On to R, Once More

Back then, we began building Ellipsus out of a simple belief: writers deserve a place to create, collaborate, and share their work without handing over their words, their data, or their creative process to bad actors and Big Tech—a promise that matters now, more than ever.

Nearly 600k writers and counting are writing on Ellipsus because of this promise. We see everyday how writers are rejecting Big Tech's data mining model in favor of tools that respect user privacy and reflect our values.

We’re a small full-time team building, maintaining, supporting, and improving the tool every day. And to keep doing that sustainably—without compromising the promises that brought people here—we’re introducing Ellipsus Plus.

Plus is a set of optional features on top of free Ellipsus, designed to help fund the continued development of Ellipsus for everyone, free and paid; while helping us stay independent, ad-free, and working to improve the tool well into the future.

That means the Ellipsus you know is staying free: you can keep writing with unlimited documents, drafts, collaborators, and core features. Free Ellipsus will continue to receive updates, improvements, and new features too, including major work already planned (like offline syncing and native apps).

Plus features have been designed alongside community feedback, our pricing shaped by our users around what felt fair and sustainable.

Every Plus subscription leads to ultimate ownership of the tool. Not metaphorical ownership, but real ownership, including all future updates to the Plus plan. No endless subscriptions. Once you’ve paid, it’s yours. Really.

Our introductory Plus features are designed to be fun, creative, practical, and help you get the most out of the tool! We really hope you enjoy them. Here’s a quick overview:

Custom themes

Make your writing space feel like home with custom themes! Use any colors, gradients, images, or .gifs you love. Share with friends and readers. The choices are infinite.

Writing Insights

See insights into your writing process and spot patterns faster across ten AI-free metrics—like vocabulary diversity, sentence length, sentence rhythm, word frequency, and more. Writing insights are opt-in only, and run on local data, so your text never leaves the editor. 

Customizable Snippets

We all love snippets! Now you can give your words an extra personal touch. Customize your snippets with media backgrounds (GIFs, images), fonts, text colors, and custom themes—you can even add byline credits for authors and characters!

Emboss

Emboss is our AI-free proof-of-work layer for human writing. Show your readers the time, labor, and love that went into your work. Instead of relying on unreliable “AI-powered” “verifiers” that judge a piece after the fact, share your writing journey, with authorship metrics that help inspire trust. You can also show how your work evolved with snapshots of your version history. Emboss is fully opt-in.

We hope you’re as excited about Plus as we are! Try Plus free for 7 days, no payment required. You can read more (and sign up!) on our Plus page.

Again, there’s tons more to come, and we can’t wait to build it for you. Free or paid, Ellipsus is going to keep getting better. Thank you for your support.

Have questions about Plus? We’re hosting an “Ask the Team” doc where we’ll be answering your burning questions. Please make comments there! Now please, go forth and explore!

"Uh...nevermind"

BUFFY THE VAMPIRE SLAYER (1997-2003)

""You know why she can't come back." Yes. I know why. Because between my father and Prim and the ashes, the place is too painful to bear. But apparently not for me." Mockingjay, pg. 380

im genuinely curious to know what her life was like in 4 after the war (fic idea? 👀) but personally if I was a parent no matter how traumatized I am (and like she said asterid now has medicines for her depression) I can't imagine leaving my freshly burnt to a crisp, morphling addicted, psychologically irreparably traumatized teenage daughter entirely alone with a man who is at best a functioning alcoholic and at worst 100% neglectful. I feel like the bare minimum would be going with her to 12 and helping her stabilize and prepare her life before leaving for 4. not just cutting her loose as soon as her trial is over without so much as coming to see her. and I'm not saying asterid didn't care. katniss mentions the fact that she would sleep in the chair by her hospital bed, but after katniss recovers and after she shoots coin, it's never mentioned that her mother comes to visit her or speak to her. she just gets the letter with her new number.

I actually love how this turned out ♥️🔥❤️‍🔥

I feel like Cinna would totally give her a high neckline for this dress! I really liked drawing the candlelight one so I might do her Mockingjay one next hmm..

However, there are two instances where this motif is inverted: when Theon saves Jeyne Poole and when Brienne saves the children at the Inn at the Crossroads. In ADWD, Jeyne is made to pose as Arya Stark and then forced to marry Ramsay Bolton so that he can use Arya’s claim to Winterfell. At the Inn at the Crossroads, Brienne first mistakes Gendry for Renly, but, notably, there’s also another little girl who she briefly thinks might actually be Arya. To me, it seems significant that in both cases the girl is mistaken for Arya, specifically. Moreover, the two events are even further linked, as in both instances it’s the color of the eyes that don’t match, referencing the highly important theme of learning to “see” through deceptions in Arya’s arc.

Usually, with this motif, the POV characters believe that the lives of these smallfolk people are worth less in the grand scheme of things compared to the highborns they are replacing. Often, we as the reader are tricked into believing this as well. We’re meant to be relieved when we learn that it wasn’t really Bran and Rickon who died, just two random boys we don’t even know. But when the motif is inverted, it directly challenges this notion. When Theon saves Jeyne, it signals that his road to redemption doesn’t start with making it up to the Starks, it starts with saving a girl from a situation so similar to that of the two lowborn boys he murdered. And when Brienne, after she’s spent the entirety of her arc in AFFC looking for Sansa and Arya, finally has her big, climactic hero moment, it’s not about saving the lost princesses, it’s about saving a group of innocent orphan smallfolk children because, in the end, they are worth just as much.

A few recent scene redraws from the 2005 Pride and Prejudice film! One of my favorite movies ever.

Prints available in my shop!

Happy belated birthday to Katniss Everdeen — the girl who keeps reminding me not to lose hope (which is not an easy task).

What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again.