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Am sleep deprived and just had a great idea for a Youtube channel, namely a '[X tv show/game/film] ending explained!' thing where the explanations are all absurdly, deliberately wrong.

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This is Tie, she is going to eat all of the notes
reblog to feed her notes
How is she doing this
i actually liked kaito when he was introduced as BESIDES his strong rivalry in kyo, he was still sensible, doing his job, calling out kanada and seemed like someone who embodied what an elite cleaner was like. it's sad in hindsight he just became a man obsessed with kyo even though... he himself said he wasn't interested anymore, and he also just stopped working lmao (which, to be fair, he was pissed off wong shrugged off genjo's 'mistake' and i can see kaito just going fine then. die.)
Has he actually changed, though?
Firstly, we've only really had two scenes of him since his introduction: One where he's saying he doesn't plan to go rescue Wong, which tbf isn't his job, he's not Wong's bodyguard (that's Genjo), or the Five Star tasked with handling GIFT (that's Rose); and one where he shows up because he's hunting Kyo post-bounty (which is his job, and implicitly he stops once the bounty is rescinded). Beyond that, all we know about his activities since is that he and Honoka have recruited Raito.
But also, he's hardly a consummate professional even when he's introduced, since he blows up an entire petrol refinery as collateral damage taking down Raremon, and doesn't bother at all with MarineBullmon.
But also, he hasn't really been that obsessed with Kyo since his introduction? His not going to help Wong has nothing to do with Kyo, and while he's definitely pretty eager to hunt Kyo down when there's a bounty on him, he doesn't stoop to harming the other members of Glowing Dawn over it, and we don't see anything that suggests he has a problem backing off when Kyo's name is cleared.
In hindsight, I do respect Zack Snyder for trying to take Lex Luthor in an 'obnoxious techbro' direction rather than the usual way the character's portrayed.
It didn't work, Snyderverse Lex Luthor is borderline unwatchable and not particularly memorable, but it's an interesting idea all the same.
A lot of people are ragging on the 'cable diverted to avoid Dobby's grave after Harry Potter fans raise a stink' thing and while I also love ragging on Harry Potter fans being weird, in this case it looks like the story was completely made up.
tl;dr: There's no evidence the interview that this was mentioned in even exists, no evidence the route of the cable has ever changed, and the whole story seems to originate from one dude's podcast.
The story also broke into mainstream via the Daily Mail, who are ... rarely if ever honest or accurate.

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Okay, thoughts on how I'd change the GIFT arc (and Interlude Arc) to make the pacing of Beatbreak a little less fucked (the answer is mostly 'don't have GIFT').
Firstly, cut the Interlude Arc. The only episode that really adds anything is the Haruomi episode, and it's not strictly needed.
Secondly, instead of the GIFT arc revolving around an entire cult, make it more about Miharu as an individual and Rose.
So first episode has Tomoro and co encounter Miharu, a girl partnered with her deceased sister's Wizarmon. She gets wrapped up in some kind of Digimon crime, and during it Wizarmon shows itself to be weirdly powerful. End on Rose reporting to Wong & Genjo that she's found the White Core, so here Rose at least (and maybe all the Five Stars) know about it.
Then focus the arc on people trying to catch Miharu. Rose and Brilliant Thorn recruit Raito and the four of them go after her, and maybe bring in the Digimon Traffickers from earlier arcs as another faction after her. The Traffickers work here both because they're an antagonistic faction that's already set up, and because it's not a huge deal to have them fairly unceremoniously dealt with towards the end of the arc, because they've always been a sort of generic crime group.
Kishiwada is introduced as an amicable, if slightly bumbling friend of Miharu's sister, someone she can trust -- and he reveals to Tomoro that he's the one who gave the White Core to Miharu's sister after stealing it from the World Union, although he's cagey about what it does. We find out much earlier that Miharu's sister died.
Reina and Makoto still get their Perfect-levels here: Reina gets Bearcatmon in a battle against both Meto and Kanon, Makoto gets his in a battle against -- idk, probably a Trafficker, probably even still using Helloogarmon. I'd say against Raito and Azhdarmon, but Beatbreak seems to want to keep Raito a Tomoro-only opponent.
This whole thing works a bit better I think because it's easy to establish in just one or two episodes and then dip in and out of while Miharu is staying with Glowing Dawn (and it gives a good excuse for Kyo to be out of action -- he's bodyguarding Miharu). You can even have Miharu bonding with Glowing Dawn a little more by having her tag along on some of their Cleaner jobs and helping out as a member of the team.
