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@fullmetalalchemist03

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FMA 03 is the show of all time because it gets more difficult and traumatizing the older you get. I've watched it when I was 12 and obviously didn't understand how complex it was, but it burned itself into my brain anyway; I rewatched it when I was twenty something and somehow got re-traumatized despite it never leaving my memory. It can be depressing and mentally draining and nothing compares to the despair I feel rewatching it, but it's just something else in the best possible sense.
“Using all of the people in a city as a sacrifice for the philosopher’s stone. To deceive other people and hide the disappearance of the population… make the city itself disappear. Is there anyone capable of crafting such a plan?”
FMA Villains Week - Day 2: Corrupt. Dante!! I think I’ve never really drawn her in like 7 years I’m into FMA????? Probably cause I’m not much into the first anime serie, but still I like her, so there she goes for this theme. I admit this was made rather in a rush, but I hope you’ll enjoy it anyway. o/

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thinking about how wrath's arc in 03 ends with him begging for a way to do human transmutation so he can bring his mother (sloth, trisha) back and then losing his arm and leg to the gate; and ed—who had insisted that homonculi weren't people, who originally wanted wrath to give him back his limbs and insisted that wrath didn't have a mother, who got hit with wrath screaming at him "she was your mother too!"—ed's last act before he sacrifices himself to get al back, is to ask rose to take care of wrath and bring him to resenbool where ed knows wrath will be cared for. ed's eldest half brother is gone, he is about to sacrifice his existence to give his younger brother a chance to live, and i think that by sending wrath to resenbool he is in effect acknowledging wrath as a brother as well. he can no longer call wrath (or envy for that matter) an interloper or fake, and i think that by extension he is accepting that when he killed sloth, he killed a person; he killed his mother again. wrath himself called her their mother—after accepting that he doesnt want to be human, ironically, he also recognizes ed as a person now, instead of a body to steal! and he does so because of the agony ed has chosen to inflict on both of them! recognition of the other through the ability to inflict and share pain.
full circle for both! they are both their mother's child, they are both cognizant of the other's personhood and struggle, they share the same pain and love and agony. all is one, one is all.
Fullmetal Alchemist 2003's homunculi being repelled by the inert human remains of the people they used to be is probably the coolest and most elegant new riff one can take on the classic vampire "repelled by Christian symbols and relics" weakness.
It doesn't require defining Christianity as the one objectively true religion, or applying rules of Christian exorcism to non-Christian religions, or result in comedic rules-lawyering situations like "my belief in communism/veganism/etc lets me repel vampires with symbols of such things." I mean, if funny is what you're going for, that's fine... but it's not a good atheistic/agnostic solution for actual horror.
Lust supernaturally flinching when Scar brandishes a locket containing the hair of the dead woman she so desperately wants to return to being, though? It's a double edged horror. It's a sign that she's fundamentally, deeply, wrong, a crime against some unspoken rule of nature. For a human, it's evidence enough that a homunculus is just a blasphemous monster wearing a dead person's face; for a homunculus, it's a reminder that your current existence is tainted and broken, a punch in the face if you do identify with the human you were made to revive. It carries the a similar sense of pain as Mina Murray finding that holy things hurt her, and that the Almighty God she worships shuns her now.
Lior’s princess and a Roma girl - two reflections on a mirror
Just a simple doodle of Rose and “our world’s” version of her, Noah <33
These two cuties need more luv ;3
I used the color palette used in the actual movie, so if anyone is wondering why they are different (in matters of skin tone) it’s because of that, ok? Good
My god I wanted to post some royed later tonight, let’s see if i’ll be able to ^^
Hope you guys enjoy~!
fma 2003 week | day 1 | homunculi
Can you imagine if he found out about that?

