Project Hail Mary (2026) Kier Lehman, Music Supervisor

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Project Hail Mary (2026) Kier Lehman, Music Supervisor

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Except, critically, at bedtime.
Ravings and urges get miscoded over time. Let’s say you’re thirsty, and you live in a strawberry field. Strawberries contain some water and a bunch of sugar so, over time, you may start to crave strawberries when you are thirsty because you get a reward and some relief in shorter time from the need starting than the trek to the stream. This can happen for every need: sleep, food, whatever.
Trevor Noah has a great tip, that when he craves ice cream at night he breaks it down into parts: I want something cold, I want something sweet. He drinks a glass of cold water then waits to see if he still has the ice cream craving. Usually he doesn’t.
So listening to your body isn’t “follow every urge” but “decompose the urge to discover the underlying need.”
If you always feel like getting cozy in bed you may be: cold, dehydrated, and/or malnourished (maybe a need for high calories that are bioaccessible…not processed).
If you do not feel tired at bedtime you may: need to eat dinner earlier because your body is still digesting, need to exercise or go outside more during the day, get the fuck off your screen for an hour so your brain can enter sleep mode.
Hope this helps someone.
P.S. notice i said nothing about neurodivergence. Not that it’s not a likelihood but the over-pathologization of behaviors prevents us from taking simple actions to improve our wellbeing. Also, these tips are pretty accessible and applicable to most brain variations.
something about the way grace is dressed all bundled up when packing the beetles to send them off evokes his beginning ‘breakdown’ outfit but in a more controlled way. to me. esp. in the shot where he fist bumps rocky’s figurine. he’s doomed again but being so brave about it this time.
A Palisman Platypus?
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PERRY THE PALISMAN?!!!
one of my favorite posts of all time

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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the thing is like men and men really cant be friends because the sex part does always get in the way like thats true. and i mean that like im actually dead serious about that
like have you ever seen two straight men attempt to be friends with each other but the gay sex they arent having is literally preventing them from the transformative healing power of friendship. this is real
i dont even mean this in a "they want to fuck each other" way (although many of them do and will never know it) i mean that like the fact that gay sex is even hypothetically possible between them makes it loom over their friendship like it genuinely haunts them that they could be having it. gay sex is the elephant in the room every time they attempt to be emotionally vulnerable with one another, every time they let a hug linger too long. they cannot address its existence and so there is always something in their way, preventing true connection. and that something is the gay sex. that they are not having. the elephant of gay sex
It was a Buffalo soldier in the heart of America Fighting on arrival, fighting for survival to win the war for America
He’s such a nerd
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1) any stretching is better than no stretching
2) any vegetable is better than no vegetable
3) statistically you will never be the worst person at anything, there is always someone in the world who is worse at stuff than you are

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I keep having this idea in my head that a farming sim like stardew valley /harvest moon but set in the late neolithic/early bronze age would slap.
You could play a girl who leaves her home village and has to make a new homestead in the new village with her betrothed, and he gets ill early in the game after the tutorial phase and the player has the choice to help him survive or let him die and romance someone else.
Most things are made of stone and wood and need constant maintenance, the run of the seasons is pronounced, society runs on debts so you have to keep delivering stuff to other members of the community that helped you out, you have to contribute to festivals and tombs, someone is carving a megalith, traders come through Two or three times a year and you have to have enough gems/salt/beads/cloth/leather/ceramics to afford rare goods in return. There's no TV or radio but grandma who lives with you always tells you the latest things you should know. You go into the cave to look at the hand stencils of all those who came before you. maybe the sea level is rising and you must relocate. One of the traders tells stories of faraway lands and great heroes. Aurochs are formidable. Somehow there is a village dog show. You can volunteer to be this year's human sacrifice and end the game. If you've had children you can then get a new game plus with favour of the gods and a good inheritance.
A woman not shaving or wearing a dress or wearing makeup or wearing femme clothes or having styled or long hair or caring how she looks or using a masc name or whatever else is actually a neutral thing and not a sign of her being depressed or giving up or being sad or whatever
a lot of rpf can be explained by the fact that actors are all like that with each other constantly but i never want to say that on here because it feels like telling a 7-year-old santa isn’t real
actors hanging off of each other constantly isn’t a sign that they’re fucking it’s a sign that they were once in a BFA program and never relearned normal boundaries. when actors are fucking and it’s complicated they won’t even stand in the same room with each other.
Eva Stratt, my dear wife
Project Hail Mary is a fantastic example of how filmmakers can create a faithful adaptation and still take artistic liberties. The writers didn't try to copy the book to a tee, and added their own elements (the mental health room, the astrophage transition, the beach scene on erid, Grace's wardrobe etc). They understood that a film is a different artistic medium than a book and tried to write the story in a way that best suited that medium, all while staying loyal to the original story and themes.