The end of the arc sees Kishiwada contact Miharu saying he's discovered either a way to neutralise the White Core, or he's discovered something about her sister, but he needs her to come alone. Miharu goes to see him in a VR space, only for Genjo to appear. Kishiwada has sold Miharu out.
Glowing Dawn pursues, trying to rescue Miharu, but they are blocked: Rose, Meto, Kanon, and Raito are there, and after a moment, Gokuwmon arrives too. Rose and Lilamon face off against Reina and Bearcatmon to actually do something with that whole subplot; Gokuwmon fights Kyo and Murasamemon; Meto/Toropiamon and Kanon/Alraumon fight Makoto and ScourgeChiropmon; and Raito and Azhdarmon fight Tomoro and MonarchLizamon.
Tomoro finishes his fight first, and while he wants to fight Gokuwmon, he has to rush ahead to save Miharu. He arrives just after Genjo has left, but while they were fighting, Kishiwada revealed to Miharu that the World Union killed her sister on Wong's direct order. The White Core activates, Wizarmon becoming Mephismon, leading to the final battle there.
(Hell, you can even have Genjo still be there. Have Tomoro learn here that the Five Stars are the ones with Asuka's E-Pulse! It's only four more episodes, including one that's mostly flashback, until that becomes relevant to the plot again, after all. I feel like the writers thought they couldn't have Tomoro learn because he'd immediately want to do something about it, so Genjo just fell into obscurity in the GIFT arc: But the Kyo Arc takes place over two days, and given that learning Wong has Asuka's E-Pulse means learning that the world government has it, it is entirely plausible to have Tomoro want to do something but just have the next arc open with 'Kawarazaki and Maki are investigating, Tomoro is using the anniversary party to distract himself.')
Elsewhere, the rest of Glowing Dawn finishes their fights: Reina defeats Rose, Makoto defeats Meto and Kanon, and Gokuwmon leaves with the result of his fight against Murasamemon being basically a stalemate.
In the aftermath, Kishiwada takes the White Core from Mephismon and escapes using water powers that this time he hasn't shown before, immediately cluing the audience in at the end of the arc that he's a much bigger deal than he seems. Miharu and Wizarmon then decide to leave town, because they don't trust Wong won't be hunting them. Raito, defeated by Tomoro again, joins up with Kaito and Honoka.
The Kyo Arc can then basically proceed unchanged. Rose getting coldhearted early in the arc isn't such a big deal now because she's actually already been the main antagonist of her own arc, and had her defeat by Reina.
Then, with the Interlude Arc gone, the Asuka Arc gets three more episodes to play with -- 11 episodes to close out the plot is easy. A luxurious amount of time to conclude everything.
Some things are lost if the arc is done this way: GIFT was a cool idea, so it's a shame to lose it, but it's not as if that plot ever gets utilised to its fullest extent in the show anyway. You'd potentially lose the Maki episode, although tbh you don't have to, you can very easily do the exact same episode just with the Traffickers as the one hiring an assassin instead -- they have good reason to go after Maki, as someone who hires Cleaners. You potentially lose the TACTICS episode, although ... again, you don't really have to, and in fact you can have that episode happen exactly the same way and just change the ending reveal to Raito working with Rose instead.
The biggest loss, though, is probably that it makes Miharu a much less interesting character. She's no longer the vengeance-obsessed architect behind a complex scheme involving a cult, she's effectively just a nice, uncomplicated good guy who goes a bit crazy when she finds out her sister got murdererd. And that is a shame, but like with GIFT, Beatbreak doesn't really follow through on Miharu's interesting complexity particularly well anyway. Like the other option here is that you retool the show from the very start to make it more of an ongoing war between Wong and GIFT from the very beginning, and while that could work even better than just overhauling this arc, it's sort of outside this post's scope.
Anyway, yeah, that's how I think Beatbreak could have made the GIFT arc much cleaner and also had the overarching plot move at a much more decent clip by giving Rose her time in the limelight as a main antagonist, not forgetting about Genjo, and introducing the White Core and its abilities a little earlier.
It really stands to be brought up again how comically bad Gwayne's offer to Daemon is.
"Okay, so we'll just have 3/7 kingdoms secede, forever marking Rhaenyra as the monarch who lost nearly half the kingdom. Those seceding kingdoms will include the two richest kingdoms who have a stranglehold on food and metal production, along with the centre of the main religion, while the four you have will include Dorne, which is functionally an independent polity in all but name anyway. These three seceding kingdoms will then form a new country led by a lineage with a claim to your throne, thus ensuring they are always a threat."
