I’m Nat Lawrence (he/him) professional musician, amateur adult. This is my blog where I post paintings I like. If you enjoy it, please check out my personal work here…
Some of my paintings
Some of my music
will byers stan first human second
Cosmic Funnies

❣ Chile in a Photography ❣
PUT YOUR BEARD IN MY MOUTH
TVSTRANGERTHINGS
Jules of Nature
Alisa U Zemlji Chuda

Discoholic 🪩
Claire Keane
Today's Document

pixel skylines

shark vs the universe

#extradirty

Kaledo Art
"I'm Dorothy Gale from Kansas"
noise dept.
Show & Tell
Peter Solarz

ellievsbear
seen from Türkiye
seen from United States
seen from Türkiye

seen from Germany
seen from Indonesia
seen from T1

seen from Türkiye
seen from United Kingdom
seen from Australia
seen from Saudi Arabia

seen from United Kingdom
seen from United States
seen from United States
seen from United States
seen from Norway

seen from United States

seen from United States

seen from United States

seen from Germany
seen from Argentina
@orphanedinstoryville
I’m Nat Lawrence (he/him) professional musician, amateur adult. This is my blog where I post paintings I like. If you enjoy it, please check out my personal work here…
Some of my paintings
Some of my music

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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thinking about coptic mummy paintings and weeping
like. i know these people
These were produced from around the time of the Roman annexation of Egypt in the late 1st century BC to around the Christianization of the Roman Empire in the 3rd century CE.
They were a continuation of the Egyptian tradition of funerary masks but rather than sculpting them and making them of precious metals, they began painting these lifelike portraits.
It’s hotly debated whether this is an example of Greco-Roman realist style imposed on their subjects, or a home grown Egyptian development of their own ancient tradition. Those who say it’s more Egyptian than Roman point out that there’s no surviving paintings in the rest of the Roman Empire that were this realistic. Those who say it’s more Roman than Egyptian point out the arid climate left these portraits intact, and beleive the others in the rest of the empire were lost.
Personally I think you can call them Egyptian because these people, whether of Roman or ancient Egyptian descent, are still the ancestors of the modern Egyptians today.
Despite the realism you can see a slight exaggeration of the eyes, smoothing of the skin and inclusion of certain important objects around the subject’s head. It’s a pattern that would get more and more pronounced until it became the style of Byzantine iconography in the Orthodox Christian Church
Abigail McGourlay(Brn 2000) British
‘Brewing' 2020
Award-winning self-portrait shows how the artist coped with lockdown
by Kate Brinkworth
Dino Buzzati

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Arman Galstyan (Polish, 1994) - Untitled (2026)
The House Beyond the Water 2 - Teresa Lawler
British , b. 1961 -
Oil on canvas. 20 x 20 in.
Art by Lena Rivo
Kawase Hasui
Boshu Kamo River, 1934
Utopia Art: Where Tradition Meets Innovation
Few Aboriginal art movements have had a greater impact on the international art world than Utopia Art. Emerging from the Utopia region of Central Australia, this extraordinary movement transformed ancient cultural knowledge into some of the most celebrated contemporary artworks ever produced in Australia.
Home to renowned artists such as Emily Kame Kngwarreye, Utopia became famous for paintings inspired by Dreaming stories, bush foods, ceremonial traditions, and the seasonal rhythms of Country. Unlike many Western Desert paintings, Utopia artists developed highly individual styles ranging from delicate dot fields and batik-inspired patterns to sweeping abstract compositions that rival the world's greatest modern painters.
At its heart, Utopia Art is about connection—to ancestors, Country, ceremony, and the enduring knowledge embedded within the desert landscape. Through their paintings, artists mapped sacred places, celebrated cultural identity, and shared stories that have been passed down through generations.
Discover the history, leading artists, symbolism, and international significance of one of Australia's most influential Aboriginal art movements

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Jose Manuel Capuletti (1925-1976)
ThanX @ravenkryptoniteii
https://song.link/s/0LKENy0We9jaVjOZuvUSNq
Credits above
Jose Manuel Capuletti
A Paris Boulevard in the Snow (1910) - Odo Dobrowolski (1883-1917)
Tumbling Raspberries - Jacques Soulas
French , b. 1957 -
Oil on linen , 40 x 40 in.
The Three Kings Kneeling with Gifts (1900) - Joseph Christian Leyendecker (1874-1951)

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Summer in the City (2017) - Leonard Koscianski (b.1952)
these are getting weird