Nicktoons-esque horror comedy visual novel
oh hi folks i'm back with the second chapter of our long-term visual novel, Rigor Mortis. you might like it. hell if you're following me it's a near certainty
Lint Roller? I Barely Know Her

NASA
EXPECTATIONS
Cosmic Funnies

Andulka

blake kathryn
cherry valley forever
🪼

Product Placement

❣ Chile in a Photography ❣
untitled
RMH
2025 on Tumblr: Trends That Defined the Year
art blog(derogatory)
Claire Keane
KIROKAZE
PUT YOUR BEARD IN MY MOUTH


JVL
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@free-radicand
Nicktoons-esque horror comedy visual novel
oh hi folks i'm back with the second chapter of our long-term visual novel, Rigor Mortis. you might like it. hell if you're following me it's a near certainty

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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someone on twitter requested lightning getting passed around like a blunt and who am i to refuse
"Six weeks into the term, I assigned my rhetoric and writing students a 20-page article. It was the same length I had assigned for five years and the same length I had read without complaint as an undergraduate a decade ago. Not one student finished it.
When I asked why, a student answered honestly: It was too long, and she kept losing track of what the paper was about. This was not a remedial class: These were students who had cleared the admissions process and written essays good enough to get them here. Yet a routine academic reading assignment had defeated them.
Every generation of professors has complained that their students cannot read. The lament is usually overblown, but data have caught up to anecdote, and what I am seeing in my classroom is no longer a hunch. There is a measurable, generational collapse in sustained reading and writing, and the academy is responding to it with improvisation and exhaustion rather than the structural overhaul it requires.
In February 2024, Adam Kotsko, who teaches in the Shimer Great Books School at North Central College, wrote in Slate that students who once handled 30 pages of reading per class meeting now seem “intimidated by anything over 10 pages and seem to walk away from readings of as little as 20 pages with no real understanding.” Crucially, he added that this is “not a matter of laziness on the part of the students” but of underlying skills they were never given a chance to build.
The Chronicle of Higher Education’s 2024 investigation found the same pattern across institutions as different as the Stevens Institute of Technology and Wellesley College, where the average SAT exceeds 1400. Nicholaus Gutierrez, an assistant professor at Wellesley, told The Chronicle that the baseline for what students consider a reasonable amount of work has dropped so noticeably that he has cut his readings accordingly; a 750-word essay now strikes many students as long. At Stevens, the science and technology studies associate professor Theresa MacPhail described following the mantra of “meet your students where they are” for so long that she has begun to feel “like a cruise director organizing games of shuffleboard.”
Worse, the national data tell the same story in colder language. On the 2011 National Assessment of Educational Progress (NAEP) writing assessment, which is the most recent comprehensive writing benchmark, only 24 percent of 12th graders reached the Proficient level, and just 3 percent reached Advanced; another 21 percent scored below Basic. The reading side of the ledger is worse, and getting worse fast: The 2024 NAEP results released in September 2025 show 12th-grade reading scores at the lowest level recorded since the assessment began in 1992. Thirty-two percent of 12th graders now score below NAEP Basic in reading, meaning that, in the assessment’s own language, they likely “cannot draw general conclusions based on concepts presented explicitly in a text.” And yet more than half of these same seniors reported being accepted to a four-year college. That last sentence is the whole problem in one line: We are admitting a cohort that cannot read at a college level and are pretending otherwise.
Why is this happening? One reason, of course, is smartphones.
I came into teaching as a skeptic of the anti-smartphone argument: I had a phone in my pocket throughout high school and college in the 2010s, and I read long books anyway. I now think I was wrong, because the neuroscience has caught up. In a 2017 paper, Adrian F. Ward and colleagues at the University of Texas at Austin’s McCombs School of Business showed that the mere presence of a participant’s smartphone — whether that be face down, powered off, untouched, or across the desk out of vision — measurably reduces available working memory and fluid intelligence on cognitive tests, with the largest effects on the most phone-dependent users. A 2022 study by Motoyasu Honma and colleagues at Japan’s Showa University used near-infrared spectroscopy to compare reading on a smartphone with reading the same passage on paper, and found that smartphone reading produced overactivity in the prefrontal cortex, suppressed sigh generation, and led to general lower comprehension scores; the authors argued that the sigh inhibition and prefrontal overload were causally linked to the comprehension decline.
So when a student tells me they “kept losing track” of a 20-page article, I have to acknowledge that they may be describing a measurable neurological condition. The neural pathways that support sustained attention are built by use, and they atrophy without it. Your body is a use-it-or-lose-it system, and the brain is no exception.
Another reason for the decline in student reading capability is increasing reliance on generative AI. In June 2025, Nataliya Kosmyna and colleagues at the MIT Media Lab released a preprint titled “Your Brain on ChatGPT.” They divided 54 participants into three groups writing SAT-style essays — one using ChatGPT, the second group using a search engine, the last group using nothing — and monitored brain activity with a 32-channel EEG. The ChatGPT group showed the lowest neural connectivity of the three, with up to 55 percent reduced connectivity compared with the brain-only group, and “consistently underperformed at neural, linguistic, and behavioral levels.” Eighty-three percent of LLM users could not quote a single line from essays they had written minutes earlier. When the LLM group was forced to write without AI in a follow-up session, their brain activity did not bounce back to baseline; the researchers coined the term “cognitive debt” for the lingering deficit.
This is the first neurophysiological evidence that early reliance on LLMs measurably alters the brain’s engagement with writing tasks, and it is consistent with what those of us in front of classrooms are watching happen in real time. When I assign analysis, I am not trying to extract a polished product; I am trying to put the student’s mind through resistance in order to make it stronger. Offloading the struggle to a chatbot does not “free students up for higher-order work.” It deprives them of building the strength to do any substantial cognitive work at all.
