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@thewitchofwonders
filter #umineko spoilers

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“*sigh*… Okay, listen up, Beatrice. …I’ll only tell you this once. This is what a witch is.”
“You aren’t supposed to clutch at your head worrying about your opponents’ puzzles, that’s your opponent’s job.”
“…A chain lock closed room? How trivial. …You need to create a much more spectacular, ultimate closed room… and make it so that they’re the ones worrying.”
“It’s about time they learned the true terror of the Golden Witch Beatrice, the one who can create endless closed room tricks of the most horrific kind, tricks that can make even the demons of hell prostrate themselves in shock…!”
In the back of Beato’s mind, ….images she remembered began to flit by, one after another… …the mansion, the guesthouse, the rose garden…..
Trick. Mistake. Lure.
Taunt. Trap. Laugh together.
…Do you know about this trick…? I think I’ve seen something like it in a book before….
Robert McGinnis - "Wuthering Heights" (c. 1974)

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Blooding is the practice of smearing an animal's blood on the face of the person who killed the animal while hunting. An article on blooding in the British royal family says "Spreading blood on a person’s face is an ancient ritual performed to celebrate a hunter’s first successful kill."[1][2] The ritual of blooding continues today, among hunters—especially upon children.[3] In his memoir Spare, Prince Harry described how he was forcibly blooded at age 15[1] by his guide Sandy Masson who cut open the stag Harry had shot, pushed Harry's head inside the carcass, and held it there while Harry struggled to free himself.[4] When Sandy released him, Harry tried to wipe the blood from his face, but Sandy insisted that he "Let it dry.”[5]
this is so perverse
happy 10 year anniversary to the puppet master that cursed my dick
never forget what's really important: approval from pervert women on the internet
wasting away again in tumblrinaville...
veneno para las hadas is so charming which makes the moments of cruelty more terrifying. truly nothing like the vivid imagination you had as a child, something to keep in mind always and not let it leave you completely… maybe. everything you hear just adds to the stories that are constantly going through your mind, you have rituals that you interpret in your own way, but you need a companion (or a few) to help you make them true. that feeling of inadequateness, desire and envy too, sometimes in a childish manner, sometimes simply cruel because you can’t help but let yourself feel it completely. as much as i didn’t have flavia and veronica’s upbringing by any means i see a lot of my childhood experiences in their experiences. even with our backgrounds switched i was the flavia to someone’s veronica, and knowing you are someone’s doll but not being able to escape (at the time) because there is also tenderness and fear of loneliness (and then pure bitterness, from you, from them). what a lovely and carefully made movie… and his own style is constant throughout everything i’ve seen so far.

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Bynum has argued that Christ’s bleeding images suggest a feminine and maternal identity. As noted, Christ’s blood nourishes Christians like a mother’s milk would nourish her child. Breast milk was considered to derive from menstrual blood, and medieval physiological theories claimed that all body fluids were produced from blood. Julia Kristeva argues that, like blood, milk ‘mingles two identities and connotes the bond between the one and the other’. Here blood and milk are associated with nourishment and the performance of maternal identity. Christ, like the mother figure, bleeds to give life to Christians. Bynum shows that in fourteenth-, fifteenth- and sixteenth-century paintings Christ’s wound is associated with Mary’s breast. She argues that medieval artists and writers captured the figure of Christ as both male and female, being male but also resembling the female through his bleeding wound. Like Christ’s body, every body was at the same time male and female, revealing thus the fluidity of gender politics in medieval times.
— Aspasia Stephanou, Reading Vampire Gothic Through Blood: Bloodlines, 2014.
@pasdetrois
how should students using ai be handled by professors?
Why do students need to be “handled” at all? If they hand in a shit assignment they get a shit grade. If they hand in a high quality assignment they get a good one. AI use is impossible to prove unless students literally leave “ChatGPT please write my essay for me” in their introduction, in which case the assignment will not be very good.
AI is not a wizard tool that magically outputs A+ assignments, unless we’re talking about trivial activities like 2 sentence personal reflections worth 1% of your grade (making it a non-issue). It takes significant involvement with the material you input into the AI, and a high degree of skill for writing the many iterations of AI prompts necessary to get a high quality, structured, argumentative essay output, at which point it is 1) literally impossible to tell and 2) means the student has sufficiently engaged with the material needed for the assignment, just through a different mechanism. If there are factual errors outputted by the AI (which is very common) that end up in the assignment, you catch those during grading and deduct marks appropriately. If students repeatedly make large volumes of factual errors in their assignments (which is also not proof of AI usage - undergrads get things wrong all the time), then you flag it and talk to the student to see how you can help them retain the material better. You’re in search of a solution with no problem
re: the previous post’s tags, i think these films pair well if you’re at all fond of the rather specific subgenre of lonely, stifled, discontented, mistreated, and/or abused protagonists calling forth some manner of otherworldly guardian or companion for comfort, as i am 🩶
shirley jackson casually asking the pharmacist how much arsenic would be necessary to kill a family
from on fans and fanmail, a lecture by shirley jackson

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When one of my moots that I've labelled 'famous' in my head interacts with me
Helter Skelter, Kyoko Okazaki