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Fullmetal Alchemist Concept Art: The Many Moods of Edward Elric
FULLMETAL ALCHEMIST - E.45. A Rotted Heart Aired 20 years ago, 08.21.2004
What is it? You did say you wanted to see my real face, didn’t you?
My only criticism of this scene is that I feel it only makes sense if Ed had seen a picture of Hoenheim’s son beforehand that allowed him to recognize this face. While you can definitely see the relation after Envy explains it, in the moment he just looks like some guy, which makes Ed having such a strong immediate reaction seem strange. Maybe such a setup scene was planned, but got cut?
A picture Ed saw is a picture Envy could also have seen (and seen him seeing, given just how much Ed was being stalked which he's figured out somewhat by this point), so while it'd at least be clearer to the viewer what just happened, it creates the problem that Ed is now reacting like this to something even more likely to be faked to just mess with him.
I think the best way it works is if Ed is just having that bad of a reaction from Envy suddenly looking like a human to remind Ed that they were all made from humans and fundamentally just are weird humans (but it's still so fakeable given it's the shapeshifting one doing it), or if the show had done better at establishing Hoenheim's phenotype was extremely unusual in the context of FMA due to most of them getting turned into philosopher stone slurry, so Ed could just go "oh fuck, the only other people who look like that are my dad, my brother, and my reflection". But they don't look nearly distinctive enough, and also Hoenheim was body hopping and with it being a major plot point that Dante has jumped between very different looking bodies, which makes it more like Envy is making up a face that looks kind of like the three of them because he just wants Ed to realize his "real face" is their brother, and Ed's reaction is really just down to him already being in the middle of a meltdown and even in that case, it should look way more like them.
It's a mess on a lot of levels, even if the concept's really cool as a story beat.
Actually, maybe the way it really should've worked is if the anime had realized they needed to show past-Hoenheim looking really different in time for the ending. Ed could find the last surviving records of that guy, realize it's his dad's original body and original sins, then Envy turns into someone who doesn't look like Ed or Al but does look like that old picture, which would also be a visual reminder of the people Hoenheim wiped out - from how weird anime Envy acts, I think it's even plausible that Hoenheim's original son wasn't his from after becoming demigods but could've died in the first slurrying either by accident or because Hoenheim sacrificed him when the initial deaths weren't enough to finish the reaction. Then when Envy's nomming on souls, he's eating people annihilated and turned into raw material in the same way his original died, and he deals with this by being the one who insists the hardest he's not the original or human at all, and freaking out at the realization you're beating up the last echo of the original victims who also got fucked over by your shitty dad is certainly a worthy thing to add to the trauma pile that is the final episodes.
To be fair, I wouldn't be surprised if Ed put the dots together himself beforehand and is just shocked to basically have it confirmed by the similarities to Hohenheim. After all, Envy literally has ranted at him about hating him for being related to Hohenheim, and has seen Dante and Hohenheim's love letters, so he could guess they had a kid too. Not to mention he also demands to see Envy's true form more or less unprompted, and he could've suspected from Envy basically being the closest homunculus to Dante? Bit of a stretch but he's dealt with homunculi being related to him/people he knows before.
Also yes, Sho Aikawa basically said Envy's "true form" face is made up to manipulate Ed, but that he still really is Hohenheim's son.
The theory of Envy dying during the creation of the philosopher's stones is interesting, but I feel like it'd be unlikely he'd be sacrificed at least. For one, alchemy is genetic, so it's pretty likely Envy would have been a powerful alchemist as a human and would probably be much more useful to Hohenheim alive, if that was a priority. Two, though Envy is primarily manipulated by Dante to hate Hohenheim, it still makes me think the two of them must've had a good relationship when he was human to feel so deeply betrayed after being left behind as a homunculus. Accidental is a more plausible theory, but I think mercury poisoning is so specific (and Dante is not corrected by Envy in the moment, who definitely would have wanted Ed to know if Hohenheim killed him as an extra gut-punch, I'd think) and a neat homage to real alchemists seeking immortality that it makes me believe that's the truth. They may have been trying to find a way to become immortal without philosopher's stones and he died from mercury exposure in the process.
(Also if we're talking about Hohenheim sacrificing him, I'm personally much more suspicious of Dante tbh, considering how little she cares about Envy as a homunculus and how intense she is about Hohenheim. I could see her as the type of mother who saw her son as an obstacle between her and Hohenheim or somethin)
fullmetal alchemeist 2003 bd special book
FULLMETAL ALCHEMIST - E.44. Hohemheim of Light Aired 20 years ago, 08.07.2004

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“At the end, I heard Lust say: “Did I want to die?”. The reason we sought to be human, even though we had eternal life, is because we wanted to die? What a cute punch line. Don’t kid me. I don’t want to die. I will live… I will live and watch it all happen… The sight of the foolish humans that created us writhing and suffering, tortured by guilt! You guys, you, and you, and you! You’ll eventually die, and only we homunculi will survive. That’s when I’ll finally be able to forget it. I will… forget the reason I was born!”
-Envy, Fullmetal Alchemist (2003) OVA, Reflections.
FMA 03 and CoS being like, “the world existed before you were born and will continue to exist long after you die, and you’re just a tiny, ephemeral piece of that world and so is everyone else and that’s wonderful and terrible because it means that you both do and don’t matter, and everyone else does and doesn’t matter in equal measure” ahhhh
like in CoS when al asks if all of this is his fault and instead of telling him that it’s the fault of the people who’re most obviously to blame ed’s like, “i mean kind of, in the sense that all of our actions have echoing consequences and whatever your intentions were you still have to deal with the outcome and that’s our responsibility as people alive on this earth” AHHHHHH