There is a final factor that is contributing to this decline in reading skills, and that is that the students arriving in my classroom today are the first cohort to have experienced Common Core-influenced reading instruction across the entirety of their K–12 schooling. Whatever the standards’ original intent, the on-the-ground implementation in many districts replaced sustained reading with the practice of pulling “evidence” from disconnected short passages, the same format used on the standardized tests that increasingly determine school funding. The education scholar Natalie Wexler, among others, has documented this pivot in detail: Students drilled on “finding the main idea” in two-paragraph excerpts never build the stamina or background knowledge that longform reading requires. The pandemic then added fuel to a fire that was already burning. NAEP scores for 13-year-olds dropped sharply in 2022 and have not recovered. A 2023 EdWeek survey found that 24 percent of secondary-school administrators described pandemic learning loss in English and language arts as “severe or very severe.”
In July 2025, the journalist Mary Harrington argued in The New York Times that “thinking is becoming a luxury good.” The ability to read deeply and reason at length is fragmenting along class lines as ultra-processed digital media replaces text in everyday life, much as ultra-processed food has replaced cooking. Her longer treatment of the subject in First Things makes the more provocative case that we are witnessing the end of print culture itself, and with it the end of the cognitive substrate on which modern liberal democracy was built.
I see this stratification in the classroom and on the page every week. My students from districts that protected sustained reading through small class sizes, strict phone policies, and faculty who refused to teach to the test all arrive with their attention relatively intact. My students from districts that surrendered to devices and standardized testing arrive cognitively winded. A democracy that requires a literate electorate is now training one fraction of that electorate out of literacy while marketing to the other a “deep work” lifestyle as a luxury good. The students who cannot read a 20-page article today are the voters who will not be able to read a bill, or the jurors who cannot follow a closing argument, tomorrow.
I do what I can in my own classroom to address the problems. I break 20-page articles into two halves and assign the first half with explicit analytical tasks. I require exploratory writing before formal drafts. I model (visibly, on the board) how to track an argument across pages or distinguish a source’s claim from my own analysis. I make structured peer review explicit, because the workshop format I used to take for granted now collapses into “this is good” and “maybe add more details” the moment I step back.
But I want to be plain about the limits of what an individual instructor can do, and all of these solutions have costs. Scaffolding a 20-page article into halves compromises the integrity of the argument I am asking students to engage, just as modeling note-taking in a credit-bearing rhetoric course is using a college slot to teach a middle-school skill. None of the syllabi I teach are designed to deliver this type of cognitive rehabilitation, and pretending otherwise has produced credential inflation. We cannot keep conferring degrees on students who cannot do what the degree is supposed to certify.
I’m afraid I don’t have answers. I do, however, have some questions that may point us in the right direction. If higher education is going to respond to the reading crisis as a structural problem rather than a private burden carried by composition instructors and adjuncts, it has to stop avoiding the following questions: If a majority of incoming students cannot read at a level the curriculum requires, are we admitting students we cannot serve, or offering a curriculum we cannot provide?
Why are first-year writing and reading-intensive general-education courses still the most adjunctified, lowest-paid, highest-load corner of the university, at the precise moment when their work has become the most important work the institution does? What is the responsible institutional response for AI usage: Is it a syllabus statement, or a sequencing principle that requires students to demonstrate the cognitive work themselves before AI assistance is permitted?
Why are most college classrooms still phone-permissive by default? K–12 districts from Florida to California are now banning phones bell to bell; higher education has somehow lagged behind the public schools. Universities benefit from a pipeline they did not build and refuse to repair. What would it mean for a university system to invest seriously in the reading instruction happening in the high schools that feed it, rather than treating remediation as something to be quietly outsourced to first-year composition instructors?
The thing I am no longer willing to do is pretend this is a temporary adjustment period, or that “students will adapt.” They will not adapt on their own. The conditions that produced this collapse are still in place: the phones, the algorithmic feeds, the test-prep excerpts, staffing models that load the reading-intensive work onto the most precarious faculty, and now the chatbots that finish students’ sentences before they’ve even begun to think of them. If we want literate citizens, we will have to rebuild the conditions for literacy deliberately, against the grain of every incentive currently pointed the other way. I know the academy has the will to do that. It also has the obligation."
— Tyler Jagt, 1 June 2026, "My Students Can’t Read"
The generational collapse in literacy is measurable, persistent, and likely to get worse.
Duck Amuck is an aspirational kink scene, to me.
Like. Okay. I love the idea of being a cartoon, on the face merits alone. I have a troubled relationship with being nonfictional as it is. I like having stories made up about me and treating them as true; unfortunately I live in a universe where this is considered silly at best and deceptively evil at worst, so I don’t actually do it much. But I do almost always feel a stronger kinship to stylized animation than to “real life”. I name characters, not actors.
This has also long extended to my sexuality and sense of identity; my “fictional sex life” as indulged by a few of my partners is storied, elaborate, slutty, and wide-ranging. I have commented before that while dealing with my IRL masculine traits is a major dysphoria trigger, the cartoons that have been drawn of me in my pre-transition years very noticeably AREN’T. (Which has contributed to a suspicion of genderfluidity rather than solely transfemininity in me lately.) Beyond this, I enjoy just having a story told to me! A perfectly cromulent kink scene for me is getting blindfolded and gagged and having someone narrate what’s supposedly happening to me, without necessarily even touching me themselves.
Anyway. What I’m saying is getting shoved into a cell is cop shit, but shoving me into a cel is enlightened and hot as fuck and a little altered perception might be enough to really sell it to me.
Duck Amuck is an aspirational kink scene, to me.

