Perpetua embodies the other Papa's through the designs in his Papal robe/costume. So that means he's representing or symbolizing the other Papas, who could be defined as Martyrs for "They died preaching the word of (Satan) and being faithful in their witnessing."

Is that why he has a skeleton design? Yes. He is representing the dead. So did all the Papas with their skeleton makeup, right? In a way, yes. But this Papa V is different. Why?

Papa V Perpetua takes on the look of a skeleton. Is he a Momento Mori, death personified? But who for? Copia's MOMENTO MORI personified!!

I think that's why a lot of people are rightly theorizing/predicting a deep connection between Copia and Papa V Perpetua, because there definitely is one.

However, I see the connection through the lenses of Revelations and previous albums: Copia is the rise and glory days of his empire, from being Cardinal to Papa IV to now IF; he's the one who overthrew established tradition and killed his kinsmen, the horseman of conquest/war but mostly disease and death. Perpetua that we've seen so far is the fall of Copia's empire, the phase that comes next in the lifecycle, the revenge of the martyrs, Momento Mori personified.

CASE STUDY #1 - WOMEN REPRESENTING LIONESSES

Everyone should know that a group of lions is called a pride. Within a pride, there are multiple lionesses, and one or two male lions which usually have a monopoly on these lionesses. The male lions exploit these lionesses as multiple mates and depend on them for food typically. Mating aspects aside, the group of lionesses are the ones who hunt prey for the pride. Male lions can also hunt for themselves, but I digress with the following statement: when the lionesses are successful in the hunt, they have to eat their share quickly before the male lions come and take the rest of the meat. The male lions have the purpose of protecting the pride from other hostile, wandering male lions, so they're not completely useless.

But that's not the point of this post.

Lorriane Lyons and Indira Olmstead, in my humble opinion, show two sides of a lioness. Their husbands, respectively, represent the male lions and their exploitation of the women's work.

Lorraine Lyons represents the strength, determination, and intelligence of a lioness. I mean, come on! Lyons = lions. Did I just blow your mind with that connection?

Lorraine Lyons has a husband, Mr Lyons. As far as I remember, we don't see him until episode 6 when he's visiting his son, Wayne, at the hospital. Did we even need to know Mr Lyons existed? In my humble opinion: No.

(Tinfoil hat: I thought Danish Graves and Lorraine had something going on, and Graves was Wayne's dad. Secret love affair or whatever.)

Mr Lyons serves no purpose than emphasizing just how much Lorraine works for her, and his, "food." She runs a multi-billion company as a debt collector (or whatever the professional term is). She looks flawless. She has zero time for bullshit. Can't you see she's busy? If it weren't for her, her husband wouldn't have his train collection we later see in the same episode (6). Although she acts like her family is a burden to her, we see in some moments of her immense love for her son: such as her over protectiveness of him and coldness towards the outsider Dorothy, and her love towards her granddaughter, Scotty. Again, in episode 6, we see a brief moment of her smiling when Scotty hugs her father, until she puts back on the facade of HBIC when she speaks with Olmstead. So far, we don't see how she interacts with her husband, which can stand for as its own evidence. Lorraine's scenes with her family and professional life show that they wouldn't be who they are today without her (wo)man power. Another interesting thing to note about Lorraine and her behavior as a lioness is how, even though she doesn't like Dorothy, she still considers her as part of the pride as she's the mother of her granddaughter and her son loves Dorothy. As the idea goes, you're as strong as the weakest link, and Lorraine knows she's better off protected with Dorothy on her side than trying to get rid of her, especially as the season goes on.

(Note: Lorraine had Dorothy committed. Okay, I get that. She still hates Dorothy and wants her gone. However, Lorraine plays the sibling game in that she can bash and ruin Dorothy all she wants - as long as SHE IS THE ONLY ONE DOING IT. When Roy Tillman came around sniffing for Dorothy, she refused to even entertain his wild ideas about responsibility and freedom, and even admitted to keeping Dorothy close because of her being the mother of her grandchild and the wife of her son. She kicked Roy Tillman's ass to the curb with a, "I don't like her, but she's a Lyon now, and you're a dipshit with a 'dead' wife." Rant over.)

