not erin

standing in front of a daycare spinning and flipping an infant around like a sign

Roy Mustang is not the Elric brothers’ found family father figure hes not anyones father figure. He’s like the manager of a mini golf course which is Ed’s summer job and they hate each other.

my friend was testing perfumes out at the store and she sniffed a bottle and anounced "ngl this bitch kind of sucks" The girl at the counter suddenly looked really sad, and my friend was like "I'm sorry, I wasn't talking about you." And the girl looked up and said "No don't worry, I didn't think that, but I just crushed a ladybug with my shoe" We both took a peak over the counter. she'd stepped on a red m&m

If I don’t reblog this, assume I’m dead.

Guillermo del Totoro

the “tumblr community invents a whole mafia movie apparently directed by martin scorsese with an official soundtrack, movie posters, screen caps, and all enough to make one question if that movie really did exist at all like a mandela effect” was not part of my 2022 bingo card

I think it’s also important to point out that the original study also talks about race. I recommend it to everyone who is interested and it’s not even locked behind a paywall! “The institutionalization of the black ghetto at the beginning of the 20th century increased the exploitative possibilities of landed capital. As the black population in northern cities grew, real estate developers saw an opportunity to make handsome profits by buying up properties on the edges of the ghetto and slicing them into flats. Legal segregation meant that ghetto landlords had a captive tenant base and “had nothing to gain by improving [their] old houses” (Spear 1967, p. 148). The rise of the dual housing market (one white, one black) allowed landlords to charge blacks higher rents for worse housing. In postwar Chicago, blacks paid 15%–50% more in rent than whites living in similar accommodations (Hirsch 1983, p. 29). As late as 1960, the median monthly rent in Detroit was higher for blacks than for whites (Sugrue [1996] 2005, p. 54). ”