“What kind of person was Lancelot? I know about half the kind of person he was, because Malory contented himself with sharing the obvious half. He was more interested in the plot than the characters, and, as soon as he had laid down the broad lines of the latter, he left it at that. Malory’s Lancelot is: 1. Intensely sensitive to moral issues. 2. Ambitious of true - not current - distinction. 3. Probably sadistic or he would not have taken such frightful care to be gentle. 4. Superstitious or totemistic or whatever the word is. He connects his martial luck with virginity, like the schoolboy who thinks he will only bowl well in the march tomorrow if he does not abuse himself today. 5. Fastidious, monogamous, serious. 6. Ferociously punitive to his own body. He denies it and slave-drives it. 7. Devoted to ‘honour,’ which he regards as keeping promises and ‘having a Word.’ He tries to be consistent. 8. Curiously tolerant of other people who do not follow his own standards. He was not shocked by the lady who was naked as a needle. 9. Not without a sense of humour. It was a good joke dressing up as Kay. And he often says amusing things. 10. Fond of being alone. 11. Humble about his athleticism: not false modesty. 12. Self-critical. Aware of some big lack in himself. What was it? 13. Subject to pity, cf. no. 3. 14. Emotional. He is the only person Mallory mentions as crying from relief. 15. Highly strung: subject to nervous breakdowns. 16. Yet practical. He ends by dealing with the Guenever situation pretty well. He is a good man to have with you in a tight corner. 17. Homosexual? Can a person be ambi-sexual - bisexual or whatever? His treatment of young boys like Gareth and Cote Male Tale is very tender and his feeling for Arthur profound. Yet I do so want not to have to write a ‘modern’ novel about him. I could only bring myself to mention this trait, if it is a trait, in the most oblique way. 18. Human. He firmly believes that for him it is a choice between God and Guenever, and he takes Guenever. He says: This is wrong and against my will, but I can’t help it. It seems to me that no 12 is the operative number in this list. What was the lack? On first inspection one would be inclined to link it up with no 17, but I don’t understand about bisexuality, so can’t write about it. There was definitely something ‘wrong’ with Lancelot, in the common sense, and this was what turned him into a genius. It is very troublesome. People he was like: 1. Lawrence of Arabia, 2. A nice captain of the cricket, 3. Parnell, 4. Sir W. Raleigh, 5. Hamlet, 6. me, 7. Prince Rufant, 8. Montros, 9. Tony Ireland or Von Simm […] or whatever, 10. Any mad man, 11. Adam.”
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