We are such stuff as dreams are made on

The Murderbot Diaries are a power fantasy about being aromantic and still developing extremely important dedicated emotionally intimate partnerships where you are a top priority in a person's life, equal to their other family or romantic attachments despite your own emotional difficulties. And having guns in your arms

if i have one more person say sparkles on this post im gonna blow i swear to god

what the fuck. comics are magic

somebody put a quimpsy spurl on my blorbo

she quimps on my jarns til I nittles

And if I said Megamind is one of the few movies that understands Superman.

And if I said Megamind through its three subversions of Superman shows a deeper understanding that the point of Superman is that he was loved and taught to love by good, present parents, and because of that he is able to return that love to a world even if it doesn't always accept it, and he is not corrupted by his power, than many other films either subverting or playing the superman story straight.

My memory of The Birdcage (1996) is always that it's more dated and more difficult to watch than it actually is. You hear "drag-themed comedy from the 90s based on a musical from the 80s based on a play from the 70s" and you brace yourself just a little, right? But the film has a strong gay perspective, so the fruity fag jokes mostly come off as warmly affectionate. There is a surprising amount of poignancy in Robin Williams' portrayal of Armand, grudgingly agreeing to his beloved son's request that he go back into the closet for an evening ("do me a favor and don't talk to me for a while"). The drag club's staff attempting to redecorate the apartment with stuff straight people might like (a taxidermy moose head, an enormous crucifix, and Playboy magazine) is extremely funny. Albert's histrionics are a point of tension because he does often come off as a stereotypically pathetic/comic figure, but towards the end of the movie he makes it very clear that he's aware of how people see him, and asserts that trying to copy a stoic masculinity he doesn't possess for the sake of social approval would be more pathetic. In the 1983 musical adaptation, they give "Albert" (Albin) the only good song in the whole show, "I Am What I Am", which Gloria Gaynor covered to the delight of gays everywhere. Apparently Nathan Lane wasn't (publicly) out yet in 1996, which is amazing because it means that at one point in this movie you're watching a gay man playing a straight man playing a gay man playing a straight man, in a movie about how it's important to be yourself, an absurdity that does seem to encapsulate the state of gay America in the 90s.

It's not just rude to make me read something you didn't want to write. It is that you expect me to respond to your email written by Claude. You don't even want me to talk to you. You want me to talk to Claude so that you can make Claude respond for you. It is rude to expect me to talk to a chatbot when I wanted to talk to you.