CO AUTHOR OF DRINK KINGDOM, MAIN WRITER IS @dinodawolf <3
HERE'S WHERE YOU CAN FIND ME!
Wattpad ->www.wattpad.com/user/Fyreflakes
Deviantart -> www.deviantart.com/quotevianflaky
Pinterest: -> pin.it/4M1U58ANx
Artfight: -> artfight.net/~Fyreflakes
Youtube: -> https://www.youtube.com/@FlakyflakesS/
Instagram: -> www.instagram.com/quotevianflaky/
Quotev -> https://www.quotev.com/Fyreflakes
A3/Archive of our own -> https://archiveofourown.org/users/Fyreflakes/profile
Discord should be labeled under a Flakyflakes or something similier but if I don't know you I probably won't friend you XP)
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Without further ado, Hello world! I'm a dabbler into different kinds of artworks :3
Sonic
undertale
Undertale aus
Tmnt
tadc
Ramshackle
Vocaloid
Ace attorney
What remains of Edith finch
Oneshot
Madoka magica
Omori
Slay the princess
Buckshot roulette (maybe)
SPRUNKI
Anndddd I think thats all for now XD
Here's one of my fanfics!
yes this is a crackship, am I still going to TRY to write a beautiful story about these two with barely any knowledge on how tf to write Lon
Catch ya'll on the flipside!
(Ps: Go follow my sibling >:D @fyrerainy and my friends: @destinationsorrows and @thegreatjadeyeet plss their all awesome :3)
ALSO ALSO:
I am currently creating an undertale au called Musiciantale, you can support it on Deviantart under Quotevianflaky ORRR on the official discord server! :D we're a bit of a lively group on there lol and you MIIGHTT even get to watch me livestream drawing comic pages :3
So whatcha waiting for? GIT ON OVER :DDDD
(EDIT: SERVER IS BEING CHANGED TO JUST A SILLY HANGOUT THING BUUTT IT WILL STILL HAVE UPDATES TO MUSICIANTALE ON THERE AS JUST A SIDE THING :3)
Check out the Musiciantale official server community on Discord - hang out with 22 other members and enjoy free voice and text chat.
We hope you enjoy your stay, on here and anywhere else you may find us ^w^
A little bit about musiciantale:
Musiciantale is an au where it plays out like Undertale, but Instruments are key to certain things, such as showing emotions without words and opening doors that wouldn't budge otherwise. There's also other changes besides the musical aspect of it, mainly involving people's backstories and the Human souls, but You'll need to wait until I release the comic pages on here before you can see :3
THE TWO MAIN CHARACTERS!
(The art is slightly outdated, I'll make better more updatd references as soon as I'm not lazy 💖)
Chara s a british bitch boy with parental issues and a K N O I F E for reasons, He plays the piano and has a lovely singing voice but is often very shy about singing in front of others.
FRISK She's adorable, my friend calls her the little girlboss which is an adorable little nickname, I love Frisk. Frisk is a rich kid who fell down into the underground on her 13th birthday. She's like Chris from Sonic x, but hopefully people will find her less annoying
(Hot take but I actually found chris to be not that bad XP Yes he's useless at times but he was okay. Not perfect, not horrible, just Okay.)
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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a long time ago i was struggling with being transmasc because i felt like i was betraying womanhood somehow. then one of my best friends came out as a trans woman and i realised "ah... there will always be so many beautiful women in the world, so it's okay that i'm not one of them". what i'm trying to say is you need to love each other or there's no point to any of this
in a reversal of this. when i came out as transfem i was almost dissapointed because i spent so long trying to be a truly good man. i was raised with a lot of shitty guys so i tried to be the most pro-feminist comfortable dude i could be for the women around me. when my egg cracked, i almost felt this feeling of "shit, are the only men who think like this secretly women inside?" and it feels nice to see that proven so utterly and completely wrong by the trans men i know in my life. i love seeing people take on the masculinity i hated and do amazing shit with it, god bless trans dudes
A "What-if" scenario on if the abstracted characters could "De-Abstract". I personally like the idea of abstraction being more permanent as it gives it a sense of finality, but I can't help but admit that the idea of De-Abstraction is a comforting thought, lol. Of course, I believe it also wouldn't be without consequences.
The idea for abstraction scars having a sort of 'crystal-like' appearance came from the animiniz in the Glitch store. Not sure I'll get any of them, but I love how they look.
Some head canons I like for de-abstraction:
They are more sensitive to light or bright areas, and maybe prefer the dark like abstractions. Maybe after too much time in the light they become overwhelmed. Caine made them a 'quiet' room to help them settle.
Maybe Caine makes them special sunglasses to better deal with light.
When they're agitated, their scars flare up and spike.
Maybe they're even more susceptible to re-abstracting when isolated for too long.
They're almost chronically tired.
—–
Join my Patreon for early access to comics, as well as PSD files and speedpaints.
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When you mentioned you were gonna do a part two, I was quietly hoping it was gonna be this part, and it is this part, and I'm so happy about it. Oh my God.
THE CUT TO BACK WHEN CAINE JUST HAD THE LIL RED HAND REACHING TOWARD THE SCREEN
IT HITS SO GOOD
I'M LOSING MY MIND
THANK YOU THANK YOU THANK YOU it's such an honor!!!
More in-depth rambling below the cut. Standard apology for using speech to text in case it decides that these characters' names aren't spelled how I know they're spelled.