Like, Corlys' offer didn't have much chance of being taken -- Daeron as Lord Paramount of the Reach is still a massive threat, even if he very publicly declares his loyalty -- but it is at least halfway plausible. If that offer had been made at the start of this season, it might have warranted at least some consideration.
What is the sga debacle?? Did he do something specific?? I only know that he also made the shows Dark Matter and Utopia Falls which both have diversity and representation so that makes me hopeful for the same treatment in a new stargate series.
hi! whew im so sorry im just getting to this lmfao. truthfully ive been rly busy and this is such a serious topic that i wanted to make sure i chose my words carefully and laid everything out in the best way possible.
disclaimer section! im not the best person to speak on this topic ahha. I just got into the fandom last year and it was only a few months ago that i started to hear some of these issues that existed previously (so if any veteran stargate fans wanna hop in on this and explain things in greater detail, please do)! also this is not a call out post or canceling thing. this is simply a hey-these-things-happened-and-maybe-we-should-be-careful-with-who-we-interact-with-and-trust type thing. anyways without further ado, here’s some of the sketchy shit that went down behind the scenes of stargate atlantis! (all sources are posted in the comment/replies btw)
> let’s start with the decision to kill off carson beckett because thats where the first weird comment pops up. now a lot of people claim that this was a move made by writers & producers to shake up the show and “make the actors feel less secure.” i’ve never been able to find that direct quote although ive heard people say that someone openly admitted it on the audio commentary/bonus features on the atlantis dvds soo take that however you like aha.
> after the sudden exit of paul mcgillion, tori higginson left the show a few episodes later anddddd ok this is where things escalate. this is an interview she gave where she openly talks about everything that went on behind the scenes. but to summarize, the writers ignored all of her input and refused to grow the character further when she had clearly outgrown the “Hammond” role. joseph mallozzi states in his blog post that brad wright himself was very fond and loved the weir character and he claims that the decision to write her out was because of “just simple logic.”(1) however, torri tells a different story. (2)
“Honestly? I found that quite shitty, to be honest (laughs).Oops. But I found out, because I kept going to them, I kept going up to them saying ‘I have a feeling my character, you’re not doing anything with me, and you guys have me for six years and I don’t want to, you know, be here not doing anything. Let me know what’s going on.’ And they kept saying “no, no, no, it’s great. We love you. We love you. Things can be great.’ And I said ‘well, if that’s the case, can we do something with her’ and they kept reassuring me that nothing - and the very last day of filming season three, as I finished filming the last scene on the last day I was called up to the office and was told that my character was going to become recurring if I chose to be. So, I thought that was not very, um, dignified, way to deal with it, and I was a bit surprised. So I was—so my reaction was one of yeah, I was a little bit surprised. I was a little bit upset by how it was dealt with. But I wasn’t upset at the decision because I understood it. I kept going to them saying ‘I get, I get what’s going to happen, just give me some notice so I can pack my apartment and move back to L.A. Really. So I wasn’t upset with the decision. I was upset with how it was handled.”
she was led on and told her role would be reduced after the filming of season three which is uh. absolutely insane to think about considering she’s the main female lead of the show. And this is just my personal opinion but i think its interesting timing that as soon as brad stepped down, joseph mallozzi and his writing partner, paul mullie got rid of her. It’s also pretty telling that there was some bad blood behind the scenes because she didn’t even reprise her character in season five for the ghost in the machine aka the episode where they “kill elizabeth” off. although i do wanna mention that since then, jm has posted that he believes elizabeth would actually still be alive today and is just in stasis somewhere waiting to be found …which is nice. i guess. maybe they shouldn’t have fired her in the first place but hey whatever.
and to end the torri section, here’s another quote that i think is the real reason she was let go from atlantis.
Question: And now Amanda Tapping seems to be doing exactly the same… just filing an episode. Torri said “Well, no. I understand that it’s a club, and you know, some people.. .you know. I think they didn’t like me constantly rapping on the doors saying ‘excuse me, why aren’t there any women writers or any women producers on the show?’ I think it bothered them. And so, Amanda, bless her, just had a kid so... bless her, man, she needs that gig more than [me]… you know what I mean? So I have no issues with any of them. I understand how it works. It is a bit of a political game and… I’m not very good at politics (laughs). I’m like Weir. I just want to act.”
