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he wasn't even looking at me and he found me
Not today Justin
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@gamerphonzy

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Dragon Door Handle - Simontorya Castle Hungary
warrior who came to me for advice: i just don’t know if i should listen to the telepathic trees, who say i should save the forest, or my adopted wolf mother, who says i should cut it down to build my city. that’s why i came to you… should i go with Psi Ents or Dog Ma?
me: your existence feels fairly contrived
State-run stores are nothing new.
Fake Republican outrage is nothing new.

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Do people know about public libraries. Do people know how much stuff is there
k...
cake is such an underappreciated band. i can’t believe we brought back low rise flare jeans before we brought back cake in the top 40
i’m just saying cake’s music would be widely regarded as so sexy if it wasn’t for all the mariachi horns and vibraslap and the vocalist didn’t always sound like he was explaining his suicide plans to a gun store clerk in sacramento. the world wasn’t ready for them
The fact that it sounds like a dispassionate reading of a terrorist manifesto is a feature
It might be because I am slightly sick...
but what is the random font changes in her speech supposed to be telling me?
Amazing Spiderman 414
"How the hell does this character sound????"
It's fine, Ben. This isn't even the first time Spiderman has fought Godzilla.
Amazing Spiderman 413
The way 90's comics use the term "politically correct" is always so baffling to me because like
Ben
Are you
Are you saying you're racist against Godzilla's?????

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I think the "joke superboss that looks exactly like a tutorial mob" trope from JRPGs could be productively adapted to all tabletop RPG settings. D&D campaign setting where the highest-level character in the world is a random goblin living in a fishing hut on a river just outside the player characters' home town. There's no complicated backstory explaining why this random goblin is like a 25th-level ranger – they just are.
Cyberpunk game where after many travails the player characters finally get to meet the leaders of the Resistance, and in addition to the expected cyborg rock stars and such, for some reason the shopping mall security guard the GM used to demo the stealth mechanics way back in session one is there.
whether they're Good Media™ or whatever aside, I think mainstream liveplay ttrpg shows have been a fucking disaster for the hobby. it's hard to imagine anything that could have fucked the expectations:results differential for people more than having celebrities do college improv with dice (and an entire media production team behind them) and telling a generation of new players that's what tabletop gaming is like
liveplay ttrpg shows are not 'professional gaming', that's the whole problem I'm talking about. they're entertainment products which make format, content and form choices that would be nonsensical or obstructive at an ordinary table. it's not just "oh if only 'hobbyist' gaming groups (🤮) could pay for all that kit and lighting and professional writers and voice actors".
liveplay production involves story meetings aimed at making the narrative maximally entertaining to a watching audience (not the players, who are also professionals who are there to entertain that audience!). It involves editing (trimming out downtime, uninteresting mistakes, technical issues, moments where the vibe is wrong or there's friction in the room). it involves a room full of production crew watching every move the GM and players make, sensitive to wastage of their time and effort if things don't go to plan. and not for nothing, it involves an entire team of people who need to keep game publishers happy by playing and displaying their products correctly and certainly never criticising them or openly adapting around their shortcomings for the sake of the group's enjoyment.
I've played at tables where we've been lucky enough to have fun props and miniatures and printed maps and sound systems and even a bit of lighting, and where everyone in the group was a seasoned player with writing and performance backgrounds, and the experience was still full of normal natural constructive frictions that are largely if not completely absent from entertainment liveplay shows. player disagreement is normal. stopping mid flow to argue about a rule and look it up and help each other with system technicalities is normal. the music just not working today is normal. the party choosing a direction the GM didn't prepare for and having to adjust their in-character choices a little and tolerate some hastily cobbled together fluff to meet them halfway is so normal it's a running joke. someone finding a scene a little too much and asking for a break or redirection is normal. someone saying something a little ill judged in the moment and having to walk it back with as much grace as possible is normal. storylines not going to plan and petering out without major dramatic resolution, or npcs being ignored and cast off with a shrug is normal. all this shit and more is normal because a normal table is structured around the organic decision-making of a bunch of players who are primarily in it for their own fun and sense of transport, not for an invisible imaginary fandom slash consumer market. which are all the things that make ttrpg play inherently a pretty bad vehicle for storytelling, incidentally!
someone else in the tags expressed their frustration at these shows 'professionalising' the hobby, and while I do recognise and sympathise with the feeling that these shows normalise a level of polish and commercial buy-in that's destructive to the diy culture of tabletop gaming, I still have to push back on the idea that these shows are representative of 'professionalised gaming'. they're not. they're sports anime.
complimented a cashier on her turtle pin this morning and she said "oh thanks, I am a little bit of a Turtle Person" with the carefully contained energy of Cookie Monster telling you he's mildly fond of chocolate chips
I hope she and the multiple tons of turtle merch she definitely has at home are having a wonderful day
i love this metaphor so much i drew it
It's fascinating (and infuriating) to live in an age where almost everyone I know is languishing in Dickensian poverty but social media is slap full of professional-managerial computer-touchers who've never known hunger insisting that the economy is fine because their metrics say rich people are still rich.
A bad economist and a bad engineer are often bad in the same way; they're both people who, when reality doesn't conform to the model, decide to get mad at reality instead of adjusting the model
And they kill people

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complimented a cashier on her turtle pin this morning and she said "oh thanks, I am a little bit of a Turtle Person" with the carefully contained energy of Cookie Monster telling you he's mildly fond of chocolate chips
I hope she and the multiple tons of turtle merch she definitely has at home are having a wonderful day
i love this metaphor so much i drew it
imo you get the most out of engaging with media when you strike a balance between treating characters as people (reading interiority into their actions, considering the effect of various aspects of their identity, etc etc) and as vehicles for storytelling (what narrative purpose do they serve, how do their actions and personality function to convey the themes of the work, etc etc). because of course characters are literary devices but also there’s a reason we use literary devices written to embody realistic people in order to tell stories