you want a garden, but you got a balcony

N e ways this is their s1 dynamic in my head. Drawing this made me want to write a fic i hate them so much they've gotta kiss each other about it.

You know that thing where a story is written in tight third person limited — we’re meant to be inside someone’s head, seeing the world through their thoughts — and then suddenly the narration says “the blond frowned” or “the shorter woman sighed” about a person the POV character knows really well?

That’s called antonomasia — using a descriptive label instead of a name. And it’s fine when we’re talking about strangers: “the cashier handed her the receipt,” “the tall guy blocked the door.” The POV character doesn’t know their names, and we just need a quick way to tell people apart.

But the moment it’s used for someone the POV character already knows, it breaks immersion. Because that’s not how our minds work. We don’t think “the older man smiled at me.” We think “Mark smiled.” Or maybe “my boss” if that relationship matters in the moment.

Third person limited means the narration sits inside someone’s perception. Their inner monologue is the story’s voice. So when you switch from “Mark smiled” to “the blond smiled,” you’ve pulled the camera away from their mind and turned it into an outside shot.

If you want to create distance or irritation, you can do it on purpose —

“The idiot from accounting emailed again.”

That’s character voice. That’s judgment. That works.

But otherwise?

As soon as your POV character knows someone’s name, use it. While we do tend to worry about repetitions, names rarely register as such to the readers.

If you need variety for rhythm, use relational or emotional identifiers that make sense in their head: her friend, his partner, their teacher, the person they loved.

Because inside someone’s thoughts, there are no “blonds” or “brunettes.”

ilya finding out shane isn’t dating rose landry > deep joy and elation because > it means they can have what they used to have again

Please have a moment of silence for the people who were killed instead of freed when news of emancipation finally reached the furthest corners of the american south.

have another moment for the ledgers, catalogs, and records that were burned and the homes that were destroyed to hide the presence of very much alive and still enslaved people on dozens of plantations and homesteads across the south for decades after emancipation.

and have a third moment for those who were hunted and killed while fleeing the south to find safety across the border, overseas, in the north and to the west.

black people. light a candle, write a note to those who have passed telling them what you have achieved in spite of the racist and intolerant conditions of this world, feel the warmth of the flame under your hand, say a prayer of rememberance if you are religious, place the note under the candle, and then blow it out.

if you have children, sit them down and tell them anything you know about the life of oldest black person you've ever met. it doesn't have to be your own family. tell them what you know about what life was like for us in the days, years, decades after emancipation. if you don't know much, look it up and learn about it together.

This is Juneteenth.

The original tweet summarizes it pretty well. Fanfic tends to be popular among certain types of neurodivergent people (aka people most likely to read excessively as a child, and have burnout as an adult) for the same reasons that we tend to hyperfixate–neurochemical signaling (I hope I’m using that phrase correctly). What I mean is, for people who are really dependent on changes in dopamine/serotonin/neurotransmitter levels, who have low levels or wonky neural reward systems (perhaps the most common types of neurodivergence)…people like us rely on dependable external sources of those neurochemicals. In order to function, we spend a lot of our free time trying to level out our brain chemistry using things that can reliably bring us a steady stream of joyful moments (rewards) without costing too much of the mental effort that is already in short supply. 

significantly: the investment of reading has to be balanced with a steady “return on investment”–and this return has to start fairly quickly. because again, we don’t have a lot of attention/energy to invest on tiring things. we have perpetual “low batteries” in that regard.

that doesn’t mean these stories are “simple,” or that they lack complexity or value–only that the reward has to come in short regular intervals, and it has to have a low “upfront cost.” these stories are only “easy” to read in the sense that the effort we put into them is rewarded in a timely manner. which is why fanfic stories are so perfectly formulated for neurodivergent readers–they are often beautifully written, but skip a lot of the upfront costs (of introducing new characters, of world-building, of getting the audience emotionally connected to the story elements).

the nature of fanfiction is that the reader has a pre-existing relationship with this world and these characters. that–combined with the shorter average length of fics–means that fan fics very quickly start rewarding the reader in a way that traditional fiction struggles to. that’s not a bad thing! and maybe it’s something more traditionally published writers should be paying attention to.