Once again, your panel flow is perfect as always. Iiiii actually have a degree in illustration. I don't get to use it that much anymore for chronic illness reasons rip but it does let me more pointedly gush about your work. ANYWAY I'm always really impressed by how well you storyboarders are able to, you know, make the story flow around just through composition and directional lines. I just think it's neat and you're clearly very skilled at your craft.
Really love the way that Kinger's body language slumps leads into like the scared surprise that Caine is giving in this first panel. The hand in the foreground over Caine does so much to like establish what's going on and I just think that's neat.
I love Kinger's expression on panel two, really doing a great job of establishing the "we are talking about business now" energy
God, and the way you can tell in the next panel when Kinger looks back from the desk to look over at Caine, like, Caine is genuinely VERY upset by this. Like, you sell that fear and shock so well. Like, there's such subtlety. There's a lot of subtle acting in how you've drawn his eyebrows and mouth here, and the little lines around his eyes are also doing so much, and I just think that's neat.
AUGH and then the way you show the progressive sad emotions as Kinger goes to leave that side shot, and the way you capture just the lines on his eyes and his eyebrows, and the way that helps emphasize the mood and the shading here. It's just really neat and I'm destroyed. I'm destroyed and I wrote this. I know what's going to happen in it and I'm still destroyed.
GOD the shot of Caine by himself, and you've done a little bit of shading in his eyes to really help emphasize, and God, he looks so upset and so scared, and I just want to give him a hug.
Okay so the cut between Caine reaching out to Kinger as he leaves and Caine's hand in the past HITS SO HARD!!!!! It's just such a great visual way to depict the prose I wrote down without the words, and I just think that that is cool. Also, the hand reaching out is just really well done, very expressive. I'm absolutely losing my mind about your shape language on that red hand. It's just really good.
HHHHHHHHHHHHHHHHHHHHHHH and then the little "don't go" and the way that like you made the font a little smaller to really emphasize that. And again, Kinger's hand reaching for the doorknob is just a really good hand. And then you can see the little surprise on Kinger's face and the way you use more circles in it to help emphasize that surprise is neat.
And then the next panel, Kane's body language and the shot being from slightly above so we can see how he's kind of curling in on himself. And again, you have the glitches triggering and AAAAHHH it's so good!
THE WIDE SHOT SHOWING KINGER AT THE DOOR I'M LOSING MY MIND IT'S EXACTLY HOW I PICTURED IT
GOD so the big shot showing Caine's expression as he starts to cry, and the way you make his teeth seem a little sharper to help, like, emphasize that big emotion, and he's still got the glitches. And again, God, shading adding so much here, the little bit of highlights in his eyes!!
The shot of Kinger coming back. I don't know, man. The fact that you can't see Kinger's face, you can see the little bit of tears from where Caine's sitting. And again, like, body language here, so good. The little curve of his back and his shoulders and showing that little bit of tears does so much. And you can see clearly that, like, you can feel the apprehension of Kinger standing over Caine in this shot, and it really emphasizes, you know, he big, Caine small. Caine is the smallest he's ever been in this moment.
AND THEN KINGER SITS DOWN WITH HIM YEEAAAAAAAH WE DID IT
GOD CAINE sitting there on the bed with his little hands on his knees, and he's still got the tears, and he looks so sad. This is the most sad little Muppet man I've ever seen in my life. And the contrast of like the heavier lines on him while Kinger seems to have softened and he gets more soft shapes. Just, ah, so good. Also, I love the little bit of depth you gave to Kane's shoes. It's very good.
Love the flow on. "Are you sure that's what you want?" This is a really strong composition. My eye really strongly goes from that text to Kinger's face to Caine's face. It's just listen. You could draw the little like golden triangle in there, maybe. Probably not. But you know, it gives me. It's good. It's good. I'm sorry. All I keep saying is it's good. I just really like it and I want you to know that I really like it in detail.
Oh God, Caine's expression in the "I don't want to be here" line. Listen, the shading you did inside his mouth here to really emphasize that depth is just good. And then you show his little teeth shutting, and oh my God, my heart. HIS LIL NOD AND THE WAY HIS HANDS SQUEEZE SHUT WHEN HIS TEETH SHUT AAA IT'S SUCH GOOD BODY LANGUAGE
Meanwhile, Kinger's expression has gone full like Midhell Manor, sitting and comforting someone, which, ah, yes, it's all I wanted.
The final shots with poor Caine actively shaking. And Kinger has finally softened, and he just promises, and then he just sits with him, and oh my god, it's so cute. Again, really love how your shading emphasizes the ending of these. It just, it always makes it feel like it lands, and I think that's really cool.
I love them, your honor. They're my favorite. I'm so glad I wrote 55 thousand words just to get here just so I can write God knows how many more words before they can finally call each other "Dad" and "Son". We'll get there, but by God, they're going to earn it.
One last time, thank you so much. Genuinely, this means the world to me. This is one of the coolest things that's ever happened for me, and I'm just really flattered and happy and grateful. I hope you enjoy the upcoming chapters, and I hope everyone else who enjoyed these comics, you know, will check out the fic, and hopefully they'll like it. That would be neat.
Aaaaaa thank you so much again for the in depth analysis, again this feedback is genuinely so dear to me!!
Real quick I just have to glaze the lines that made me do those two shots of Caine reaching out in the present and past
“He’d done something he wasn’t supposed to and now his creator was giving up on him. Leaving him all alone in a box, no connection, no input, no-“
Like so much is said about Caines past in just these words, dude gave the wrong outputs, was put in a box and abandoned for it and it messed him UP. Those lines had my mind racing and I just had to visualise it with him reach out to not be abandoned again
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