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when i was a teenager i used to catch myself thinking "i'm really glad i'm alive right now because of all the cool personal technologies that exist" and when i did i'd think it through and reckon that well, its not like teenagers in the 70s and 80s knew they didnt have ipods or facebook or whatever. they were also happy with the tech they had. and i'd reason that in the future there would be more fun technologies that i dont know i'm missing out on right now and the future will be an even cooler time to exist
anyway i was dead fucking wrong about that last part. i hate personal technologies now. i miss having an ipod that doesnt advertise shit to me and i miss when my htc wildfire didnt harass me 45 times a day to install an ai assistant and then install it anyway when i say no and i miss when the internet wasnt 5 websites all of which i have to log into and i miss when i didnt need an app to talk to my landlord. sorry past me you were actually right about 2009
i'm going to argue that chronically online and chronically on phone are two different things actually. the phone internet is different from the real internet and companies are trying desperately to make the real internet more like the phone internet... and they're sadly succeeding. hope this makes sense and if it doesn't oh well
like are they engaging in the themes or are they drawing white guys kissing
just saw pictures from mike flanagan carrie
okay serious fucking question, must he de-fang every female character he touches?
mike, it's actually more interesting for audiences that margaret is an abusive religious fundie (and also a victim of marital rape) who tries to literally beat the idea of sin into her daughter, it is actually TIMELY to adapt that correctly at this particular american moment. WHY is he so scared of every piece of source material that has ever been handed to him? i MUST know
you're laughing, mike flanagan wants to do gilmore girls with telekinetic rage and you're laughing
what if carrie was about a young witch searching for a missing cat in the alps