> now this is where the joe flanigan of it all starts to come in. he’s been vocal about defending torri higginson and openly saying how bad of a decision it was to kill her off. (3) and his interview with dial the gate was enlightening on a few topics. (4)
his character didn’t get a backstory until season 3. tptb literally told him, “john likes ferris wheels” and called it a day. which is actually mind boggling. they gave him nothing to work with and somehow he turned it into gold.
he’s also said many times and in different interviews how terrible it was that the writers carried over from sg1. the cast would pitch ideas but would be shut down because they would sound “too much like an sg1 ep” which is ridiculous considering how many atlantis scripts are just a rip off of sg1 eps anyways.
> and finally the whole whispers debacle. now i don’t really know a lot about this, so I'll just link the tumblr post that first brought this to my attention! (5) there’s also the whole “the writers stopped taking notes from the cast after season 3 and specifically started to shun joe out” thing (which is very obvious in seasons 4 and 5) so i’ll also link another great tumblr post because they explain it so much better than i can. (6)
> there’s also the fact that once it became clear that universe was not doing well, both bw and jm turned and blamed it on atlantis and even sg1 fans.
“I don’t think if we, for any reason, go away, it is an issue necessarily of the quality of the product that we’ve been making. I think getting moved on the schedule has hurt us. And the fact that some of the fans that liked SG-1 and Atlantis were so angry that they have deliberately hurt us, which is unfortunate.” (7) Brad Wright.
Jaso967060 writes: “Heck I think alot of people from “that other site” could be won back if some changes are made. (Finding out the Destinys Mission and the crew working together more instead of tearing each other down…and having more action…changes like that.)”
Answer: Disagree. Given that their deluded mission statement is to see SGU cancelled in order to pave the way for an SGA return, I doubt that very much. (8) Joseph Mallozzi
this post is getting too long so i won’t go into the whole “stargate atlantis viewers were not the right demographic the writers wanted” thing. because yes this may have been said by one of the writers (i don’t have a source but so many people bring it up and it makes sense considering the type of show universe is). also joe flanigan talked about how the writers and producers disrespected atlantis fans and he sorta mentions this quote too so im gonna link it. (9) also i would just like to say huge shoutout to joe for not caring to be diplomatic lol.
but yea. please take this post however you would like. all of this happened years and years ago so one can only hope people have learned from their mistakes. and if a fourth stargate show is ever made, I just pray they'll finally have women and poc writers/producers/directors as main contributors. also joseph mallozzi has done so many interviews with dial of the gate in recent years, so i would check those out if anyone would like to hear his current thoughts on stargate. (if you do, please message me because i would love to know if he acknowledges any of these topics ahah).
and to end this lovely post, let's reminisce on that one time joe flanigan called the writers of atlantis “rodney mckays” <3
“Because the writers are all McKays – they are the collective Rodney McKay. It’s a whole load of little McKays running round up there in the offices.” (10)
so sorry this took a million years to respond to ahha. and i may have gotten a bit sidetracked but i hope i answered your question !!
and this isn't even EVERYTHING tbh
just ask me what happened to the nice queer couple in stargate origins (don't ask me, it was awful, trust me, you don't want to know)
and I love sg1 and sga but I also am fully cognizant of their flaws
So off the top of my head:
Mallozzi got kicked off the main fan website for his own show for being a huge asshole to fans. Gateworld was the primary fan site for Stargate (this was before social media) and they had to ban him for being a dick to people. That tells you all you need to know about this dude.
There was a serial rapist character they introduced in a "humorous" episode, and when the fanbase pointed out this guy was drugging and raping people and it was not funny, they deliberately brought the character back in another episode.
When Universe was being promoted the Bridge Boys club (the producers) bragged that it wasn't for their existing fanbase, and they were pretty explicit that they meant the heavily female fanbase of SGA. They were making a show for dudes, instead. Honestly they wanted to have their own BSG and failed.
In response to this bragging, the female fanbase of Stargate didn't watch SGU. Individually some did, but collectively SGU had the lowest ratings among SyFy's shows for female viewers. They told us it wasn't for us and then they got mad that we didn't watch. And blamed us for the show getting cancelled.
The Boys were also pretty blunt that they brought Jewel Stait in because Rachel Luttrell wasn't hot enough any more after she had the baby.