Another side note: Regarding Wayne, Lorraine only helps him out in extreme cases of emergency. When he suffers the head injury from electric shock, she makes sure he has the best care and best hospital room. Anything outside of emergencies, he's on his own. While he's not the strong lion we typically picture, Wayne is a lion in his own right. Male lions typically leave the pride when they come of mating age and join another pride of unrelated kin females. Here, Wayne made his own pride with Dorothy and, later, Scotty. By the way, lion prides usually consist of mother-daughter kinship, with a few outsider females and one or two male lions. Wayne still has a long way to go, but we do see him protect Dorothy and Scotty in his own way, such lying for her to the police about her kidnapping, helping her against Gator and his accomplices, etc.

Moving onto Indira Olmstead, she represents the other side of a lioness, which is the exploitation. I won't be nice: her husband is the biggest piece of shit. Even though it would be assault, I wanted her to throw her scalding hot coffee in his fucking face when he went on a tirade about wanting a real wife. Well guess what, fuck face? She wants a real husband. Either go get a job or suck your wife's dick in appreciation. Ya know?

Her piece of shit husband wastes what little money they have on worthless dreams that don't go anywhere. At one point, he wanted to be a famous drummer. Now he wants to make it big at pro golf. He sucks ass. Hard. But that would be a compliment to him. The biggest point of his exploitation is complaining about how Olmstead isn't a wife while eating the food she puts on the table with her income. He doesn't help hunt aka get a job. He doesn't support her. I have a feeling that if Olmstead gets into trouble where her physical being is at risk, he'd run away! Fuck him! Also, he's no doubt cheating on her. Hope he dies. Or gets his dick cut off. One of the two.

CASE STUDY #2 - DOROTHY AS A TIGER

Dorothy Lyons may have taken on her second husband's surname, but she is far from a lion. Several times throughout the season, Munch, and even the narrator in a special episode, calls her as a tiger; in the episode with the narrator, she describes her behavior as the behavior of a tiger. And she is a tiger.

Unlike lions, tigers are not social cats. They are solitary except with mother-cub relationships up to a certain point. We have seen how exceptional Dorothy is at defending herself, especially when she is alone. A pride needs a male lion or two to protect the pride from hostile male lion outsiders. A tiger doesn't have the protection of a pride or pack against the forces of other hostile animals of the same or different species. Dorothy fought off two kidnappers, effectively killing one and wounding the other. She fucks up Gator's accomplices on Halloween through a series of traps and tricks. Later on, she puts up a good fight against the male nurses ready to take her away to the hospital. She outsmarts the FBI detectives. She continually outsmarts Roy Tillman and Gator.

While Dorothy, in her own way, loves her husband, I believe she used him and his family's wealth as a cover at the beginning of their relationship, but only for that extra layer of protection. Later on, she probably developed feelings similar to that of a non-sexual relationship, relying on him as a closely dear friend whom she can trust to protect her and especially their daughter when she isn't around. Anyway, she is cautious because she knows she can only rely on a select handful of people - if that. She goes at life like it's her vs the world, and rightfully so considering Roy's abuse of her during their marriage. Telling of this is how she springs into action when the PTA (?) meeting in E1 descends into chaos and she pulls out a taser on an unsuspecting cop.

CASE STUDY #3 - OLE MUNCH AS A BEAR

I love this character so much, and it's such a shame that everyone is (rightfully so) thirsting over Gator. We get it: pathetic boy with daddy issues and a middle schooler boy personality is cute and all, but when will people wake up and take on the may-be-may-not-be a sin eater from 1522, who is nice to old women, a killer of idiots, and how takes his jobs deadly seriously?

(Don't get me wrong, I like Gator as much as the next person, but everyone is sleeping on the King of the season imo.)

Anyway, I propose that Ole Munch represents a bear. Bears are the king of the forest. They can eat mostly everything, from nuts and berries to full on meat. They hibernate for some months out of the entire year. They can fuck up a full sized moose.