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Ryland Grace and the narrative he occupies are fascinating to me, particularly the roles that anger and fear play for both.
This has probably been done better by other people, but I wanted to get my thoughts down.
We know Grace was incredibly angry as a younger man. Vindictively, savagely, self-destructively furious. He torpedoed his career, torched every bridge he had, and salted the earth behind him - all in defense of a theory that the viewer is unequivocally told is wrong. Astrophage has water in it; in the book, it's made clear that Eridians do, too, and that's interesting. That that rage is never vindicated.
That's not how things usually work - the abrasive young wunderkind might be completely out of line, but he's right! But PHM firmly lets that particular narrative pitfall wither on the vine, along with quite a few others.
When the film starts, Grace has spent years if not excising, then taming that anger. He is gentle, vulnerable, funny. He dresses in soft and eccentric clothing, he works with children, they love him. When Stratt brings out his thesis, he's visibly embarrassed. He is not that person anymore. He doesn't want to be.
(Relatedly, that's why I think that when he tried to literally nope out of Stratt's room of experts when asked to explain Astrophage breeding to them, it wasn't stage fright or intimidation. He was afraid of it happening again.)
Most interestingly is that when you see this in countless other stories, a man who's lost his anger and/or who is no longer working in his chosen field is a tragic, pitiable figure. He's a has-been, he's broken. Washed up. Missing something vital. But Grace isn't presented that way at all.
It is a good thing that he's not angry anymore. (The closest we get is him throwing a little tantrum in the lab after finding water in Astrophage - old wounds resurfacing, a glimpse of who he used to be, and something that's played for cringing laughs.) It's a good thing he's not that person who can't stop and think or take criticism or input or play well with others anymore, because if he were - he wouldn't have survived. Earth and Erid wouldn't have survived!
Even when it would be understandable for him to be angry, he's quickly soothed by Rocky and the pressing necessity of the situation. It's not a useful emotion for the mission or for Grace. It's made so clear that not only is this a net good, but he ends the film as a teacher again, a "lesser" job that he sees as vitally important and personally fulfilling. There was never anything wrong with him or anything missing.
Which brings me to the fear.
I feel like fear is presented as a fairly neutral emotion in the film, especially because Grace's cowardice comes through much more strongly than in the book. His initial refusal to sacrifice himself for Earth doesn't make him a villain. It's understandable, and there is no satisfaction in his being run down, tied up, knocked out, and loaded onto the Hail Mary.
If he'd made it, or if Stratt had listened to his "no," it wouldn't have made him evil...but it would have been the wrong decision for Grace personally. I don't think he could have lived with it. He would have wondered, as people died the world over, how many fewer of them there would have been if he'd gone when he were asked.
In the moment, the fear overwhelmed his ability for foresight and reasoning. Kind of like the anger did when he was younger, at the UNESCO science conference he dug his grave at.
But Grace is a man who knows how to change, how to work on himself, and how to adapt. So when he's presented with the exact same choice near the end of the story, but without anyone to force him this time, he chooses differently. He goes back for Rocky and Erid, because even though he's still afraid to die, he loves him enough to face death down voluntarily to save lives. And that brings his character arc to an immensely satisfying final resting place.
PHM is a story about a man embracing things beyond anger and fear and being a hero for it. You do not have to be angry, it's okay if you're afraid, it's okay if you're wrong. The love is enough, and you won't make it without other people.
I think that's pretty neat for a lot of reasons.
Muri, dedicated to an oomf :3