Last but not least, they forced Amanda Tapping to go work on SGA because she was under contract when SG1 ended. She wanted to go do her own show, "Sanctuary" but they insisted she had to keep working on Stargate, and they were angry that she wasn't grateful for the work. I don't recall if Shanks and the other SG1 actors were still in contract at that point, since they all got to leave, maybe they weren't, but it would be notable if they let all the guys out when the show was cancelled but not Amanda.
The “shutting Joe out” thing is actually WAY WORSE because it goes to how Mallozzi dealt with his employees.
TV networks/studios have photographers who take official photographs for publicity purposes. Those images will have a network/studio watermark on them. Most importantly, the actors in the pictures get paid if and when someone licenses the picture for, say, an article about the show.
Mallozzi had a blog where he would share behind-the-scenes stuff from productions, including pictures. Except they weren’t the official, licensed pictures that he would have had to pay to use. They were pictures he took. Without permission.
The license fees weren’t a big deal for the main cast, but for a day player with three lines? This was depriving them of a source of income. So they went to the president of the union on set. Which was Joe Flanigan.
Joe went to Mallozzi as union president to file an official complaint about it. Mallozzi didn’t have a leg to stand on. He was absolutely in the wrong, and thereafter he made a big fuss about how he’d definitely asked permission to take these pictures on his blog and it definitely wasn’t violating union rules.
And after that, the producers stopped talking to Joe.
Yeah. This post and this post go over a lot of this, plus Mallozi’s prolonged assholery after Maureen Ryan (of the Chicago Tribune) criticized the terrible gender dynamics in Stargate Universe.
Annoyed at the very mild but very persistent cold symptoms I'm getting, along with a semi-regular itchy eye (always the same eye too, and the itching is real bad).
It's hayfever, most likely -- sneezing, itchy eye, occasional headaches, all matches up -- so I might actually wait a minute the petrol station sells antihistamines and should be open for another twenty minutes okay new plan.
Reading a paper for Thesis Reasons and the author is putting forward the idea that state-backed racism has been largely replaced with state-backed nationalism, which is ... I don't want to say naive, because I don't think "this one bad thing has been replaced by this other bad thing," can rightly be described as a naive statement, but I would say it bafflingly underestimates the ability of the state to multitask and is also incongruous with observable reality.
The paper was published in 2004, so it stands to be said that it was a very different political reality than it is today, 22 years later, but even for 2004 it's an extremely flawed hypothesis.
That said, there are some parts of this which probably were valid observations in 2004 but come off as completely insane in 2026.
"It would be inconceivable for a public figure to openly push race replacement theories." Maybe for you, in the magical dreamland of 2004, but I'm two decades into the future and the richest man on the planet keeps clumsily modifying his personal chatbot to tell people about 'white genocide' so unfortunately you sound like a lunatic.

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Reading a paper for Thesis Reasons and the author is putting forward the idea that state-backed racism has been largely replaced with state-backed nationalism, which is ... I don't want to say naive, because I don't think "this one bad thing has been replaced by this other bad thing," can rightly be described as a naive statement, but I would say it bafflingly underestimates the ability of the state to multitask and is also incongruous with observable reality.
The paper was published in 2004, so it stands to be said that it was a very different political reality than it is today, 22 years later, but even for 2004 it's an extremely flawed hypothesis.
the situation with harry potter is kind of unprecedented in some ways imo because it is maybe the largest media franchise in history to be created & owned by a single person who still has direct creative control over it. who is also a billionaire with significant cultural/political influence. like the usual "no ethical consumption under capitalism" type excuses shatter on impact when the bigoted author in question is logging onto twitter every day saying explicitly that when you buy the tim hortons ravenclaw donut she is using your donut money to fund the genocide of trans people. like with big franchises usually there's at least a little more diffusion of responsibility than this
"Someone will die."
"Of fun!"
Leaving aside how astoundingly gay that episode was even by the standards of the Digimon series that gave us 'a guy is psychotically obsessed with Kyo's strength,' 'a guy is psychotically obsessed with Kyo's strength,' 'a guy is psychotically obsessed with Kyo's strength,' and of course who can forget 'a guy is psychotically obsessed with wanting Kyo to murder him,' --
Kishiwada, if you're the Earth Star now, do you ... even have an earth-themed Digimon? Kind of seems like your partner is Splashmon. I get that the Water Star position is taken, but.
Pondering what order each member of Bleach's Royal Guard joined.
Some are obvious:
Hikifune is definitely the most recent. We know exactly when she joined (100 years ago), so that's pretty settled.