Munch's backstory revolves around starvation: starving so much that eating a deceased's sins is nothing compared to a few gold coins, a loaf of bread, and a goblet of wine - if we take that 1522 flashback as truth, or some part of the truth. Munch can also fuck someone's shit up: exhibit a): the two ranch hands ready to kill him at the Tillman's ranch and breaking Gator's arm; exhibit b): Gator's partner; exhibit c): the old woman's loser son in the latest episode.

When I think of a bear, I think of a creature motivated by food and a lot of it, especially male bears. Bears are one of the higher mammals on the food chain; the only danger to a bear is another bear - or maybe a big cat. Bears wander the forest in search of food, food, food. Unless they have to assert their dominance with another bear in the area, they don't have to worry about costly fights. (If you can stomach it, watch a YouTube video of bears fighting. It's crazy.)

In Munch's early scenes, we see him motivated primarily by money, or in essence, the means to buy food. He only goes out of his way to kidnap Dorothy because Roy Tillman promises him payment, and tries to re-kidnap her by any means, even when she has the upper-hand at the gas station. When he doesn't get paid by Roy, he then sets his sights on fucking with Roy and Gator.

Silent and deadly, but don't fuck with this guy - or shall I say, don't poke the bear. Nothing with Munch is nothing personal. I'd go as far to say him messing with Roy and Gator aren't for personal reasons. Gator keeps insulting Munch right to his face, but he doesn't react at all to it. He only reacts when he doesn't get his payment. Hell, I have a feeling that if Roy tried to kill him after paying him, Munch might not have reacted then, either. He probably would have gotten the hell out of Dodge in search of another job. It's just not worth it when a man's (or bear's) livelihood is at stake as long as food is readily available somewhere else.

Also, Munch always wear brown clothes. The latest is the fur-line neck of a brown coat he took from the old woman. Make of it what you will.

Further, I consider Munch a bear because he "hibernates" like one. When he isn't out causing chaos for Roy and Gator Tillman, he goes back to his place of shelter (aka the old woman's house)and rests there with a cigarette. I don't bother to do the math, but I bet you that half of Munch's time on screen focuses on his "hibernation" at this dark, cave-like home.

RANDOM THOUGHT ON GATOR

Is it just me, but why would Roy name his son Gator? So far, no one calls him by any other name but Gator, so we have to assume Gator is his legal name. Which, imo, is a stupid name.

(Do you think his dad named him after Gatorade? lol)

However, looking deeper, we have menacing characters taking on animal representatives: Lorraine and Indira as lionesses, Dorothy as a tiger, Munch possibly as a bear. Where does (a) Gator in snowy Fargo (or wherever the fuck) fit?

That's the thing: he doesn't fit.

Alligators, as said by the National Zoo website (googled) live in freshwater, slow-moving rivers, and also in swamps, marshes and lakes. Aka, Florida, North Carolina, and Texas. Fargo is the exact opposite of that description: cold, cold, snowy, and cold.

Therefore, Gator Tillman is metaphorically a "fish" out of water. He doesn't belong in this strange environment his father inhabits. He doesn't belong to Roy's idea of what a man should be. Gator doesn't know how to be himself, but he needs to survive and adapt because he's seen what happens when someone doesn't, so he tries to take on the personality of his father - but with heavy failures and setbacks. He isn't built to be like Roy. That's why, in my humble opinion, Gator has that strange name. It's showing how much he, a "Gator", doesn't fit the environment his father created. In the latest episode, Dorothy even mentions this. She says she still sees good in him, but he still wants to be Roy. This implies that a person cannot be Roy and still have goodness in them. The two shalt never intertwine. I'm pretty sure Gator's bio on the Fargo website says something similar to him wanting to become his father, but it never working out in his favor. He wants to be a "winner" or the fittest in survival. But he is struggling hard, and his father is quickly losing patience with him.

Rant over.

Note: Other than the Fargo tv series + movie, as well as some Reddit/Tumblr media consumption, I do not know anything about Noah Hawley or his writing style, inspiration, etc. Also, I did not do much, if any, research on the animals studied here. Everything comes from minimal knowledge. This is purely an opinion.

PS: It's come to my attention that Lyon is not spelled Lyons with an 's' at the end, but simply Lyon. I'm too lazy to fix this issue. Sorry. Also, sorry if there's any incoherent sentences and/or grammar issues. I needed to get this out of my system.