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
If you're writing anything involving cons, scams, heists, or morally questionable characters who are very good at lying, here are some free resources I've been using for research. Saving you the "why is this in my search history" anxiety.
1. The FBI's Famous Cases & Criminals archive (fbi.gov/history/famous-cases) has detailed breakdowns of real fraud cases, Ponzi schemes, and confidence operations. The language they use is clinical and precise, which is perfect for getting the procedural details right.
2. The FTC Consumer Sentinel Network publishes annual reports on the most common fraud tactics in the US. Great for understanding how modern scams actually work and what makes people fall for them.
3. The Smithsonian's American Art Museum has a free digital collection of forgery case studies. If your character forges documents or art, this is gold.
4. Court Listener (courtlistener.com) is a free legal database where you can read actual court transcripts from fraud trials. Want to know how a real con artist talks under oath? This is where you find out.
5. The Internet Archive's collection of old newspaper crime sections. Search for "confidence man" or "swindle" in papers from the 1920s through 1960s and you'll find incredible real stories that would feel too dramatic for fiction.
Bonus: The Psychology of Fraud section on the Association for Psychological Science website has accessible articles about why people trust, how deception works cognitively, and what makes someone a convincing liar. Essential reading if you want your con artist characters to feel psychologically real.
Reblog to save for later. Your WIP will thank you.
I don't really post Content, I'm just a reblogging dweeb, but it feels like a funny bit to just randomly promote on tumblr that I'm doing a weekly series where I review an isekai show every friday until I get a 4th girlfriend.
I am gonna talk about anime so much
we're in the middle of wrath month where I chat shit about shows I don't like but once july ends I'll be back to spinning a wheel full of isekai anime to yammer on about every week.
just gonna remind people piracy is awesome and entirely okay. the streaming service does not need your monthly payment. the game studio does not need your 80$. try before you buy, or never buy at all, steal whatever you want.
this will be one of the only times I tell y'all to look at reddit but the r/piracy wiki and megathread are a great place to start looking for places to get stuff for free. there are people doing the hard work of finding all the places and keeping the info up to date for you, all you need to do is browse and steal.
hi! indie game dev here. i have some comments about this attitude:
go nuts. the reason i make my games PWYC is so you can play them without worrying about fucking Money. the money is a concern only insofar as sometimes other people are involved and i am obligated to pay them, but i usually do that out of pocket from my day job anyway
ah ok gooseworx's tumblr account got banned
extract celebrated culture from transfem and then drop them like a brick
exactlyyyy! you get it! i've seen this cycle like 5 different times minimum
SENATOR DOWN

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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people make arbitrary divisions between types of gay people. party gays. steven universe gays. corporate gays. activist gays. but in actuality the borders between worlds are thin and may be traversed with ease. monday you can do poppers in a stranger's apartment, tuesday volunteer with a mutual aid group, wednesday spiral over your ex's hazbin hotel fanfiction, thursday write an essay about how your intersecting identities will make you an asset to the pharmacy profession
The Ojibwe nailed it. Wawa is exactly the right name for a goose.
Speaking of Ojibwe! There’s a new point and click game to help teach the language! It’s called Reclaim! Azhe-giiwewining, and is currently on sale on Steam!