Ichibe is definitely the first, as their leader and as someone we know existed before the three worlds.
That leaves Oetsu, Shutara, and Tenjiro.
Oetsu is probably the second: He's the creator of zanpakuto, which seem pretty foundational to Soul Society's whole deal -- and given that Ichibe used his powers to remove the Soul King's name and those powers are from his zanpakuto, it seems plausible that Oetsu also existed before the three worlds, or at least very shortly after they were formed.
That makes Shutara probably the third. The invention that got her into the Royal Guard was the shinigami uniform, and we know those were invented over 2000 years ago. (Given she also personally knows Mayuri, this means Mayuri is insanely old). She also refers to her final release as 'Bankai' rather than the old term 'Shin'uchi' that Ichibe uses, which implies she achieved it after that nomenclature shift, so she automatically has to be newer than Oetsu (nomenclature shift for zanpakuto can't happen before zanpakuto exist, after all).
And then Tenjiro makes sense for the fourth. He knows Unohana personally, having taught her healing arts, and seemingly was around when she switched from World's Best Murderer to World's Best Healer, which was <1000 years ago.
So order seems to be: Ichibe, Oetsu, Shutara, Tenjiro, Hikifune.

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I do think it's fun how Kingdom Hearts has each of the Foretellers embody a sin, but in unexpected, even kind of nuanced ways.
The Master of Masters represents Pride, but he's not really a haughty, self-obsessed narcissist in any way, even though out of any character he probably has the best reason to be. Instead, his Pride comes through in his wholehearted belief that only he can shoulder the burden of saving the world: Having given himself the mission of preserving the dignity of humanity against the thirteen Darknesses, and being fully willing to sacrifice himself (and many, many others) to achieve that, he is entirely unwilling to share his plans or ask for help in any way. He can and does manipulate people into serving his agenda, but it seems to never even occur to him that if he just honestly explained what he was doing, other people might help him find a better path.
Aced represents Sloth, and while he's an extremely proactive character, he makes zero effort to actually honestly complete the task given to him and frankly seems uninterested in even trying. He was told 'back up Ira as his second-in-command and take over if necessary,' and immediately memory-holed the part of that he didn't like ('back up Ira') and jumped straight to the part he did 'take over.'
Ava represents Greed, and will lie, cheat, and betray the people closest to her to get what she wants. But what she wants isn't her own personal enrichment, it's a future where nobody needs to be sacrificed. And that's meaningful because the MoM, who is effectively god to her, flat-out claims that that's not possible, and Ava wants it so bad that she will defy his edicts and try to get it anyway.
Invi represents Envy, and fittingly resents multiple people -- she resents Aced being Ira's second-in-command, she resents Gula being tasked with rooting out the traitor, she resents Ava for being able to follow her own morals. But rather than actually being treacherous, she just sort of passively tries to muscle in on those roles, filling the gaps they leave and overstepping her authority to do so.
Gula represents Gluttony, and apart from the obvious angle of 'he's hoarding light to try and summon Kingdom Hearts,' he's also trying to hoard the happiness he had before everything went horribly wrong. He's almost the reverse of Ava: Ava seeks a better future, while Gula just wants to gorge himself on an endless repetition of his happiest days.
Ira represents Wrath. He's a wide-eyed idealist who really wants to believe that good always prevails and that people are inherently good -- and because of that idealism, is entirely incapable of coping with the idea of other people having flaws, which quickly escalates to not just paranoia over his other Foretellers but outright hating them for failing to live up to his ideal of what they should be. Every single time there's a problem, Ira spirals into barely contained rage.
Luxu represents Lust, and while he's not A Super Horny Guy, he fits it really well in the Buddhist sense of excessive attachment to physical existence. He jumps from body to body because he's unwilling to permit the inevitability of death, refuses to allow his time as a physical being to end. Or hey, maybe he is A Super Horny Guy, he's definitely been inside plenty of other people.
They're not all equally interesting -- Gula as Gluttony is pretty weak, and Invi is a kind of milquetoast representation of Envy -- but still, it's p. good.
I firmly believe that all identities are relational and formed through partaking in certain sets of actions. I also think when you’re isolated it’s very easy to lose track of who You are. I think this is why so many lonely/isolated people end up obsessing over labels and label discourse. it’s one of the only processes of identity formation you can partake in by yourself, in your bedroom. this is not meant as a value judgement, just as an observation as someone who was that lonely label-obsessed kid in the past